Cielo de octubre

When I first saw the premise, I thought the movie would be similar to VARSITY BLUES (without the sports, of course)...somewhat cheesy and predictable. However as the story develops, one will notice that Joe Johnston actually had a well-thought out plan for this feature. The story is moving and compelling, and will affect you emotionally in ways movies like these rarely do.

The reason? It's a simple movie, with a relatively familiar backdrop, but it's done very straightforwardly with no hint of pretension. At times there is some degree of predictability, but then the story takes rather unexpected turns. Just when you think you know exactly what will happen, the movie will prove your alleged clairvoyance wrong.

The standout in this movie for me is the interaction between Jake Gyllenhaal and Chris Cooper. This interaction provides one of the more complex and layered father/son relationships you will see in a movie of this nature. Laura Dern also has a small role but manages it quite effectively.

Moreover, much has been done to recreate the 1950s ambiance; from the costumes to the art decoration to the architecture, this movie looks and feels like it is based in the 1950s, adding to the overall viewing experience.

I would recommend this for anyone looking to see a (much) better-than-average film about belief in oneself and achieving one's dreams in the face of adversity, although this movie is much more than just that. Not for those who think cheesy special effects and mind-numbingly lewd comedy are prerequisites for a good film.

3.5 stars (out of 4). 8/10. Should warrant a place in my Honourable Mentions list.

I have recently seen this movie due to Jake's recent success with Brokeback Mountain. I figured I would see the movies that I missed. I had no expectations going into the film so was astounded that I had missed this movie at all. It's a gripping father and son tale, and it is also an underdog story. I even shed a tear at the finale of this wonderful tale. This movie appeals to all ages. The only reason I give it a 9 out of 10 is that it slows down a little in the middle, but it comes back strong in the end. The acting was great, the story was magnificent, and the cinematography was captivating given the setting of the film. GO SEE THIS MOVIE! Rent it, buy it, watch it, LOVE IT! I know I did!

I resisted seeing this movie and I understand why it was not a big hit in theatres. "October Sky" feels and looks oh so familiar. And it is. All plot contrivances and emotions have been explored before in other films -- and possibly even better. But despite it's familiarity and resistance to all formulas Hollywood, this movie is winning and likeable at every turn.

Sputnik is the inspiration for this journey of the heart, mind and soul. Just as the characters from Steven Sondheim's musical MERRILY WE ROLL ALONG stood agape atop their apartment roof hoping it would launch their new generation ("What do you call it? You call it a miracle."), Sputnik has a similar affect on the young rocket boys of this true tale. While jaded townsfolk of their 1950's coal town dismiss the event, Homer Hickham sees Sputnik as his ticket out of a life in the mines.

Masterful direction and casting make the journey of rocket boy Homer and his pals seem fresh and new. Especially affecting are subplots concerning Homer's ailing young school teacher. Remarkable restraint is shown in depicting their delicate relationship. Also remarkable is the father / son supblot that anchors the film. Perfectly played all around. Even Homer's mom gets her moment without cliche or intrusion. Her ultimatum to her husband is both dignified and heatbreaking. "Myrtle Beach" says it all.

A major video chain I despise has a sign next to this film stating that you'll love this film or they'll refund your money. For once, I agree with them. You'll never look at the October sky quite the same again.

I have yet to read "The Rocket Boys", the book upon which this film is based, but this situation will not continue! I did read a short story by Hickam which was apparently the seed that started him on the novel. It grabbed me even then.

I am one of those fortunate enough to have lived adjacent to Cape Canaveral during the Mercury program, where my father worked, and this childhood situation no doubt fostered my lifelong interests and hobbies. I also met Werner von Braun, and one of the other German rocket scientists repaired a rubber band driven model plane I had (I WISH I still had that plane!) I mention this because I went into the movie with serious expectations and very much desired to see a film with authentic treatments for the nostalgia and emotions of the period.

I was not disappointed. While there were superficial flaws here and there, the movie came together like so few Hollywood films do. Good storytelling, authentic emotions and period atmosphere. As others have experienced at this excellent film, I was choked up at the end and had to wipe away the tears. The father of the family next to me asked to borrow my spare paper napkin to wipe his tears. About half the audience applauded at the end, and most everyone stayed through the credits. It's just one of those films.

Not the greatest movie ever made, but one of the best family movies in a long time.

This is a gem, a real piece of Americana for all that this implies. If you are self programed to resist "life-afirming" stories, just stay away and leave the pleasure to the rest of us who still believe. And what makes the frosting on the cake truly delectable is that it is fact based on a real rags to riches story, no need to nit-pick what details were changed to make a compact story. Chris Cooper is one of the greatest living actors, and the complex, self-conflicted, bottom-line good at the core father he portrayed could only be pulled off successfully by someone with his skill and insight. The simple minded comments, refusing to accept a father who tries to lay down the law all the while sensing that he may possibly be off-track, expose the limitation of the commentator, not the writers or the acting. This is not for the cynical, or the simple minded.