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This is a great adaptation. It is well cast and all the performances are excellent. I particularly liked the performances of David Morrissey as Bradley Hellstone and Stephen Mackintosh as John Rokesmith.

The script remains fairly faithful to the book, and the costumes and scenery give a very convincing Victorian look.

This adaptation of Our Mutual Friend is on a par with the BBC 's Bleak House, which was very impressive indeed. As with all of Dickens novels, a ninety minute movie can do them little justice. It was therefore wonderful to see how the director used the six hours to great affect in 'Our Mutual Friend'. The adaptation has no weak or flat spots, and the actors are without question perfect for every character, my own favourites being Mr Boffin, the loch keeper and the 'one legged man. Without detracting from the acting or plot line,the director gives us a sumptuous visual feast, without becoming too 'Dickensian'. I am biased by believing there is no greater creator of story lines and characters than Charles Dickens, and had he been alive today he would have undoubtedly been very heartened at this attempt to bring his genius to the screen.

"Our Mutual Friend," a sumptuous six-hour adaption of Charles Dickens' last novel, easily establishes itself among the very best of the long-form British adaptions. Visually stunning, with an opulent budget, no other series more accurately captures the feeling of Dickens' England, from the waterfront sets to the huge ensemble cast of oddballs, scum, slime, and heroes.

From the Pre-Raphaelite beauty of Keeley Hawes to the impressively evil and immensely filthy Kenneth Cranham, or the peculiar Timothy Spall, the entire production finds its success in superb casting, with every character fascinating, complex, and human. Anna Friel's heroine is attractively modern without being "inauthentic," which could be applied to the entire cast -- managing to be convincingly Victorian without being inaccessible or unnatural.

The cinematography and score are all topnotch, and the occasional montage scene employing handheld cameras in the vein of "A Hard Day's Night" works, surprisingly. The writer and director juggle the multitude of plotlines with ease, and the narrative is always brisk and sure.

Even when the denouement grows a little silly, with all turning out blissfully right in the end, "Our Mutual Friend" never loses the complete captivation of its audience, thanks to almost too many superb performances directed under a very sure hand and a very smart screenwriter.

With a wealth of characters to fall in love with, "Our Mutual Friend" surely ranks alongside "Martin Chuzzlewit", "Pride and Prejudice", and "Middlemarch" as one of the finest classic mini-series produced.

Our Mutual Friend is mostly about stalkers (there are seven). And not only dudes obsessed with beautiful women, but greedy rogues tracking down any embarrassing secrets in the lives of rich public figures, or jealous rivals shadowing their opponents.

Dickens was already fascinated by the idea that we cannot really know what goes on inside the hearts of our fellow men, and Our Mutual Friend further complicates this theme by incorporating the devious facades of high society and its occupants. From a pair of sycophantic social climbers to a one-legged man of letters, no one is what they seem.

As an adaptation, this six-hour TV film is near-perfect, cutting only the most superfluous subplots (Fascination Fledgeby, for instance). The minor characters almost steal the show, providing a coterie of wonderfully mad Dickensian eccentrics (it's hard to pick, but I think my favorite is Timothy Spall's lovelorn Mr. Venus, closely followed by David Bradley's hawkish Rogue Riderhood.)

But the main characters win the day. Our Mutual Friend contains several of the most beautiful relationships I've seen in period drama, thanks chiefly to the talent and charm of the principle actors. The sublimely beautiful Bella Wilfer is a splendid mix of pettiness and elfin charm. Lizzie Hexam is a bit too idealized and posh, but I'm sure old man Dickens would approve. Rokesmith combines mystery and ambiguity with an appealingly quiet dignity. Eugene Wrayburn, on the other hand, is wildly self- destructive and irresponsible, barely pardoned by his waggish charm. Perhaps the best performance of all is Mr. Headstone's, the passionate schoolmaster crippled by insecurity and pride.

The complexities of the plot are also fascinating to negotiate...romance, drama, and obsession thread their way through a ridiculously tangled web of inheritance, blackmail, and murder.

Also, Bella Wilfer's dresses are about the most gorgeous thing ever. If you're a period drama fan, this, my favorite Dickens adaptation of all time, isn't to be missed.

Longer review here: http://www.longview95.blogspot.com/2014/07/our-mutual- friend-review.html

"Our Mutual Friend," is another well done BBC adaptation of a classic Charles Dickens story, set in the complex London of 1860, beset with the poor, overseen by the unseemly rich with a class structure at it's most delineated.

All of these stories deserve the mini-treatment, to allow us into the sprawl of the period and soak up its language and atmosphere and this is right up there with the best of them. The waterfront sets are magnificent as are the sets for the refuse dump where a lot of the action takes place. The cast is enormous and includes many recognised British names, from Timothy Spall, one of my personal favourites, to Margaret Tyzack, another favourite from the original "Forsyte Saga" series.

Each character is well drawn and complex in all its humanity and struggle for survival. Keely Hawes shines as a woman ill suited to a life on the river, retrieving drowned corpses for their clothes and possessions, and as her counterpart, Anna Friel is sparkling with wit and beauty as a poverty stricken woman striving to acquire a rich husband.

The script is authentic to Dickens and the era, underlaid with a haunting musical score and overlaid with a cinematography that sweeps from the multi-layered greys of the slums and river life to the lush English gardens of the well-to-do and their sumptuous parties.

Much like the mini "Pride and Prejudice", all the plot lines sweep to a happy, clean and simple denouement in the end, but the ride is sure-footed with many interesting characters to bewitch and fascinate along the way and a suspenseful drama to hold interest.

9 out of 10 and not to be missed.