Merlín

Growing up watching the "Hallmark Hall Of Fame" TV movies, I was very surprised by the time and expense that obviously went into this Hallmark production. Odd camera angles, wonderful effects, brilliant color all add to this magical story. Any director facing such a lush story as this with just a limited amount of time has to make cuts here and adjustments there to make the story have some sense. The first half of the movie concerns the birth and growth of Merlin, ther second half with the birth and growth of Arthur. The friendship between Merlin and Arthur really does come across in a way that few "King Arthur" movies have shown. The casting of major celebrities in this movie were all on the money, Martin Short is surprisingly good in his role as Flick, Queen Mab's servant, a creature that lives outside of time. You see him suddenly switching costumes and accents as he does various things. The role reminde me loosely of Tony Randall in "Seven Faces Of Dr. Lao". Very much recommended if you are a fan of Arthurian fantasy or just like a good epic.

This is one of the best made for TV movies I've ever seen - surprisingly good, in fact. What made it so entertaining was the script. Some people have gone on about the special effects, but they're no big deal - impressive for television, perhaps, but cheesy by any other standard. No, what makes this movie work so well is the unique way in which the familiar elements of the Camelot story have been reconfigured. Using Merlin as a point of departure and actually delving into *his* backstory - rather than Arthur's - I don't think I've seen this done anywhere else (admittedly, I'm no Arthurian scholar, but I have read some of the seminal works, such as Mallory's "Morte d'Arthur," Tennyson's "Idylls of the King," and T.H. White's "The Once and Future King"). "Merlin," from what I can see, tells a story that's totally new, and provides a fresh take on the events and meanings of the Camelot tale. Basically, Merlin's lifelong struggle with Queen Mab here represents the struggle of Christianity to take hold in Britain, versus the influence of the "ancient" ways, such as witchcraft, superstition and local custom. No matter what you think of this as allegory, it provides a useful and intriguing "spine" on which to hang all the other familiar stories from the Arthurian legend, which are well told and presented. Naturally, time constraints prevent the movie from going into detail on any single story - but the piece certainly whets one's appetite for more, and that's perhaps the surest indication of the movie's success.

The lead roles are all well-handled. Sam Neill brings a kind of weary dignity to Merlin; he's champion of the good, but he's tired of it all, longs for the battle to just be over. As Mab, Miranda Richardson camps it up wonderfully, and is truly creepy besides. Martin Short and Helena Bonham Carter have one of the most affecting scenes I've ever seen in a TV movie (if you see it, you'll know which one I mean).

Overall there's a lack of humor, and it sometimes feels as if the piece is rushing ahead just to get everything in, but these are very minor quibbles. The wonderful script holds everything together and keeps you wondering - no matter how well you might know the Camelot story - just what is going to happen next.

How do you pack together centuries of legends about the great King Arthur? It might seem like an impossible task, but Merlin finds a way to make it work: they change the focus.

I have always been a huge fan of the King Arthur legends, and I am familiar with most of them. Some films only cover portions of the legends, such as the disappointing "First Knight" and the stomach-churning Disney crud "Sword and the Stone." I was really wanting a film to come out that would cover all the important legends of the epic story, yet I realized it was a nearly impossible task. An excellent early eighties film did it, which was called "Excalibur," and I was hoping that they could do it again, with a more nineties zing to it, what with the new special effects coming out nowadays that could no doubt enhance the legends onscreen. Before "Merlin" came out, the only real films to come out in the nineties featuring Arthur were "First Knight" (which eradicated all myth and magic and put the legends on the status of Chick Flick) and "A Kid in King Arthur's Court" (which I won't even bring up).

Enter "Merlin." It covers everything, from the affair of Lancelot and Guinevere, to the Lady at the Lake, to the birth of the sword Excalibur, to Morgan la Fay and Mordred, and they even throw in the Lady of Shallot. And the cool thing is, they make it work so that it doesn't seem overplotted. Merlin is also given a side story which is beautiful and well-constructed, about his birth and his love life. It all is webbed together well, and the climax and characters are wonderfully painted.

Before this film, I saw Merlin only as a secondhand character, who is Arthur's mentor and friend, kind of like the world's first Obe Wan Kinobe. But now, I see him in an all new light, and to say the least, it is very effective, and I can say that it is the finest Arthur film ever made (though "Excalibur" is so close, it's barely worth a comparison). If you are interesting in Arthur, or if you are an Arthur fan who was discouraged that there were no good films about his awesome, thought-provoking legends, I urge you to watch this film. It will move you in a way few films can!

10 out of 10!

This movie rules! I don't know how many times I've seen it, but it has to be over 30. I think all of us fans should get together and start a cult like Rocky Horror, for this film! I love the graphics for this movie, and Miranda Richardson, who I normally try to avoid when it comes to movies, was absolutely wonderful, and Martin Short was cool. Anyone who is in to fantasy movies should see it.

The Arthur legend has been done countless times, generally from the viewpoint of Arthur, but Merlin takes the rarely-used angle of Arthur's most trusted advisor. Also refreshing is the use of the conflict between Christianity and the previous, pagan religions to add a new take on the tales. The special effects are stunning, and they even coaxed a great performance out of Martin Short! Several such great achievements make this one of the best.