St. Ives

a nice romantic comedy. not extraordinary, not so bad, only common. the story is far to be seductive and acting remains occasion for a not hard work for good cast. so, an old story, an old performance. only isles of interest - the roles created by Miranda Richardson and Richard E. Grant. the not inspired idea - Jean - Mark Barr as Jacques Sait Ives. his desire to define the character is admirable but he remains only a French actor in skin of a French character,the not great choice for a role who must drive the story. for the fans of first XIX century atmosphere , the film could be a nice option. for the others - meeting with few interesting actors.

ST. IVES

Aspect ratio: 1.85:1

Sound format: Dolby Stereo

Loosely based on an unfinished work by Robert Louis Stevenson, this light-hearted romp through 19th century Europe attends the fortunes of a dashing French hussar (Jean-Marc Barr, the ineffably beautiful star of THE BIG BLUE, and a regular in the films of Lars von Trier) as he wines and wenches his way through the Napoleonic wars before being captured by the enemy and interned in a Scottish prison camp. There, he's befriended by a sympathetic warder (Richard E. Grant) who recognizes his status as a 'gentleman', and is helped to escape by a romantic young noblewoman (Anna Friel) and her idiosyncratic aunt (Miranda Richardson). Eventually, Barr stumbles on the scattered remnants of his long-lost family (Michael Gough is the benevolent grandfather, while Jason Isaacs plays the younger brother who would rather see Barr dead than share his inheritance), and is pursued across the English Channel by those who would either worship or destroy him.

Director Harry Hook (LORD OF THE FLIES) plays things low-key for the most part, which means this swashbuckling comic adventure isn't nearly as swashbuckling, comic or adventurous as Allan Cubitt's witty script suggests, but the period settings are a treat and the characters are nicely underplayed by a game cast (Barr is proud and genial, while Grant and Richardson steal the show as, respectively, an incompetent fop and a worldly woman who cultivate a boiling passion for one another, despite their strict adherence to the rules of etiquette, leading to some of the film's most hilarious sequences). Perhaps too restrained for its own good, the movie strikes a diplomatic balance between humor and drama, but there's enough of both to satisfy casual viewers and hard-boiled movie fans alike. Also known as ALL FOR LOVE.

Fairly standard Napoleonic wars adventure romance with added comedy. The leading man is suitably French and Richard E Grant suitably silly. Anna Friel makes a spunky heroine and Miranda Richardson is a drug assisted randy aunt. Actual sex is left to the first (French-set) section as it's too cold in Scotland.

straightforward adventure that doesn't veer too far into comedy (though it is funny) or action (though it is exciting). actors are appealing, pace is well-set, and the picture looks gorgeous. you'll be entertained, but the movie does not make a very deep impression.

This is a lighthearted, colorful romp set in an interesting historical time period....the final years of Napoleon's reign. Lively performances by all the principals, in particular Miranda Richardson's naughty but nice, "liberated" bon vivant and the wonderful comic touches of Richard Grant's character (cracked me up several times, especially the wedding scene) which contribute significantly to its overall success. Stunning, vibrant color...those British redcoats never looked so red, Flora's buttercup yellow dress, a vision. Next, I read the book and meet Robert Louis Stevenson's characters all over again.