Greek Week

A very silly porn comedy all about anal sex. Some of the content seems to be a mash-up of 2024 headlines, odd for an obscure XXX video from 1994.

Jonathan Morgan is fairly amusing as a stereotypical wise guy public relations man. His client Domonique Bouche takes umbradge at his stunt of planting the story that she's going to donate a million bucks to a local college, but she relents and services him (anal sex of course). His gimmick is that since she's a porn star the college will do anything to avoid the salacious publicity, and he tries blackmailing the Dean (poorly played by a miscast Steve Hatcher) for $200,000 to get rid of the unwanted donation.

Tom Byron plays an overage frat boy (the double meaning of Greek in the title) who gets to hump sorority girls Sahara Sands and Kelly Royce in a completely extraneous sex scene.

Student riots (represented only by noises on the soundtrack that drown out some dialogue sloppily) break out at the news of the porn star donation. (Flash forward to our sorry situation in 2024, you know, headlines of a porn star scandal, stunent riots on campus, erc.).

Many other characters pop up to keep the pot boiling: Alex Sanders as a goon of a student the Dean sics on Bouche to beat her up but falls in love with her instead; Lilli Xene as the Dean's busty secretary; Sarah-Jane Hamilton, betting top billing for a brief turn as a dominatrix type who humps Sanders before his assignment on Bouche, and silliest of all, Sally Layd as a magician's representative who shows up at the end to save Morgan.

Greek Week stands out as a surprisingly narrative-driven adult film, blending soft satire of college politics with the kind of throwback, character-centered erotica that defined much of the early '90s. It's messy, uneven, and often teetering between camp and commentary-but when it works, it hits a nostalgic sweet spot. Anchored by a curious mix of earnest performances and mismatched aesthetics, it's a film that's hard to forget, even when it doesn't quite succeed.

Dominique, in the lead role, brings both attitude and history to her performance. There's an edge to her screen presence, playing a controversial porn queen who's using her success to fund a scholarship at her alma mater-much to the horror of the college's stuffy administration. Dominique's body has changed since her earlier appearances, and while her facial features have lost some of their former fullness, her confidence still holds center stage. She shares a solidly executed scene with her sleazy agent, offering one of the film's hotter encounters, grounded by the absurdity of their blackmail scheme.

Tom Byron shows up in a frat boy role that strains credibility-not because of the concept, but because of Byron himself. The costume and youthful vibe clash hard with his now-signature ponytail and tattoos, but the scene is serviceable, mostly because he seems to rein in the smugness that's made his recent appearances grating.

The real standout here, though, is Lilli Xene. She doesn't even remove her clothes for a while, but when she does, her full-bodied femininity steals the show. There's something uniquely captivating about her-wide hips, pale skin, a playful energy-and when she finally steps into a featured scene, the payoff is worth the wait. While her infamous "squirting" is likely a divisive detail, her charisma is undeniable.

Sarah-Jane adds a memorable finale, with a body type far outside the taut, gym-toned norm. Her low-set backside and softly padded figure give her scenes an earthy realism, complemented by her now-trademarked squirting. She's not conventional, but she's magnetic.