20 Dates

I guess I'm the oddball here since the average rating for this movie on Imdb is 5.6. But, I found it difficult to lose interest. I was sincerely interested in the next date. I was sincerely interested in whether the movie would get completed. And, I cared whether or not he would get his girl.

I'm not sure why the average viewer didn't like the movie any better except that most people don't like documentaries - which this was.

However, it was a personal story that had a lot of true drama. No recreations. No embellishments. Actual events and actual persons. The fact that it had a convenient place to start - Date #1 and a convenient place to end - Date #20, made it all the more appealing. I've always believed that a camera following a real person around documenting a particular achievement from beginning to end would make interesting video - and this is proof from my perspective.

You need to realize it isn't like a "normal" movie, but I found it very entertaining and well worth the time.

The idea of this documentary is not so bad: A young single man meets 20 girls to find out if one of them could be the real love. The realisation is not so good. The director is not a very talented one, the whole movie has more of an amateur home video. There are only two reasons to watch it: At the end of the movie actress Julie McCullough from "Growing Pains" appears as one of the dates and she bewitches with her natural charme and Tia Carrere from "Relic Hunter" is the last date. I have seen better amateur videos.

The summary is a bit redundant: Mockumentaries, as a genre, are fairly quirky.

In this case, recently divorced Myles, also a wannabe filmmaker, decides to make a documentary about trying to find true love in L.A. He commits to going on 20 dates and recording the results. Unfortunately, halfway through, he falls in love with one of his dates and now has to figure out how to complete the project without alienating his new love.

What makes this different from standard mockumentaries -- and what some of the other IMDB reviewers seem to be missing -- is that, while it's clear that the final film isn't a true account of the events (some of the dates are obviously faked, and Elie the villainous producer can't really be THAT evil), it isn't so clear whether Myles Berkowitz (credited as writer and director, as well as star) started out with a serious intent to make a documentary, or whether it was meant to be fiction from the outset.

Most of the evidence points to Berkowitz' initial sincerity. This *is* his only film (except for a bit part in "No Small Affair," 16 years before this movie), and Elie *is* listed as Executive Producer. The official budget *is* the stated $60K. Most of the early dates seem real -- it's only the later ones that start to feel scripted, especially the feminist ballerina.

One thing that gives this movie its charm, then, is that while Myles (the character) fumes about the way in which his original vision for the movie is eroding away from pressure from Elie, Berkowitz (the filmmaker) seems to be going through the same genuine quandary for a different reason -- it didn't take his full 20 dates to find love, and NOW what's he supposed to do?

The cover job is both charming and disorienting: He goes back over the old footage and edits it so it looks like it could have been a mockumentary from the start, but plays it from the hip so it looks like a mockumentary pretending to be a documentary.

Wouldn't Robert McKee be proud?

Others might not have the same sense of pride. The film will come off as either a clever if ham-fisted attempt to make lemon footage into lemonade, or a pretentious and annoying trip into the avenues of Independent Film by a blind drunkard.

Viewer's choice, and it seems to depend on what the viewer thinks of Myles: Is he annoying, or is he cute?

I thought he was cute, and while the film is hardly a classic, it's worth a try. Look for it on cable (that's where I found it), and if you're sick of it after half an hour, turn it off and not much lost.

OK, instead of reviewing the film, I'd rather review three of the ladies dated in this film. (1.) The pretty blonde who 'graded up' from the 1.5 to the 3-pound lobster might want to learn the concept of the 'Dutch treat' (2.) I might have stopped production my own film if it was going to jeopardize present and future dates with the lass who contacted federal authorities and got a 'restraining order' once it was revealed that the date was being filmed. I think the two of them were actually 'clicking', something that wasn't occuring often. Therefore Myles should have opted for a great end to the date with this classy gal over what actually did occur. (3.) I have to admit I got myself smitten over Elisabeth over the course of the movie. I'd have had to call it '17 Dates' and keep my relationship strong, sorry Myles. I also can't believe that his 'pushing it' tendencies have kept her in his clutches to 2003 and beyond, so, Lizzie, if you're reading this... Maybe you'd like a (free) charcoal portrait of yourself ? I draw professionally in Nebraska. -David.

One thing i dont like about film like these , Mokumenteries, if you like is the fact that i so wanted it to be real yet i knew that it was all acted and wasn't real at all. 20 dates is a good little film that does have a real feel about it without it ever hitting the comedy documentary heights of ,lets say,The Ruttles or Spinal Tap. Myles Berkowits makes this film watchable with his narration of the so called dates even though it does get a little monotinous and the last 15 minutes are a bit of a cop out. The interaction with the funder of the movie are funny as is the most of the diologue but the thing that does let this film down are the dates themselves! They just arent that interesting.Perhaps that is because they all involve people from L.A they are very shallow people in my eyes. Not all bad though. 6 out of 10.