CALIFICACIÓN DE IMDb
6.9/10
21 k
TU CALIFICACIÓN
Once personas expresivas resuelven asuntos del corazón en Los Ángeles.Once personas expresivas resuelven asuntos del corazón en Los Ángeles.Once personas expresivas resuelven asuntos del corazón en Los Ángeles.
- Premios
- 1 premio ganado y 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Take an all-star cast of Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards, Angelina Jolie, Jay Mohr, Ryan Phillippe, Dennis Quaid, Gena Rowlands, Jon Stewart, and Madeleine Stowe; add terrific character development, a lot of emotion, and a little plot, and you get "Playing by Heart."
Hannah and Paul (Rowlands and Connery) are an aging couple trying to work through challenges new and old. Mark (Mohr) is dying of AIDS, and spends his last week on earth in a Chicago hospital talking to his mother (Burstyn). Hugh (Quaid) gets drunk and tells tragic stories to women in bars. Trendy, philosophical Joan (Jolie) tries to date the reclusive, mysterious Keenan (Phillippe), who refuses to date. Meredith (Anderson) has been "scalded" by so many men that she is afraid to get too close to Trent (Stewart). And Gracie and Roger (Stowe and Edwards) have an affair in an LA hotel; he wants more while she doesn't.
The stories seem independent, and I spent the whole movie wondering how they all intertwine. (They all come together in the last 20 minutes.) Not much plot, but the characters are very well developed, the acting is superb, and life's humor and tragedy is well mixed.
Rated R for language and mature content, but it probably could have gotten away with a PG13.
Hannah and Paul (Rowlands and Connery) are an aging couple trying to work through challenges new and old. Mark (Mohr) is dying of AIDS, and spends his last week on earth in a Chicago hospital talking to his mother (Burstyn). Hugh (Quaid) gets drunk and tells tragic stories to women in bars. Trendy, philosophical Joan (Jolie) tries to date the reclusive, mysterious Keenan (Phillippe), who refuses to date. Meredith (Anderson) has been "scalded" by so many men that she is afraid to get too close to Trent (Stewart). And Gracie and Roger (Stowe and Edwards) have an affair in an LA hotel; he wants more while she doesn't.
The stories seem independent, and I spent the whole movie wondering how they all intertwine. (They all come together in the last 20 minutes.) Not much plot, but the characters are very well developed, the acting is superb, and life's humor and tragedy is well mixed.
Rated R for language and mature content, but it probably could have gotten away with a PG13.
Why this film wasn't in wide release is beyond me. It had a great cast and a great story and even the trailer for it was funny. And plus, can't Sean Connery sell a movie all by himself? This is a true hidden gem of a film and it is one that really should be seen by everyone.
I won't really get into the details of the film too much because seeing what this film is all about is one of the joys of it. You watch it and you know there is more to it than the screen play lets on about and it is fun trying to piece clues together to understand what is going on. It is a mystery in some ways and isn't that what the movie claims to be? A mystery about love. And as they allude to, love is a mytery anyway.
My fave characters are Gillian Anderson's and Jon Stewarts. Their story hits all the right notes and it is easy to relate to them. They are both cautious people when delving into love. Both have been hurt but one of them is just a little more relaxed and willing to learn about love again. And there is one scene where Gillian jumps all over Stewart about some silly issue and this is the area where most movies go the traditional route and they break up, get back together and live happily ever after. It is a typical concept and it has been done to death. But in this movie it takes a fresh approach to solving problems and that is it's strength.
This is a great romance and it is also wickedly funny. And the way everything is summed up at the end is not only perfect but it is heart warming and it leaves you feeling glad to be in love, or at least willing to fall again.
I won't really get into the details of the film too much because seeing what this film is all about is one of the joys of it. You watch it and you know there is more to it than the screen play lets on about and it is fun trying to piece clues together to understand what is going on. It is a mystery in some ways and isn't that what the movie claims to be? A mystery about love. And as they allude to, love is a mytery anyway.
My fave characters are Gillian Anderson's and Jon Stewarts. Their story hits all the right notes and it is easy to relate to them. They are both cautious people when delving into love. Both have been hurt but one of them is just a little more relaxed and willing to learn about love again. And there is one scene where Gillian jumps all over Stewart about some silly issue and this is the area where most movies go the traditional route and they break up, get back together and live happily ever after. It is a typical concept and it has been done to death. But in this movie it takes a fresh approach to solving problems and that is it's strength.
This is a great romance and it is also wickedly funny. And the way everything is summed up at the end is not only perfect but it is heart warming and it leaves you feeling glad to be in love, or at least willing to fall again.
How did a movie like this ever even get made? "Playing By Heart" has a myriad of notable actors meandering through painfully sluggish dialogue as they define, discuss and detail their individual relationships, ad-nauseum .
Writer-Director Willard Carroll must know where a body is buried in Hollywood, as it is the only explanation for this mess to ever get poured into a motion picture camera. The film jumps between one unrelated story to the other, giving no time for characters or plot to develop. To ensure that the viewer stays completely frustrated, many of the characters develop in directions that are never re-addressed by the film, leading the viewer down several of these meaningless dead-ends. We get to follow Dennis Quaide as he plays out invented characters in a seemingly endless string of bars, all in the name of his acting class. Beware of those who want to pin this film as Sean Connery's best role. Rent "The Untouchables" if you have any doubt. Despite a noble effort by Connery and others, the dialogue and overall sloppy directing will make the viewer hard-pressed to find any real teeth in the characters. "Playing By Heart" is a complete disappointment. It is neither romantic nor insightful. It is plentiful in mediocrity.
Writer-Director Willard Carroll must know where a body is buried in Hollywood, as it is the only explanation for this mess to ever get poured into a motion picture camera. The film jumps between one unrelated story to the other, giving no time for characters or plot to develop. To ensure that the viewer stays completely frustrated, many of the characters develop in directions that are never re-addressed by the film, leading the viewer down several of these meaningless dead-ends. We get to follow Dennis Quaide as he plays out invented characters in a seemingly endless string of bars, all in the name of his acting class. Beware of those who want to pin this film as Sean Connery's best role. Rent "The Untouchables" if you have any doubt. Despite a noble effort by Connery and others, the dialogue and overall sloppy directing will make the viewer hard-pressed to find any real teeth in the characters. "Playing By Heart" is a complete disappointment. It is neither romantic nor insightful. It is plentiful in mediocrity.
When I checked this one out on IMDb before watching it I was firstly surprised by the cast: how do you get all those well-known actors in a film which seemed very unprepossessing and might be considered a `sleeper', made by a practically unknown director? Apart from a couple of films in the late 80s and a number of films for video with perfectly unappetising titles, Willard Carroll did not seem to be a promise living up to the great cast he assembled for this film.
How wrong can you be! An excellent drama with real life issues is presented in a more live theatre style than the heart-tugging overplayed resources of more banal cinema productions. I mean, what bad luck that such a pretentious over-hyped `American Beauty' (qv) for instance, receives an avalanche of undeserved accolades, while this little gem just passes by, relatively unknown. In `Playing by Heart' you have a natural well played-out series of events without any of the overladen bombastics so frequent in American cinema. Excellent interpretations here among the best I have seen of Sean Connery, and Gena Rowlands is his perfect counterpart. Full marks for interpretation to Gillian Anderson, Jay Mohr, Dennis Quaid, Ellyn Burstyn just wonderful, as is Madeleine Stowe, and Ryan Phillipe; and it is the first film in which Angelina Jolie is not appearing only to show off her indisputable charms, as she is wont, but to play her first really convincing rôle without flashing unnecessarily her anatomy all over the place.
So, evidently, full marks to Willard for piecing together all these elements to bring out what is indeed a very enjoyable surprise. Most certainly a film to see again. My only quibble is that perhaps the last ten minutes or so did not quite live up to expectations: however I would not say that this factor spoils any of the impressions made during the rest of the film.
My vote is a little higher than the IMDb User Rating.
How wrong can you be! An excellent drama with real life issues is presented in a more live theatre style than the heart-tugging overplayed resources of more banal cinema productions. I mean, what bad luck that such a pretentious over-hyped `American Beauty' (qv) for instance, receives an avalanche of undeserved accolades, while this little gem just passes by, relatively unknown. In `Playing by Heart' you have a natural well played-out series of events without any of the overladen bombastics so frequent in American cinema. Excellent interpretations here among the best I have seen of Sean Connery, and Gena Rowlands is his perfect counterpart. Full marks for interpretation to Gillian Anderson, Jay Mohr, Dennis Quaid, Ellyn Burstyn just wonderful, as is Madeleine Stowe, and Ryan Phillipe; and it is the first film in which Angelina Jolie is not appearing only to show off her indisputable charms, as she is wont, but to play her first really convincing rôle without flashing unnecessarily her anatomy all over the place.
So, evidently, full marks to Willard for piecing together all these elements to bring out what is indeed a very enjoyable surprise. Most certainly a film to see again. My only quibble is that perhaps the last ten minutes or so did not quite live up to expectations: however I would not say that this factor spoils any of the impressions made during the rest of the film.
My vote is a little higher than the IMDb User Rating.
As I watched "Playing by Heart", I found myself quite frustrated by the film. It consisted of many different stories about love...I felt too many. I sat there wishing the film had instead just focused on one...or perhaps two. After all, the stories were interesting and the acting quite formidable....but each story was interrupted repeatedly and each story was woven into a bigger tale. However, as the film progressed, I found myself not minding its structure...which was a lot like a later film, "Love Actually".
Instead of discussing each of the love stories, I'd rather just say that each sucked me in...a few, more than others. And, the acting was exceptional...and had me on the verge of tears several times. Overall, it's a lovely film....and one I cannot understand how it received two thumbs down from Siskel and Ebert....that I just find confusing because there's so much to like here.
By the way, there was one thing I really did NOT like and that the DVD had no captions of any sort. It's a shame as I am a bit hard of hearing and really had to struggle to hear some of the dialog...particular at the night club sequences.
Instead of discussing each of the love stories, I'd rather just say that each sucked me in...a few, more than others. And, the acting was exceptional...and had me on the verge of tears several times. Overall, it's a lovely film....and one I cannot understand how it received two thumbs down from Siskel and Ebert....that I just find confusing because there's so much to like here.
By the way, there was one thing I really did NOT like and that the DVD had no captions of any sort. It's a shame as I am a bit hard of hearing and really had to struggle to hear some of the dialog...particular at the night club sequences.
¿Sabías que…?
- TriviaSir Sean Connery took just $60,000 as his salary for this movie, as he was keen to play a character his age in a relationship with someone his own age. This was a far cry from the $14 million he earned on The Rock (1996).
- ErroresUp until the end of the movie Angelina Jolie doesn't have her dragon tattoo on her left arm. When all the couples meet for their parents to renew their vows you can then see that she has a red saran wrap heart on her left arm.
- Créditos curiososThe opening scenes introducing the major characters list their character names with subtitles, but not the actors/actresses who are portraying them.
- Versiones alternativasTrailer includes scenes of sexual encounter between Anthony Edwards and Madeline Stowe.
- ConexionesFeatured in Bonnie Raitt: Lover's Will (1998)
- Bandas sonorasDrinking in LA
Written by James Di Salvio (as James Di Salvio), Haig Vartzbedian and Duane Larson
Performed by Bran Van 3000
Courtesy of Audiogram/Capitol Records
Under license from EMI Music Special Markets
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Playing by Heart
- Locaciones de filmación
- Mayan Theater - 1038 Hill Street, Downtown, Los Ángeles, California, Estados Unidos(Nightclub interiors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,970,078
- Fin de semana de estreno en EE. UU. y Canadá
- USD 26,669
- 3 ene 1999
- Total a nivel mundial
- USD 3,970,078
- Tiempo de ejecución
- 2h 1min(121 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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