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I was quite impressed with the entire presentation of the film. The characters were well developed, individual, and full of potential and humanity. The relationships were actual and realistic, a wonderful break from the Fantasy of Sleepless in Seattle (or You've Got Mail, pick the title you want). The presentation of people with problems and realistic responses to these problems and the people who are affected by these problems really makes this movie more than a past-time; it is a gift, showing us what we are and what we can become with some work and maybe a small paradigm shift.

Everyone did a wonderful job of presenting real people, Sean Connery found a role which allowed him to be his age but not loose that which he is loved for: sinful good looks and flawless composure. Gillian Anderson was so good that by the end I had almost stopped waiting for Molder to arrive. But for me Angelina Jolie was the centerpiece, as she showed the greatest degree of development and growth, epitomizing the struggle that each person was going through.

To me, the plot was a lot more complicated than just the feelings that develop from watching the movie, and the depth of perception is honestly presented in the comments of the other reviewers; most seem to have watched the movie with so much intensity that they got up 35 minutes into it to go and tell the popcorn boy to give them a new bag because they had specifically asked for NO butter. This movie is cognitive to the degree it is affective. It takes one relationship and divides it up into several stages (seen as the family members' relationships), and in doing so it allows us to see relational development in ways we normally can't, just as we repeatedly see the time of day change against the buildings.

It is funny, it is romantic, but it is true. And I am thankful for its gift of sight: into life, into death.

Take an all-star cast of Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards, Angelina Jolie, Jay Mohr, Ryan Phillippe, Dennis Quaid, Gena Rowlands, Jon Stewart, and Madeleine Stowe; add terrific character development, a lot of emotion, and a little plot, and you get "Playing by Heart."

Hannah and Paul (Rowlands and Connery) are an aging couple trying to work through challenges new and old. Mark (Mohr) is dying of AIDS, and spends his last week on earth in a Chicago hospital talking to his mother (Burstyn). Hugh (Quaid) gets drunk and tells tragic stories to women in bars. Trendy, philosophical Joan (Jolie) tries to date the reclusive, mysterious Keenan (Phillippe), who refuses to date. Meredith (Anderson) has been "scalded" by so many men that she is afraid to get too close to Trent (Stewart). And Gracie and Roger (Stowe and Edwards) have an affair in an LA hotel; he wants more while she doesn't.

The stories seem independent, and I spent the whole movie wondering how they all intertwine. (They all come together in the last 20 minutes.) Not much plot, but the characters are very well developed, the acting is superb, and life's humor and tragedy is well mixed.

Rated R for language and mature content, but it probably could have gotten away with a PG13.

Writer/director Willard Carroll, the director of "Playing by Heart", has constructed a multi storied film where different narratives are seen completely without any idea how they are connected until the end. This device has been employed by other directors, notably, Robert Altman. Whereas Mr. Altman interconnects his scenes differently, Mr. Carroll, keeps the stories separate, only to have them come together at the end.

The director was exceptionally lucky in amassing this talented cast to appear in his film. Viewers of all ages will identify with the different stories since they resonate with different age groups. Most comments submitted to IMDb seem to be from young viewers who think the best thing in the movie are Joan and Keenan. While this couple do a good job, there are other good moments involving some of the other couples we see in the film.

Sean Connery and Gena Rowlands make an excellent couple. Angelina Jolie and Ryan Phillippe do also good work in the film. But Madeleine Stowe and Gillian Anderson have more interesting characters. Same could be said about Dennis Quaid, who makes a mark as Hugh, the tormented man who discovers his wife's infidelity. Anthony Edwards, Ellen Burstyn, Jay Mohr, and a surprising Jon Stewart are among the actors seen in minor roles.

The film will delight audiences because the film catches one's imagination from the beginning.

When I checked this one out on IMDb before watching it I was firstly surprised by the cast: how do you get all those well-known actors in a film which seemed very unprepossessing and might be considered a `sleeper', made by a practically unknown director? Apart from a couple of films in the late 80s and a number of films for video with perfectly unappetising titles, Willard Carroll did not seem to be a promise living up to the great cast he assembled for this film.

How wrong can you be! An excellent drama with real life issues is presented in a more live theatre style than the heart-tugging overplayed resources of more banal cinema productions. I mean, what bad luck that such a pretentious over-hyped `American Beauty' (qv) for instance, receives an avalanche of undeserved accolades, while this little gem just passes by, relatively unknown. In `Playing by Heart' you have a natural well played-out series of events without any of the overladen bombastics so frequent in American cinema. Excellent interpretations here – among the best I have seen of Sean Connery, and Gena Rowlands is his perfect counterpart. Full marks for interpretation to Gillian Anderson, Jay Mohr, Dennis Quaid, Ellyn Burstyn just wonderful, as is Madeleine Stowe, and Ryan Phillipe; and it is the first film in which Angelina Jolie is not appearing only to show off her indisputable charms, as she is wont, but to play her first really convincing rôle without flashing unnecessarily her anatomy all over the place.

So, evidently, full marks to Willard for piecing together all these elements to bring out what is indeed a very enjoyable surprise. Most certainly a film to see again. My only quibble is that perhaps the last ten minutes or so did not quite live up to expectations: however I would not say that this factor spoils any of the impressions made during the rest of the film.

My vote is a little higher than the IMDb User Rating.

How did a movie like this ever even get made? "Playing By Heart" has a myriad of notable actors meandering through painfully sluggish dialogue as they define, discuss and detail their individual relationships, ad-nauseum .

Writer-Director Willard Carroll must know where a body is buried in Hollywood, as it is the only explanation for this mess to ever get poured into a motion picture camera. The film jumps between one unrelated story to the other, giving no time for characters or plot to develop. To ensure that the viewer stays completely frustrated, many of the characters develop in directions that are never re-addressed by the film, leading the viewer down several of these meaningless dead-ends. We get to follow Dennis Quaide as he plays out invented characters in a seemingly endless string of bars, all in the name of his acting class. Beware of those who want to pin this film as Sean Connery's best role. Rent "The Untouchables" if you have any doubt. Despite a noble effort by Connery and others, the dialogue and overall sloppy directing will make the viewer hard-pressed to find any real teeth in the characters. "Playing By Heart" is a complete disappointment. It is neither romantic nor insightful. It is plentiful in mediocrity.