Bowfinger, el director chiflado

Steve Martin scored a bullseye with BOWFINGER, a smart and cleverly mounted comedy, which Martin also wrote, which stars Steve Martin as Bobby Bowfinger, a down and out Hollywood producer on the verge of going out of business who gets hold of a script to produce and wants big time action star Kit Ramsey (Eddie Murphy) to star in it. When Ramsey won't give Bobby the time of day. Bobby decides to shoot the film without Kit's knowledge or consent. This premise is a wonderful set-up for some very funny sight gags. Eddie Murphy is on target as Kit Ramsey and as a milquetoast lookalike hired to do Ramsey's stunt work and close-ups. Murphy delivers one of his funniest performances as the lookalike and there are other effective contributions from Heather Graham, Jamie Kennedy, Christine Baranski,Terrence Stamp, and Robert Downey, Jr. A smart and winning comedy about the inner workings of modern Hollywood with a great screenplay and starring performance by Martin and Eddie Murphy in the dual role of a lifetime.

One of Steve Martin's best movies, and one of Eddie Murphy's best too. This has several laugh out loud moments.

Plot In A Paragraph: Hollywood, today: Bobby Bowfinger (Steve Martin) a down on his luck actor-producer-director, has a script which a friend has written. Completely convinced of its quality, he decides to take a last shot at fame and fortune. A famous producer(Robert Downey Jr) promises him to do it, but there is one condition: Kit Ramsey (Eddie Murphy) Hollywood's number one star, has to be in it. So, Bobby tries his luck with Kit, who rejects him, so he then decides to shoot the film himself. Featuring an aspiring beauty from Ohio (Heather Graham) and Kit Ramsey - who does not even know he's being filmed.

Steve Martin, the funniest man alive in the 80s, lost his way in the 90s with the likes of "Leap Of Faith" and "A Simple Twist Of Fate". Now, after sterling work in David Mamet's "The Spanish Prisoner", Martin's return to writing and acting in straight-up comedy is surprisingly, reassuringly good. "Bowfinger" is a movie about movies, with all the potential for in-jokery and self-indulgence that brings, but for the most part dispenses with the clever-clever, isn't-Hollywood-shallow stuff to deliver laughs.

Martin's Bobby Bowfinger, a struggling producer desperate for a hit before he reaches the 'unemployable' age of 50, hits on the idea of putting action star Kit Ramsey (Eddie Murphy) in his new sci-fi film "Chubby Rain" without the star knowing anything about it. Consequently, Bowfinger's inept crew follows Ramsey around in increasingly crazy and surreal fashion, utilising everything from 'Will Work For Food' signs made of foil to cranes mounted on trucks to get the shot they need. When Bowfinger stumbles across a Kit double (Murphy again) who will do anything the director asks including fetch the coffee, he starts to think all his birthdays have come at once. Meanwhile, the neurotic Ramsey, never that stable to begin with, begins to lose it altogether as he becomes convinced that sex-crazed pod people are stalking him.

It's a simple plot and, while the script throws a few barbs at Hollywood, it's played mainly for big laughs - and gets them. Heather Graham is spot-on as the ingenue literally just off the bus from Ohio who is prepared to sleep with anyone to get longer scenes, and Jamie Kennedy is all laconic wit as Bowfinger's long-suffering assistant. Really, though, it's Martin and Murphy's show. The original wild and crazy guy shows he hasn't lost all his manic energy in the title role, nor his wit with the sharp script. Surprisingly enough, though, the standout performance is Murphy's; he is brilliant as both the paranoid, highly-strung Kit and his dumb-but-sweet double Jiff. This might even be a career-best.

It's simple, lightweight and throwaway of course, but comedies that try to SAY something, even if they're good, often just don't make you laugh that much. Bowfinger will.

Continuing my plan to watch every Eddie Murphy movie in order, I come to Bowfinger (1999)

Plot In A Paragraph: A low budget filmmaker (Steve Martin) makes a movie with the biggest action star in the world (Murphy) without his knowledge.

For his last movie in the 90's Murphy starred opposite comedy legend Steve Martin and Heather Graham in Frank Oz's under rated Hollywood satire. He plays a big action star and his goofy brother. I remember thinking it was ok when it came out, and then I never watched it again. I enjoyed it so much this morning, I'm probably going to keep it. I laughed out loud a few times. Murphy looks like he is having fun playing dual roles, which he filmed in six weeks between finishing Life and starting Nutty Professor 2. The freeway scene is the funniest thing I have seen in an Eddie Murphy movie for a long time. Incredibly, executives at Universal wanted to cut that scene, because they felt it would be too expensive!! Martin replied he would not cut the funniest scene in the film.

This is probably the last time Steve Martin was funny. Heather Graham plays an actress named Daisy, she is allegedly based on Anne Heche. Like Daisy, Heche is from Ohio, was briefly romantically involved with a significantly older man, Steve Martin. Daisy's last lines about being involved with "the most powerful lesbian in Hollywood" are a reference to Heche's relationship at the time with Ellen DeGeneres. Of the rest of the cast, Christine Baranski and Terrance Stamp are both fun whilst Robert Donwey Jr has three scenes. This was a bad time to be a Downey Jr fan. He was out on parole, but was constantly missing regular drug tests, resulting in him going back to prison. It was at this sentencing he famously said of his addictions "It's like I've got a shotgun in my mouth, my finger on the trigger and I like the taste of gun metal."

Amazingly this is based on a real life story from 1927. A Russian filmmaker, covertly shot footage of Mary Pickford on holiday, and made a full movie, based around what he had.

I remember this opening the same weekend as The Sixth Sense. It got very good reviews, but was not a runaway hit. Which is a shame because it may be the last really funny movie either Murphy or Martin ever starred in.

Bowfinger grossed $66 million at the domestic box office (on a $55 million budget) to end the year, the 35th highest grossing movie of 1999.

Given Tom Cruise's recent unstable behavior, it might be the right time to revisit 'Bowfinger,' Steve Martin and Frank Oz's highly under-appreciated satire of the side of Hollywood we mere mortals aren't supposed to see.

In Hollywood, there are no secrets--everyone knows who's secretly gay or insane, and who's slept with who, when, where, and what they got out of it. But no one wants powerful enemies, and in the quickly shifting landscape of stardom, where one can transform almost overnight and with no apparent or predictable logic from b-list character actor or teen idol into a-list mega-star and Oscar-caliber actor who can open hundred-million dollar movies and make or break the careers of his/her friends and acquaintances, no one wants to be the one who spills the scandalous beans.

For this reason, 'Bowfinger'--the 'Spinal Tap' of contemporary Hollywood--was barely made, and upon its release was greeted with a politely, barely restrained gasp of horror from everyone on the inside who recognized Martin's unusually liberal borrowings from the gossip files to construct this smart, dry, tastefully executed comedy about a has-been-before-he-ever-was actor/director who concocts a scheme to sell his hopelessly bad sci-fi action film project to a major studio by surreptitiously following and filming a major action film star, manipulating his behavior when able, and then later patching a film together with the clandestine footage and a few shots with a body-double. Little does Bowfinger (the loser, played with typical charm and intelligence by the great Steve Martin) know that the film star he means to exploit--Kit Ramsey (Eddie Murphy)--is a paranoid, delusional basket case of psychological problems barely being held together (though, one suspects, also being held at the edge of sanity) by his mentors at MindHead, a bizarre, cultish, mind-controlling religion obviously meant to stand in for the Church of Scientology, the increasingly infamous faith/life method of numerous Hollywood stars, most notoriously Tom Cruise and John Travolta (musician Beck has allegedly also recently joined the ranks of Scientology, at the behest of his father and his girlfriend, the sister of actor Giovanni Ribisi, also a Scientologist).

Bowfinger assembles a motley crew of Hollywood wannabes, which include the fabulous Christine Baranski as Carol, an aging stage actress who drives around town listening to old recordings of herself singing show tunes; Heather Graham as Daisy, a presumably naive young beauty who steps off the bus in L.A. and immediately sets about trying to sleep her way to the top (Daisy is based on nutso actress Anne Heche, who exploited Martin before moving up the food chain to a public lesbian affair with Ellen Degeneres, whose sit-com was then at peak popularity); Adam Alexi-Malle as Afrim, Bowfinger's corpulent Pakistani accountant and the author of 'Chubby Rain,' the ludicrous alien invasion script which Bowfinger believes will catapult him to fame and respectability; Jamie Kennedy as Bowfinger's camera operator, who smuggles equipment out of the studio lot where he works as a low-level crew man; and Kohl Sudduth as Bowfinger's sweet but vapid excuse for a heart-throb. This gang of misfits works well together in various gags lampooning the film industry.

But the film is stolen entirely by Eddie Murphy, first as Kit Ramsey, whose paranoid rants include the observation that a script his agent has offered him must be racist because the letter 'k' appears in it a number of times divisible by three ('KKK' appears in this script 111 times!) and the twisting of a remark made by the agent about a script--'it's not Shakespeare'--into a racist slur ('Shakespeare?!? Shake-a-Spear! You callin' me a spear-chucker!?!), and later as Jiff, Kit's nerdy and socially inept twin brother, who unwittingly stumbles into Bowfinger's scheme and agrees both to serve as a stunt/body double and errand boy for the film ('Running errands would be a real boost for me!' he gleefully remarks).

One of the great things about 'Bowfinger' is the opportunity to see Eddie Murphy create two ridiculous characters the way he once did so frequently on Saturday Night Live, before 'Bevery Hills Cop' send his ego to Mars. He looks like he's having the time of his life, and the fabulous talent he has wasted so frequently on mediocre to painfully bad star vehicles like 'Coming to America,' 'Harlem Nights,' or 'Vampire in Brooklyn' is once again apparent, and triumphant. Together, Martin and Murphy remind us how comedy should be made: with intelligence, humility, generosity--and, most importantly, scathing wit.

Scientology gets fairly merciless treatment in the form of MindHead, a cult-like corporate religion led by Terry Stricter (Terence Stamp), who soothes the paranoiac Kit with new-agey acronym lessons (K.I.T=Keep It Together) and chastens him not to 'show it to the Laker Girls' when he hears the voice of Teddy Kennedy instructing him to 'bring the Laker Girls down a peg or two.' Given Tom Cruise's recent weirdness and the fact that he openly travels with a cadre of Scientologists who function like a Secret Service detail, it's not hard to suspect that Kit Ramsey was written with Tom Cruise in mind (the role was originally written for Keanu Reeves but was ultimately changed and offered to Murphy).

Murphy's presence, ironically, may have undermined this film in its initial release, as audiences many audiences left theaters disappointed, having expected more of a traditional slapstick comedy with Murphy in a larger role (his scenes are easily the funniest, but Kit and Jiff or secondary characters). But it's well worth revisiting for its quality and its scathing critique of the business of Hollywood.