Lección mortal

First of all, Helen Mirren alone is worth watching in this. Don't take it too seriously and watch it for what it is - a late 90s teen romp, often pretty exceting, but also pretty funny, and you'll have a good time.

TEACHING MRS. TINGLE (1999) **1/2

Starring: Katie Holmes, Helen Mirren, Marisa Coughlan, Barry Watson, Jeffrey Tambor, and Vivica A. Fox Written and directed by Kevin Williamson. Running time: 96 minutes. Rated PG-13 (for violence, language, sexuality, and thematic elements)

By Blake French:

As rumor has it, Kevin Williamson, writer and director of the new comedy horror romp, "Teaching Mrs. Tingle," had probable cause to create such a movie. I hear Williamson once had a teacher who told him he couldn't write well, and now, due to his enormous success as such, he is putting that educator in his or her place. Is "Teaching Mrs. Tingle" an extreme telling of his feelings for that individual? Was Mrs. Tingle really the name of his teacher? Will this film be a bad influence towards today's high school students who have a hellish teacher? The answers I do not know. Although Kevin Williamson has written some efficient work in his time, "Teaching Mrs. Tingle" is not the movie to prove to his old teacher that he is indeed a wonderful author. The screenplay shows signs of knowledgeable structure. It contains particularly effective character traits. However, the overall presentation demonstrates just how correct Kevin Williamson's teacher was when criticizing his skills.

The film details the mishaps of three high school students, Luke, Jo Lynn, and the character in the spotlight here, Leigh Ann Watson. Luke is a slacker, caring little about his education or future. Jo Lynn is an average young woman with a crush on Luke. Leigh Ann, however, is almost a valedictorian on the verge of a college scholarship, hoping to dwell in a future of writing. The only thing standing in her way is her non-supportive, although loving, mother and the teacher known as the demon of her school by students and teachers, Mrs. Tingle. She is the person who is going to determine whether Leigh Ann receives the academic achievement award or not, because she is going to grade the history project that will be the final statement in her overall grade point average.

The opening scene develops our hero, Leigh Ann, a with little profundity. We learn of her successful history with her schooling experiences through dialogue rather than actions. Although to some extent this method of character development works here, in order for the audience to care for such an important character, we require more than what is granted. The dialogue is smart and audacious throughout the film, but even such clever words fail to replace the important visualization of Leigh Ann's past. This is very hard material to accomplish with proficiency; only a screenwriter with a firm foundation can exceed with this material. Williamson proves to be not such with the direction of his own script.

Mrs. Tingle's introduction is a completely different story. We experience through actions, motives, character reactions, and decisive dialogue how she is truly the teacher from hell. The audience loves to hate her cruel, devilish personality. This is delivered in an award worthy fashion by the great Helen Mirren, cast with perfect superiority and brings forth one of the most fun characters this year. Her character is played straight and, until the resolving but ridiculous conclusion, is never over the top. Mrs. Tingle is one of the most sought out characters seen in the movies in this year.

The story makes up a near flawless structure. The first act proceeds appropriately as we meet the first plot point, which concludes when Mrs. Tingle accuses Leigh Ann of cheating on an important test. This incident swiftly moves us into act two when the three concerned students hijack Tingle in her own home and accidentally allow things to get out of hand. She ends up being tied to a bed, blackmailed, deceived, and is even shot with a crossbow.

I think the audience needed more description of the side characters. In particular, the Jeffrey Tambor character, Coach Wenchell, or as Tingle calls him, "Spanky." He contributes an important part in the film, but is developed with such little significance, we really don't care that much about him. Obviously, the filmmakers intended to use him as a plot device; to fit the necessary requirements, once again proving that Kevin Williamson hit some major road bumps in his script.

"Teaching Mrs. Tingle" was first scheduled to be titled "Killing Mrs. Tingle," but Dimension obviously lost their nerve and tamed it down to something more appropriate. The film is not as bad as many are saying, and contains some very good material. But in the end, I feel Kevin Williamson needs to be taught a few lessons about screen writing. Whether it be by Mrs. Tingle, or his old teacher, as this film proves, he needs to go back to script school.

Brought to you by Dimension Films.

History teacher Mrs Tingle seems to have it in for student Leigh Ann Watson, who has her heart on achieving a writing school scholarship. She receives another low grade from Tingle, which doesn't help. When one of her classmates Luke steals the paper of the final history exams and pops it in her bag, Mrs. Tingle finds it sticking out. She threatens the three that she will go to the principal about it, but he's not available. So before she reports it the next morning. Leigh, her friend Jo Lynn and Scott head to her place that night and try to convince her not tell the principal. However due to Tingle's stubbornness, that find themselves reverting to drastic measures to stop this getting out.

Wasn't fan of it when I first saw it, and after another viewing, I'm still not one. Writer Kevin Williamson was on a roll after penning the successful contemporary teen horror films; 'Scream (1996)', 'I Know What You did Last Summer (1997)', 'Scream 2 (1997)' and 'The Faculty (1998)'. He was riding the success (also not to forget the TV show 'Dawson's Creek), but this project would be the final bump. The difference there, compared with this entry was other then writing the screenplay, he was also making his debut in directing. The strange thing though, was that I found his direction to be competently done, but material he stormed up to flavourless and tired. It seemed to get caught in playing both a black comedy and straight-out thriller, without making it gel. The script is cluttered with quick-wit, on-going gags, trivial stretches and gimmicky references towards other films, but the problem is that it's too watered-down with so many contrived developments and sappy moral currents disrupting the flow. The fractured script had to be more strong and potent, since it's a small-scale production that feels like you're watching a stage show because of its mostly confined sets. It tries to play mind games with the characters, but these moments are there to only serve the story's poor progression into a puddle of stupidity and senselessness. The film's ending takes the cake. Williamson's polished direction is sound, but more so in a pedestrian way and therefore it lacks suspense and the pacing even with its taut surroundings can really plod on. You eventually feel it after the halfway mark, and it shows up how minor the story is. The performances are tolerable enough, although if it weren't for Helen Mirren's classy, icy portrayal of manipulative prowess as Mrs. Tingle and a buoyant Marisa Coughlan, we would have been stuck watching a vapid goody-to-shoes Katie Holmes. Barry Watson is modest in his slacker part and Molly Ringwald has a lesser role. The soundtrack packs enough energy, but I found it terribly overwrought and shapeless in its choices.

Watchable, but mechanical all round.

The movie had a really good scenario - three students kidnap their most hated teacher to try and raise their grades. But it's sadly it's got a very poor script and the acting (APART FROM MIRREN WHO WAS AMAZING) was very poor,

perhaps williamson should stick to writng movies instead of making them.

Watchable for the brilliantly cold hearted performance by Helen Mirren but she deserved a better dialogue (she sounded like Anne Robinson from the weakest link) and better co-stars - who were admittedly gorgeous but should go back to acting school.

A+ for story & Mirren's pefromance D- for excecution

This isn't a dreadful film, merely insipid. The plot is deeply flawed and implausible. It tries to be a number of genres and fails at each. It fails as a comedy, as a suspense thriller and as a horror movie. It almost succeeds as science fiction. The direction is uninspired and Katie Holmes, cute cherub face that she is, should be modeling teen clothing, not acting. The only thing that keeps this movie from being a 1 out of 10 is Helen Mirren. Her performance is fabulously nefarious and is (almost) worth suffering through the rest of it. Her ability to transmute from imperious to faux sympathetic to deviously manipulate and control her prey shows masterful range. Other than Marissa Coughlin's delightful Exorcist rendition, Mirren is the only reason to see this movie. A solid 3.0.