CALIFICACIÓN DE IMDb
5.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaMothra's twin nymphs and children from the city find a lost city, as well as a giant monster that is attracted to environmental calamities.Mothra's twin nymphs and children from the city find a lost city, as well as a giant monster that is attracted to environmental calamities.Mothra's twin nymphs and children from the city find a lost city, as well as a giant monster that is attracted to environmental calamities.
- Dirección
- Guionistas
- Elenco
Kentarô Sakai
- Policeman in Ishigaki Island
- (as Kentaro Sakai)
Masahiro Satou
- Tatsuzô Itoman - Funny Teacher
- (as Masahiro Sato)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
After kicking the butt of Death Ghidorah, Mothra takes on Dagarah, a creature who was genetically engineered to destroy garbage which went wrong (don't they always?). It's producing starfish-like creatures called Barem, and Mothra's the only one who can stop Dagarah before he destroys the world!
Mothra's more or less the same in this movie (apart from the final battle). The same beam weapons as before, but gets a colour change courtesy of the healing powers of Ghogo.
Dagarah's an odd one. It's original, I'll give it that, but apart from that, it's not a particularly good monster. It's good how Mothra can't touch him, especially when he dives deeper beneath the sea. Apart from that, it's not much good.
AquaMothra is one of the best Mothra forms I've seen. The CGI-fuelled sequence with the multi AquaMothras shooting their beam weapons inside of Dagarah is pretty surreal, but it's meant to be!
Ghogo's one of the most bizarre points of the movie. You can actually see the wire which it's attached to when it bounces! Even more bizarre is its human-healing properties: its urine. I wonder if it's any relation to Trumpy from Pod People, like a mother's niece's friend's friend's sister's person-who-they-met-in-the-mall's cousin's school-friend's pet. Ghogo, you can do magic things! (It's called evil. Or is it more like goofiness?)
I'm not going to talk about the kids. The Elias are not much different. Moll's still determined to stop the creature and Belvera, where Lora is still the unsure, emotional one. Belvera doesn't get much screentime, and when she does, it's in the company of those two nimrods she hired. Garu Garu's back, but its more mechanised this time. When Mothra lifts Dagarah out of the water when it's been killed (or something like it) the princess says something, Mothra's tractor-beam loses hold, and DAGARAH LANDS ON THE TEMPLE, COMPLETELY OBLITERATED!!! Was that meant to happen?
At the end of the movie, there should have been a prelude to MOSURA 3 with King Ghidorah heading towards Earth....
Mothra's more or less the same in this movie (apart from the final battle). The same beam weapons as before, but gets a colour change courtesy of the healing powers of Ghogo.
Dagarah's an odd one. It's original, I'll give it that, but apart from that, it's not a particularly good monster. It's good how Mothra can't touch him, especially when he dives deeper beneath the sea. Apart from that, it's not much good.
AquaMothra is one of the best Mothra forms I've seen. The CGI-fuelled sequence with the multi AquaMothras shooting their beam weapons inside of Dagarah is pretty surreal, but it's meant to be!
Ghogo's one of the most bizarre points of the movie. You can actually see the wire which it's attached to when it bounces! Even more bizarre is its human-healing properties: its urine. I wonder if it's any relation to Trumpy from Pod People, like a mother's niece's friend's friend's sister's person-who-they-met-in-the-mall's cousin's school-friend's pet. Ghogo, you can do magic things! (It's called evil. Or is it more like goofiness?)
I'm not going to talk about the kids. The Elias are not much different. Moll's still determined to stop the creature and Belvera, where Lora is still the unsure, emotional one. Belvera doesn't get much screentime, and when she does, it's in the company of those two nimrods she hired. Garu Garu's back, but its more mechanised this time. When Mothra lifts Dagarah out of the water when it's been killed (or something like it) the princess says something, Mothra's tractor-beam loses hold, and DAGARAH LANDS ON THE TEMPLE, COMPLETELY OBLITERATED!!! Was that meant to happen?
At the end of the movie, there should have been a prelude to MOSURA 3 with King Ghidorah heading towards Earth....
First, I love the majority of Toho films. All the silly Godzilla flicks from the 70's and so on, but this film is taking it to a new level. Granted, I'll give it a 5 out of 10, but whats the deal with Mothra and all the powers it now has?....AquaMothra?...give me a break. Both creatures had too many different weapons that weren't explained nor seemed to be a dominant in battle. The effects were good, better than most films of this type, but I would have liked to see more land-based battles, because a moth in water doesn't cut it for me. Dagahra was a unique and interesting creature, so hopefully he'll appear again. After seeing the "Rebirth of Mothra", this was kind of a letdown and a little boring at the end. Hopefully Rebirth 3 is better.
The first "Rebirth of Mothra" was truly an interesting movie but the second incarnation is weak. All three of the little fairies: Moll, Lora and the evil Belvera return which helps this movie. Mothra is no longer just a youngster from the first but a more mature Moth with new weapons to save the Earth. The best weapon was the ability to change into an underwater Moth. She was like a "slick" looking submarine as she was swimming. Another weapon was the ability to break into little Moths, with the "battle smarts" to battle the evil creature Dagarah internally. Talk about giving someone "heartburn." Dagarah sure had a pain in his stomach. He needed to learn that swallowing your enemy is not the "best policy." The weakest part of this film was a little doll like thing called the "Ghogo." It was supposed to contain much power but this was really hard to believe if you "judge a book" by its appearance. It was so child-like that this film seemed like a "kiddie-fair" whenever you watched this creature move around.
This film was almost entirely uninteresting and boring. Throughout the time I was watching it, I considered at least five times changing the channel because I was getting so bored. But I wanted to see the movie for the monsters.
There are several reasons why I dislike this film. And the first and most main reason is the main characters. They're children! Annoying little children! Like in the Showa Gamera films. They really get on my nerves throughout the film, for the movie concentrates mostly on them and not the monsters.
But when there are monster sequences, this film will keep its viewers watching. Like your average Heisei monster film, the battles are pretty good with lots of 'beam-war' action. Maybe this is just a flaw in the English dubbing, but the antagonist, Dagahrah, I pronounced something like "Dagarlah." So, watch this movie only for the monster sequences. But if you didn't like the Heisei Godzilla fights, don't watch this movie at all.
There are several reasons why I dislike this film. And the first and most main reason is the main characters. They're children! Annoying little children! Like in the Showa Gamera films. They really get on my nerves throughout the film, for the movie concentrates mostly on them and not the monsters.
But when there are monster sequences, this film will keep its viewers watching. Like your average Heisei monster film, the battles are pretty good with lots of 'beam-war' action. Maybe this is just a flaw in the English dubbing, but the antagonist, Dagahrah, I pronounced something like "Dagarlah." So, watch this movie only for the monster sequences. But if you didn't like the Heisei Godzilla fights, don't watch this movie at all.
I thought this was a really enjoyable movie, though aimed very much at kids. It reminded me of the old-style Gamera flicks, but with an important difference: the kid-heros behaved much more like real children than the insufferable brats of 60's monster movies.
However, my adult-brain has some reservations about it. Most of all, I found the inevitable "what I learned from the Monster" message appalling: the kids suggest it's best not to know too much, and much better to stay uninformed and let God straighten everything out. That's probably not the interpretation the film-makers wanted, but I thought that was what came across, loud and clear.
Another problem -- less serious and actually kind of endearing -- is the poverty of the special effects. Oh, don't get me wrong: some of the effects are first rate, especially those involving Mothra's transformations; and the matte shots are way ahead of the first "Mothra" (1996), where I found myself thinking of bad 70's sci-fi. But I've never seen more visible wire-work outside of a Full Moon picture. Otherwise impressive shots of Dagahrla streaking through the skies are ruined by the obvious cables running from its back. Then there's the Gogo, that bizarre Furby-like creature that creates miracles by peeing on things... even when you can't see the wire attached to his head, you just KNOW it's there.
Much more fun and far less ponderous than some of the later Godzilla flicks, this movie will appeal to anyone who has a lingering affection for the old Gamera movies, shortcomings and all. Just try not to think about it too much...
However, my adult-brain has some reservations about it. Most of all, I found the inevitable "what I learned from the Monster" message appalling: the kids suggest it's best not to know too much, and much better to stay uninformed and let God straighten everything out. That's probably not the interpretation the film-makers wanted, but I thought that was what came across, loud and clear.
Another problem -- less serious and actually kind of endearing -- is the poverty of the special effects. Oh, don't get me wrong: some of the effects are first rate, especially those involving Mothra's transformations; and the matte shots are way ahead of the first "Mothra" (1996), where I found myself thinking of bad 70's sci-fi. But I've never seen more visible wire-work outside of a Full Moon picture. Otherwise impressive shots of Dagahrla streaking through the skies are ruined by the obvious cables running from its back. Then there's the Gogo, that bizarre Furby-like creature that creates miracles by peeing on things... even when you can't see the wire attached to his head, you just KNOW it's there.
Much more fun and far less ponderous than some of the later Godzilla flicks, this movie will appeal to anyone who has a lingering affection for the old Gamera movies, shortcomings and all. Just try not to think about it too much...
¿Sabías que…?
- TriviaThe last kaiju (monster) film Tomoyuki Tanaka would work on. This film was released a few months after his death. Tanaka created Godzilla and produced every Toho Co. Ltd. tokusatsu (special effects) movie between Godzilla (1954) and this.
- ConexionesFollowed by Mosura 3: Kingu Gidora raishu (1998)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Rebirth of Mothra II
- Locaciones de filmación
- Indonesia(Jungle/forest scenes)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- JPY 1,000,000,000 (estimado)
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