Agrega una trama en tu idiomaAn intruder invades the home of Mark and Sally Driscoll, a heavily indebted businessman, and his rich, neglected wife. Determined to learn the truth, the man takes them hostage. As he tells ... Leer todoAn intruder invades the home of Mark and Sally Driscoll, a heavily indebted businessman, and his rich, neglected wife. Determined to learn the truth, the man takes them hostage. As he tells his story, secrets are revealed.An intruder invades the home of Mark and Sally Driscoll, a heavily indebted businessman, and his rich, neglected wife. Determined to learn the truth, the man takes them hostage. As he tells his story, secrets are revealed.
- Dirección
- Guionistas
- Elenco
- Simpson's Daughter
- (as Tara Moross)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The plot is a good idea (man's wife dies in car crash after having an affair. Husband seeks out adulterous bloke who escaped car crash and terrorises him and HIS wife), and the ending is satisfying, if a little obvious.
But, the direction and sets try to look Hitchcockian, but look like a pastiche of late-70's/early-80's tv series, Tales of the Unexpected.
US funded, but British set, this could have been as good an effort as other recent Brit-pics (see Lock, Stock and 2 Smoking Barrels). Unfortunately, it's not. Despite, good acting (especially from Ray Winstone) it looks like it was made for TV, and could have easily been fitted into one hour instead of two.
The plot gave me chills, especially the ending. The baby was a nice touch, especially with Sally Driscoll holding her, but seeing the conniving husband get his due was the best part.
Okay, so I related to the plot personally. I'm not rich, but I did have a husband who tried to put my house up for collateral for his debts. And he was a womanizer.
This is a movie for our time. It exposes what the modern marriage relationship has become, or can become. I expect that faithless spouses will not like this film and find it unnerving. Spouses on the other side of the coin will be intrigued.
It's a "suspense" film, and the overall story is good, but the writing is horribly inept, as the viewer is relentlessly put to sleep by the tedious dialog.
It's obviously made for two types of spectators. In the movie theater, it's made for the crack head or meth head, or some abuser of drugs, because only someone on serious drugs could stay awake through this ordeal. If one can stay awake, one is rewarded by a decent non-Hollywood ending. This means the ending is meant for the people who don't abuse drugs, but the rest of the movie is meant for the "haters" who do abuse drugs.
In the home viewing, it is meant for "groups of three or more", where two people chat while one keeps up with the story and tells the others, until that one is too bored to go on, then a relay goes into place for the group. This is not uncommon in group viewing, and movie makers know this.
However, it makes for a mediocre movie.
If the dialog was better, if the writing was better, if the movie would be about an hour shorter, it would be a very good movie. The characters are well drawn enough, although the "bad guys" are totally Hollywood caricatures. The "non-bad" characters are three dimensional, however.
Not to say it was a bad movie. Just that it is impossible for a non-drug abuser to sit through this in one entire viewing, so you would be advised to switch to another station for ten minutes or so, about three times in the beginning of the movie, then back, in order to be satisfied. You'll get the picture, and you'll predict exactly what the lead character is up to, withing the first 15 minutes of the movie, in terms of the "money crime", and you'll gather enough to realize what he's up in the "morality crime" soon enough, since that drones on and on throughout the movie.
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- Citas
Sally Driscoll: I'm... I remember. John
John Barrett: John, yeah.
Sally Driscoll: And Jane. Your wife is called Jane.
John Barrett: Jane Barrett, yes.
Sally Driscoll: Please do forgive me. I'm so sorry. I just...
John Barrett: It's not a problem, it's okay. It's something I've become accustomed to.
Sally Driscoll: What is?
John Barrett: Having to remind people who I am.
- ConexionesFeatured in We Kill for Love (2023)
- Bandas sonorasString Quintet in C Major
Composed by Franz Schubert
Performed by Melos Quartett (as The Melos Quartett)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Dangerous Obsessions
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 1.85 : 1