The Juniper Tree

The Juniper tree is a tale based on whether or not witchcraft exists, and its also based on a tale by the same title written by the Brothers Grimm. It's a pretty nifty little movie, unknown by many, found by only Björk fans most likely, but its really good, and a great insight into Icelandic living. In fact, it was Bryndis Petra Gradadóttir who told director Nietzchka Keene that this movie captured pure and realistic Iceland culture.

Its a film about two daughters who flee their homeland after their mother is stoned and burnt for being a witch. Margit (Björk) and Katla (Bryndis Petra Gradadóttir) find a man by the name of Jóhann (Valdimar Örn Flygenring) and casts a spell on him that will make him fall in love with Katla. Jónas (Geirlaug Sunna Þormar), the son of Jóhann gets suspicious that Katla is a witch, and thinks Katla is trying to destroy the everlasting spirit of the deceased mother to Jónas spirit inside Jóhann. Meanwhile Jónas befriends Margit, and Margit is seeing visions of her mother's ghosts. Trust me, if the names were like John and Beth it would be a lot more coherent than what I just wrote.

Performances from the entire cast are great, well not astonishing but good enough for such a low budget film. Björk, Bryndis and Jónas particularly do great performances, of course the lovely Björk is a little weird in this movie, but isn't she always in real life too? So there is no difference between reality and this film when it comes to Björk's personality. Which is funny, because when asked about this she says it was much of a dream because she was just two weeks after pregnancy with Sindri, and her "out of it" self at the time works well with her character of Margot. So her character is somewhat incidentally made into a mysterious young, kind hearted witch because she was so deluded at the time.

It is also really well written, not so much the pacing but dialogue and characters are well placed in the film. I like the simple lines used when the entire cast has conversations with one another, as they are simple and atmospheric lines, and Björk does a great job on making her sad lines sound as they are supposed to "She didn't mean to hurt him, let her go" which is pretty eye watering.

The tale, in a way, ends in tragedy, but it doesn't leave you completely bleak. It is a confusing movie, it took me three viewings before I completely understood this film, but I love it either way. It's a bit muddled mainly because we as the western world are so unfamiliar to such culture and witchcraft like this. Either way, the movie is very good and works well with what it orbits around.

Although this is a quite film and its only recognition is Björk, it is a great movie, although will bore some with it's slow pace movement, but it is a very beautiful country it is filmed in, Iceland, and deserves everlasting shots on such a wonderful country. I highly recommend this film to anyone who likes Björk, because whether or not you're bound to like it with her acting.

Bjork shines in this film. I cannot say that for the rest of the actors. The setting is great and moody. I love the black and white film stock. Everything is so atmospheric and beautiful, even though it does not conform at all to Hollywood narrative and aesthetic. A must see for all Bjork and Grimm's fairytale fans. See Bjork's video "Isobel," it's a beautiful manifestation of the seed planted here.

Margit (Björk) and older sister Katla leave their home after their mother is stoned to death for witchcraft. Katla casts a love spell on farmer Jóhann. Jóhann is helplessly spellbound but his son Jónas refuses to accept her.

It's black and white. It's Icelandic. It's brooding. There is no pale-faced death playing chess but there is some weirder stuff. I don't know what the black hole is meant to be. The movie misses an opportunity to start with a more visceral intensity by showing the stoning and the sisters being chased by the angry villagers. Of course, I stuck with this mostly for Björk. She has an intriguing charisma although her acting has limitations. This is what one can expect from an Icelandic black and white movie about death and witchcraft.

Heavily experimental, with borderline confusing dialogue and narrative, the movie stands out for its exquisite imagery. The music is so calming, and the overall mood was pretty isolatingly chipper. One could say the movie tells a story about abandonment and selfishness in a trauma inducing reality, while I interpreted it as some quasi-spiritual drama about the place of women, and hope and reincarnation in times of pathlessness. The film feels pretty insubstantial for the most part and a lot of the runtime feels like it's stretched out to the max, with decorative and repetitive imagery and no meaningful moments of revelation that move you-except that one moment of death halfway through the film, that's just as it is. Even though the movie was a pretty feel good one with solid imagery and music, all of it felt like a huge excercise in ambiguous storytelling, with little substance that deserves your investment and that which has little rewards-except that soothing music during the end credits.

Overall, I liked it, but I doubt people looking for any real substance will find any here.

......which usually means that I'm going to need a second viewing to make up my mind as to whether or not I liked this film or not. I happen to have a fondness for slow paced films because a lot of times that slow pace is essential for character development and for the building of certain emotions whether it be sadness, happiness, action, scares or whatever. With "The Juniper Tree", I came away from it's slow and at times snail-like pace feeling rather empty and void of specific emotions. I don't see this as a film for everyone and I can certainly see where many will really dislike it but even though I cam away empty there is something about it that made me glad to have seen it and wanting to see it again sometime in order to see if I "get it". Now, all that being said, the film does have some good things going for it. The black and white photography and the Icelandic locations are astounding and make you feel like your in another time and place. The ambient sounds and the simple music score add to the overall feeling as well. It's a sort of brooding tale with a couple of bizarre moments but I certainly wouldn't classify it as a "horror" film or an out-and-out tale of witchcraft. It pretty much plays as a drama with some mystic overtones. The movie is probably known to some for the mere fact that it stars Bjork, and she is quite good, but there is more to it then just that. I just wish I knew what it was. I'll give it another watch because I think there is something here that I'm missing and that something is probably the one thing that in the end, will have me giving this film the thumbs up.