Ellen Foster

I think it'd be a fair assessment that most - heck, ALL Hallmark TV movies are guaranteed to send a message to the viewer, plucking the heartstrings the whole while. And that is certainly true of this movie as well. But this particular film has something special going for it that perhaps the others do not - and that is superlative acting. Young Jena Malone is a major talent who I hope will be given every opportunity to strut her stuff in the future. And Julie Harris is deliciously evil in her role as the Grandmother.

Ted Levine as the uncaring, self-centered alcoholic father....perfection! This is again a situation where the actor rises above the material to turn in a performance that another actor could have easily utilized for his best scenery chewing. Mr. Levine is one of the finest - and in my opinion - most underused actors around today. Let's just hope that for him, like Ms. Malone, every opportunity will be afforded him in the future to dazzle us with his outstanding ability. He simply shines in everything he does!

Did I like this film? You bet! Is it for everyone? Perhaps not - but see it for the ACTING, if nothing else. Enjoy.

Ellen Foster is the story of a 10 year old girl desperately searching for a true family to call her own. When her mother dies she is left with her father until taken away when the school learns he hits her. She stays with a teacher who volunteers to take her in and who gives her a taste of what a happy family could be like. This ends when her harridan of a grandmother lies in court by telling the judge that she wants custody. Turns out she just wants cheap slave labor, and she goes so far as to tell Ellen that she intends on making her pay for the death of her mother, though Ellen had nothing to do with anything that the father did to her. Soon the grandmother has a stroke and then dies. She is taken in by one of her aunts who is nicer than the grandmother but only on the surface. Ellen's cousin despises her and this situation soon leads to a fight that has Ellen leaving the house on Christmas Day to go to The Foster house. She thinks that the home is a family named Foster, but it is a woman who takes in girls that are unwanted or orphaned. Jena Malone as in her previous film, Bastard Out of Carolina, stars as the abused child, but rather than seem like the pedestrian movie of the week, it is a standout performance. She may still be considered a child actress, but it is very hard not to notice that she's got some great acting chops.

I saw this movie last night for the first time on the Odyssey Channel, and it is on again now. I thought it was brilliant, and nobody could have matched the way Jena Malone brought Ellen to life. Jena is one of my favorite actresses (I've seen 3 of her movies this month!) and I have been a fan of hers for a long time. I think that this is one of her most powerful roles, and she did a great job in her portrayal as the child of an alcoholic father being shuffled from relative to relative after her mother dies. Jena is definitely going to be a major actress when she gets older, as her acting talents are unbelievable. :)

I am usually a fan of Hallmark Hall of Fame TV movies, but this one failed to win my heart. At best, it was a SEMI- entertaining flick with Jena Malone playing a "troubled" girl (now is that creative or what?)who fails to get along with completely anybody. In other words, she's a complete little brat. If I want to see a movie about a troubled child, I will watch the first half of Jane Eyre. At least that one is entertaining and shows a vague human side behind all of Jane's "fiestiness." I failed to make the same connection with Ellen and that makes for a rather unlikeable little character and a none too likeable film. I'd give it a five out of ten at MOST.

Because the passage of years has a way of fogging most adults' memories of their own "childhoods" - especially in the intangible areas of feelings, hopes, hurts, decisions, goals, strategies, etc., they will often conclude that "children" are sort of non-sentient, non-human beings - blank pages in-putting a stream of data for use in their later, more important after metamorphosis existence. I read a review once of "The Cure", a movie starring young actors Joseph Mazzello and Brad Renfro, where a critic in a backhanded compliment called them "two of the best pre-actors around." I suppose that was because, being under twenty-one, they must be "pre-people." Judging by a few of Jena Malone's recent public remarks, not to mention her own real-life experiences, I'm sure she would object to such an attitude. Certainly, her film career belies that attitude. The movie "Ellen Foster" is a good case in point. In it she portrays an eleven year-old girl who, when buffeted by the cruelty and insensitivity of the supposed wise adult world responsible for her care, sets out determinedly to shape a world for herself that does make sense. Ellen belongs to no one but her own unique really human self.

However, it isn't just the character who achieves the point. More important, by her powerful performance, Miss Malone certainly proves she is an actor - and person - of substance. Her ability to read and interpret with such perception and sensitivity the inner being of Ellen as she goes through her trials and sets out on her steadfast quest is precisely on point. This movie is a tour de force for Jena Malone. In the field of acting, she takes a back seat to no one ... of any age.