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Una joven pasante en una pequeña empresa de revistas y una fotógrafa lesbiana adicta a las drogas se enamoran lentamente mientras se explotan mutuamente para avanzar en sus respectivas carre... Leer todoUna joven pasante en una pequeña empresa de revistas y una fotógrafa lesbiana adicta a las drogas se enamoran lentamente mientras se explotan mutuamente para avanzar en sus respectivas carreras.Una joven pasante en una pequeña empresa de revistas y una fotógrafa lesbiana adicta a las drogas se enamoran lentamente mientras se explotan mutuamente para avanzar en sus respectivas carreras.
- Premios
- 8 premios ganados y 19 nominaciones en total
Sarita Choudhury
- Joan
- (sin créditos)
Stephen Gevedon
- Man at Party
- (sin créditos)
Craig Wedren
- Shudder to Think
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In 'the age of indies', where we currently find ourselves, a common technique is to heavy hand the viewer, scaring him with the harsh realities of some off-beat lifestyle.
And all those possibilities exist in High Art, where the real grunge of lower Manhattan is briefly exposed, yet here, the filmmaker chooses to seduce us with it, rather than hit us over the head.
Ally Sheedy does a good job as druggie social misfit, Lucy Berliner. Lucy's been able to lead a life devoid of any traditional responsibility, choosing instead to hang out with a sub-culture of drug motivated homosexual and asexual miscreants, where days and years pass by faster than a paper calendar unfurling in a Frank Capra movie.
That she might jump start a promising career as a photographer under the bright-eyed prodding of young Syd (Radha Mitchell) is not surprising, it's a familiar refrain. And that Lucy seduces Syd is also predictable.
Where the movie does surprise is the relaxed way in which it delivers it's message, and, although Sheedy and Mitchell are both very good, for my money the movie is damn near stolen by Patricia Clarkson, who is brilliant in every scene she plays. If you remember her as Ted Hoffman's caring, intelligent wife in year one of 'Murder One' you'll really appreciate what a marvelous actress she is.
I came in expecting to dislike the movie, and left quite pleased. I definitely recommend.
And all those possibilities exist in High Art, where the real grunge of lower Manhattan is briefly exposed, yet here, the filmmaker chooses to seduce us with it, rather than hit us over the head.
Ally Sheedy does a good job as druggie social misfit, Lucy Berliner. Lucy's been able to lead a life devoid of any traditional responsibility, choosing instead to hang out with a sub-culture of drug motivated homosexual and asexual miscreants, where days and years pass by faster than a paper calendar unfurling in a Frank Capra movie.
That she might jump start a promising career as a photographer under the bright-eyed prodding of young Syd (Radha Mitchell) is not surprising, it's a familiar refrain. And that Lucy seduces Syd is also predictable.
Where the movie does surprise is the relaxed way in which it delivers it's message, and, although Sheedy and Mitchell are both very good, for my money the movie is damn near stolen by Patricia Clarkson, who is brilliant in every scene she plays. If you remember her as Ted Hoffman's caring, intelligent wife in year one of 'Murder One' you'll really appreciate what a marvelous actress she is.
I came in expecting to dislike the movie, and left quite pleased. I definitely recommend.
After the trash of the past twenty or so years -- titles withheld to protect the incompetent -- someone finally makes a movie with a lesbian love angle that not only works, but shines. An exquisite performance by Ally Sheedy highlights this haunting study of a woman and the culture which ensnares her. A solid plot, likable -- if not perfect -- characters give flesh and blood to this dark character study. Added kudos to Patricia Clarkson; she took a character who tread the fine line between sympathetic and just plain pathetic and made Greta a complex, but not confusing nor inconsistent, woman. Well done, all around!
High Art is a 1998 Canadian-American independent film directed by Lisa Cholodenko and starring Ally Sheedy and Radha Mitchell.
Plot of the movie: Sydney (or simply "Syd"), age 24, is a woman who has her whole life mapped out in front of her. Living with longtime boyfriend James, and working her way up at the respected high-art photography magazine Frame, Syd has desires and frustrations that seem typical and manageable. But when a crack in her ceiling springs a leak and Syd finds herself knocking on the door of her upstairs neighbor, a chance meeting suddenly takes her on a new path.
Opening the door to an uncharted world for Syd is Lucy Berliner, a renowned photographer, enchanting, elusive, and curiously retired. Now 40, Lucy lives with her once glamorous, heroin-addicted German girlfriend Greta, and plays host to a collection of hard-living party kids. Syd is fascinated by Lucy and becomes drawn into the center of Lucy's strangely alluring life upstairs.
Syd mentions Lucy to her bosses (without realising that she is famous) but they remain uninterested until they realise exactly who Lucy is. At a lunch, Lucy agrees to work for the magazine as long as Syd is her editor. Soon a working relationship develops between the two and a project is underway which promises a second chance for Lucy's career. But as Syd and Lucy's collaboration draws them closer together, their working relationship turns sexual and the lines between love and professionalism suddenly blur. As Syd slowly discovers the darker truths of Lucy's life on the edge, she is forced to confront her own hunger for recognition and the uncertain rewards of public esteem.
Sweet women and an impressive lesbian theme movie.
Plot of the movie: Sydney (or simply "Syd"), age 24, is a woman who has her whole life mapped out in front of her. Living with longtime boyfriend James, and working her way up at the respected high-art photography magazine Frame, Syd has desires and frustrations that seem typical and manageable. But when a crack in her ceiling springs a leak and Syd finds herself knocking on the door of her upstairs neighbor, a chance meeting suddenly takes her on a new path.
Opening the door to an uncharted world for Syd is Lucy Berliner, a renowned photographer, enchanting, elusive, and curiously retired. Now 40, Lucy lives with her once glamorous, heroin-addicted German girlfriend Greta, and plays host to a collection of hard-living party kids. Syd is fascinated by Lucy and becomes drawn into the center of Lucy's strangely alluring life upstairs.
Syd mentions Lucy to her bosses (without realising that she is famous) but they remain uninterested until they realise exactly who Lucy is. At a lunch, Lucy agrees to work for the magazine as long as Syd is her editor. Soon a working relationship develops between the two and a project is underway which promises a second chance for Lucy's career. But as Syd and Lucy's collaboration draws them closer together, their working relationship turns sexual and the lines between love and professionalism suddenly blur. As Syd slowly discovers the darker truths of Lucy's life on the edge, she is forced to confront her own hunger for recognition and the uncertain rewards of public esteem.
Sweet women and an impressive lesbian theme movie.
It seemed like Ally Sheedy hadn't done much since "The Breakfast Club" when she starred in "High Art", and she does a pretty good job here as photographer Lucy Berliner, who becomes involved with neighbor Syd (Radha Mitchell), and they both start reevaluating their lives.
I'll admit that this isn't the ultimate masterpiece or anything, but it is worth seeing as a look into the art world. These sorts of movies just go to show why indie flicks are more interesting than anything that Hollywood can conceive. Lisa Cholodenko followed it up with the perplexing, but also worth seeing, "Laurel Canyon". Also starring Patricia Clarkson and Tammy Grimes.
I'll admit that this isn't the ultimate masterpiece or anything, but it is worth seeing as a look into the art world. These sorts of movies just go to show why indie flicks are more interesting than anything that Hollywood can conceive. Lisa Cholodenko followed it up with the perplexing, but also worth seeing, "Laurel Canyon". Also starring Patricia Clarkson and Tammy Grimes.
I am always on the lookout for good lesbian movies with good acting and they are very hard to find. High Art fills both criteria, but every time I watch this movie I feel depressed. I don't know why, especially since I don't mind "dark" movies in the least. The relationships between the characters just feel empty to me. And, I never quite know what to make of the heretofore straight girl who falls for the gay girl. It must be said that the acting is quite good, especially Patricia Clarkson as the drugged out girlfriend of Ally Sheedy. Sheedy is also fantastic as the burned out photographer Lucy Berliner. I just didn't relate to any of these characters or to their relationships with each other, and in the end did not really care who lived or died.
¿Sabías que…?
- TriviaThe character of Lucy Berliner (Ally Sheedy) was not based on Nan Goldin's life despite popular belief, apart from her work. The photographs in the film were made by Jojo Whilden.
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,960,216
- Fin de semana de estreno en EE. UU. y Canadá
- USD 47,499
- 14 jun 1998
- Total a nivel mundial
- USD 1,960,216
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for High Art (1998)?
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