Los perros del infierno

yup... it's kind of fun to watch "Dogs of Hell" if you like to watch movies that were originally intended to be in 3D and pretend to be wow-ed by the scenes where they intend to shoot, throw, or point things out at you. Originally released as "Rottweiler" in 1982, you can see how the entire movie is relying on the fact that at some point they're gonna throw something towards the camera. As I watched it I thought after the first hour that I'd rented a movie called "Mystery Dog" because you never actually saw what was attacking these 80's act-bots (so amazing how they could manage to have such 2-dimensional actors in a 3D movie). And the dogs you eventually see look like your neighbor's dogs do when the kids tease it...hardly a fright. But it wasn't as though the film were a real disappointment as I hadn't expected much. The highlight of the movie for me was when the sherriff would shoot the dogs with his big ol' 44. You'd see the picture cut away from a snarling rottweiler to a cheap, paper machete casting of a rottweiler's head that would then explode throwing bologna, chocolate milk, stale beer and whatever else they decided would look like dog brains all over the place. Yup. "Dogs of Hell" was a moderately humorous way to neglect quality time and a gem if you're into watching obscure movies that don't diserve to be remembered just because you know they wont be.

Okay, I give up. It really is impossible to make a good killer dog movie. This is a prime example of what not to do. Don't set the movie in Hickville, don't cast a bunch of real hicks, and don't take ten years to get to the dog action. The title was so promising: Dogs of Hell!! I was more than ready for some hell hound horror. You do get a small dose of that, it's just not what you want. Chick screams then gets covered in blood. You hear the dog panting but you never see him. The camera stays in the dogs POV. The Rottweilers and the humans are never onscreen at the same time. Dogs of Hell is a mega-low budget movie and is not worth your time. This dog just has no bite.

"They were perfectly trained for one task: Manslaughter!"

This film must be seen in the original widescreen 3-D process; as the excellent use of stereoscopic space is its only virtue. If you like cheesy horror flicks, you'll likely appreciate it a bit more. Earl is no actor, but he's fun in this silly little movie.

After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).

This movie is so stupid. I went through a lot to try to find this movie. I only could rent it anyway. Maybe it was just for rental because it was too bad enough to keep on the market for people to buy. You could not even see the dogs killing people as if they would switch the camera every minute. Being a horror movie genre fan, you would think the title had a good significance as to why I would want to see this movie really bad. I wonder are there any other killer dog movies that beat this one.

Independent star / producer Earl Owensby 3D fable "Rottweiler: Dogs from Hell" is a trashy, but mildly fun cheap-jack little animals run amok horror enterprise. I saw this one when I was only a kid and certain scenes had stayed in my head. I couldn't remember the title, where I only found it out recently. Came across a copy and when watching it the memories came flooding back. Don't remember it being as dodgy as it was, but it remained diverting enough.

A pack of Rottweilers are trained by the military for warfare, but these vicious killing machines are accidentally released within a small mountain community when the truck they are in crashes. Soon bodies start piling up and it's up to sheriff Hank Willis (Owensby) to put an end to this carnage.

Outside this systematic set-up (that has shades of "Jaws"); there are the small-town dramas to give it that genuine sense of community. Such distractions as angst teenagers (father and son issues), catfish talk, reflective time and women mud wrestling… these kinds of things feel like nothing more than filler. There's too much of it. When it came to the dog attacks, it's rather sloppy or off-screen with crude blood effects being splashed about. However when Owensby uses his magnum on the dogs; we are treated with graphic head imploding shots. There were one or two effectively minor intense set-pieces that spring out some calculative tension. Also we get plenty of POV shots from the dogs, as well growling which sounds more like someone's stomach is churning behind the camera… maybe that's where the panting arrived from too. Nonetheless is didn't sound as bad the daggy music score with its weepy piano pieces… which always felt it was going to cut to a sequence of someone playing a piano. It was just that odd in its placement. The performances are pretty much one-note, but Owensby equips himself quite well despite the script coming off as blunt and clumsy. Low-grade shoddiness, but sort of entertaining in that.