Barbe-bleue

Georges Melies writes, directs and stars in his retelling of the Charles Perrault classic BLUEBEARD. Melies stars as the title character Bluebeard who is looking for his eighth wife. The previous seven have died under mysterious circumstances. When he finds his wife (Jeanne d'Alcy who interestingly later married Melies in real life until his death in 1938) he goes off on a journey, but leaves the key to the castle with the new wife. In turn she finds the dirty secret Bluebeard has been hiding and he returns to exact some revenge.

When first watching the film in the 1st act you might be thinking this is a comedy, but when the 2nd act opens you should be aware that the tone of the film is horror. The music to the version I watched was great as it added joy, tension and terror when needed. The sets are good as well as they never seem to get boring or over used. In the public domain so should be easy to find.

Arguably, the first bona-fide horror film ever made. The scene where the wife goes to the cellar and finds the hanged bodies of the previous wives is genuinely chilling, and the eerie dream scene is very well done.

There is really no exaggerating of Georges Méliès' importance in the history of cinema, inventor of special effects, an early expressionist before expressionism even officially existed, a wizard creator of magical worlds, a canny surrealist a full two decades before surrealism was even born, a trickster and relentless comedian that knows no bounds: more than an innovator, Méliès is a genius.

For 1901, this is a completely extraordinary film. No other film director or producer of the time could even come close to equaling the complexity and watchability of his films. Think about it--in 1901 when this film was made, almost all films were only about a minute long (more or less) and almost all of them were just ordinary films featuring ordinary activities (such as babies crying, waterfalls or street scenes). There was absolutely no writing, no plot and no acting as we came to know it. Yet, at the same time we have films like BLUEBEARD that have wonderful sets (kind of kitchy compared to today--I really think they are cute and charming), acting and scripts! Plus, after about the first half of this film, you'll see the absolute best trick cinematography of the era!! When the little imp jumps in and out of the book, the horrific scene of the seven dead wives hanging in the basement and the amazing not to be missed final scene you realize that for his time, Méliès was an absolute genius and tremendous innovator. The only negative at all about this film was the lack of inter-title cards--something that you can't blame him for since they hadn't yet come into vogue. Brilliant and every bit as wonderful as his 1902 breakout film Le Voyage dans le Lune.

If you want to see this film online, go to Google and type in "Méliès" and then click the video button for a long list of his films that are viewable without special software.

this movie has great backgrounds from the castle,the greatest moment is a real horror moment when the woman goes into the forbidden room and finds the hanged 7 ladies all former wives of bluebeard,another great moment is when the woman sleeps and dreams when the ghosts of the 7 dead wives and the dancing keys appears.

This lavish, well-crafted version of the legend of "Bluebeard" also contains plenty of distinctive touches from the great cinema pioneer Georges Méliès. He must have enjoyed making this story, which offers a good variety of material, and to which he added his own richly detailed background sets and special camera effects.

The first half of the story begins with Bluebeard about to be married for the eighth time, and while this part has none of the special effects for which Méliès is usually remembered, it's pretty good without them. The backgrounds are quite interesting, and there is a funny banquet preparation scene that combines wit and slapstick. The second half focuses on the grimmer part of the well-known legend, and in this part there are plenty of good visual effects to go with the story itself.

As was often the case with his movies, especially in his earlier years, Méliès planned for a spoken narration to accompany this when it was shown. Actually, the movie is probably good enough that most of it could probably stand on its own, with the possible exception of portions of the earlier scenes. The DVD release does have the narration, which makes sure that you don't miss any of the detail in this imaginative version of the story.