CALIFICACIÓN DE IMDb
6.3/10
104 k
TU CALIFICACIÓN
Miles, un exitoso abogado de divorcios, se siente atraído por Marylin, la futura ex-esposa de su cliente. Todo cambia cuando ella promete venganza contra el abogado y su esposo.Miles, un exitoso abogado de divorcios, se siente atraído por Marylin, la futura ex-esposa de su cliente. Todo cambia cuando ella promete venganza contra el abogado y su esposo.Miles, un exitoso abogado de divorcios, se siente atraído por Marylin, la futura ex-esposa de su cliente. Todo cambia cuando ella promete venganza contra el abogado y su esposo.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
Cedric The Entertainer
- Gus Petch
- (as Cedric the Entertainer)
Opiniones destacadas
A surprisingly smart comedy from Joel and Ethan Cohen, INTOLERABLE CRUELTY is a deft and entertaining comedy about the relationship that develops between a fast talking attorney (George Clooney) and a man-eating gold digger (Catherine Zeta-Jones)who pretty much eats husbands for lunch. This delightful throwback to the Tracy-Hepburn, Grant-Russell comedies of the 30's and 40's moves at a nice pace and is anchored by a razor sharp performance by Clooney, who has rarely been more appealing on screen. Clooney does everything right here and his performance alone makes this film worth seeing, but Zeta-Jones never allows herself to be overshadowed by him in one of her more venomous characterizations. Worthwhile bits are also contributed by Geoffrey Rush, Billy Bob Thornton, Richard Jenkins, and Edward Herrmann. One of the most underrated comedies ever made which is a definite must-see for Clooney fans.
Miles Massey is an amazing divorce lawyer who has a well-earned reputation. When he takes on the case of Rex Rexroth, who was caught on video cheating with another woman, he successfully wins the case and leaves the wronged wife, Marylin, with nothing. However he also falls for her, but she is planning his downfall in return for her losing everything she had.
With a big name pair of leads, it does look very much like the Coen's were looking for a big screen hit that would support their work to a greater extent than the loyal fan base does. As that sort of film, it seems to be doing OK, but, I wondered, at what cost to the product? The film starts well enough with an interesting case which we actually see little of, however the character of Miles is enough to hold the film together. The film contains the usual mix of larger than life characters and quirky humour, but the central romancing doesn't always hold true and there are stretches where the humour dips away to find that there is very little left without it.
Having said that, this doesn't occur often enough to be a problem and the film is still pretty good fun. The characters are it's making and there are enough of those to make it work. Clooney excels in the lead with a strange sort of humour - the same sort of character he played in "O Brother" if you ask me, but he does seem to have a touch for the comic stuff. Jones is less assured and her character has less of the humour I expect from the Coens and is more of a straight role. The support cast is all good as they provide small snippets of humour, whether it be Wheezy Joe or the rude waitress.
Overall it is not the cleverest film the Coen's have done, nor the funniest or most satisfying but, as a multiplex pleasing romance with quirky humour, it does work and should be enjoyed as that.
With a big name pair of leads, it does look very much like the Coen's were looking for a big screen hit that would support their work to a greater extent than the loyal fan base does. As that sort of film, it seems to be doing OK, but, I wondered, at what cost to the product? The film starts well enough with an interesting case which we actually see little of, however the character of Miles is enough to hold the film together. The film contains the usual mix of larger than life characters and quirky humour, but the central romancing doesn't always hold true and there are stretches where the humour dips away to find that there is very little left without it.
Having said that, this doesn't occur often enough to be a problem and the film is still pretty good fun. The characters are it's making and there are enough of those to make it work. Clooney excels in the lead with a strange sort of humour - the same sort of character he played in "O Brother" if you ask me, but he does seem to have a touch for the comic stuff. Jones is less assured and her character has less of the humour I expect from the Coens and is more of a straight role. The support cast is all good as they provide small snippets of humour, whether it be Wheezy Joe or the rude waitress.
Overall it is not the cleverest film the Coen's have done, nor the funniest or most satisfying but, as a multiplex pleasing romance with quirky humour, it does work and should be enjoyed as that.
I wouldn't have commented, except that I read too many reviews that mislead potential movie watchers.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
I saw it recently for the second time, and even though the huge holes in the plot are still there, I liked it much more than the first time. Thinking of the holes, Coens are very talented artists - perhaps we, the audiences are supposed to be smarter than Miles Massey (George Clooney - perfectly cast) - the very successful, always victorious divorce attorney for the rich and famous? Massey is the author of unbreakable "Massey's Pre - Nup" but he is so bored and restless than maybe he is waiting for someone who would be able to break it? Enters cool and sensual Marylin Rexroth (who looks exactly like Catherine Zeta-Jones), the woman who is after "wealth, independence, and freedom" and who "eats the men like Massey for breakfast" with the glass of French red wine Château Margot, 1954. Thus starts the game of wills, wits and desires with twists in every turn. Some of them are surprising and clever, some - predictable. "Intolerable Cruelty" may not be the best Coens' film but it is enjoyable, stylish, and funny. At least two scenes closer to the end of the movie are absolutely hilarious.
I doubt that there are two more strikingly attractive actors in movies today than George Clooney and Catherine Zeta-Jones. Zeta-Jones, in particular, has the kind of classic beauty that puts her right up there with the great screen legends of all time, women like Ingrid Bergman, Natalie Wood and Audrey Hepburn, who, with their ravishing good looks and photogenic quality, came to define the ideal of female pulchritude in their time.
Credit the Coen Brothers, who made `Intolerable Cruelty,' with having the good sense to know what they had in these two stars and for exploiting it to the full. They have allowed the actors to play off their good looks, most especially Ms. Zeta-Jones, portraying an icy gold-digger who specializes in marrying rich men with the express purpose of taking them for everything they've got once the marriage is ended. Clooney is the first-rate divorce lawyer who finally meets his match when he falls under the spell of this strangely bewitching woman.
The major joy in `Intolerable Cruelty' comes from watching these two tremendously attractive stars go at one another be it in lust, passion or anger. Miles and Marylin are both seasoned game-players and world-class manipulators who know how to get the better of the hapless victims who stumble headlong into their paths. Unfortunately, the film itself never lives up to its promise of becoming a slashing satire on the mores of our divorce-happy society. The main reason for this is that the script often shoots too low in its tone, opting for an overly broad, slapstick approach when a slyer, subtler style is what's really called for. It's not that `Intolerable Cruelty' doesn't provide its fair share of laughs; it's just that we feel there should be a whole lot more of them given the pedigree of the film's makers and the high-powered acting of its amazingly gifted cast.
In addition to Clooney and Zeta-Jones who hit all the right notes in their playing off one another the lineup also includes Geoffrey Rush, Billy Bob Thornton, Edward Herrmann, Richard Jenkins and Cedric the Entertainer, who steals the few scenes he's in with his manic interpretation of a private investigator who specializes in capturing wayward spouses in compromising positions.
Perhaps, `Intolerable Cruelty,' for all its moments of mirth and fun, simply doesn't go far enough into the realm of outrageousness to make the concept really work. The Coen Brothers, who have proven themselves masters of the absurd in the past, for some reason seem to be holding back in this film, going for the easy laugh and the easy sentiment when what we really want is for them to cut loose and go for the jugular (as Danny De Vito did with similar material in `The War of the Roses' so many years ago). Maybe Miles and Marylin need to be a little more nasty, a trifle more cutthroat in their demeanor to bring it all to life.
`Intolerable Cruelty' offers some hearty chuckles and some definite eye-candy in the person of Ms. Zeta-Jones, but, when all is said and done, the film is mainly just promises and not enough delivery.
Credit the Coen Brothers, who made `Intolerable Cruelty,' with having the good sense to know what they had in these two stars and for exploiting it to the full. They have allowed the actors to play off their good looks, most especially Ms. Zeta-Jones, portraying an icy gold-digger who specializes in marrying rich men with the express purpose of taking them for everything they've got once the marriage is ended. Clooney is the first-rate divorce lawyer who finally meets his match when he falls under the spell of this strangely bewitching woman.
The major joy in `Intolerable Cruelty' comes from watching these two tremendously attractive stars go at one another be it in lust, passion or anger. Miles and Marylin are both seasoned game-players and world-class manipulators who know how to get the better of the hapless victims who stumble headlong into their paths. Unfortunately, the film itself never lives up to its promise of becoming a slashing satire on the mores of our divorce-happy society. The main reason for this is that the script often shoots too low in its tone, opting for an overly broad, slapstick approach when a slyer, subtler style is what's really called for. It's not that `Intolerable Cruelty' doesn't provide its fair share of laughs; it's just that we feel there should be a whole lot more of them given the pedigree of the film's makers and the high-powered acting of its amazingly gifted cast.
In addition to Clooney and Zeta-Jones who hit all the right notes in their playing off one another the lineup also includes Geoffrey Rush, Billy Bob Thornton, Edward Herrmann, Richard Jenkins and Cedric the Entertainer, who steals the few scenes he's in with his manic interpretation of a private investigator who specializes in capturing wayward spouses in compromising positions.
Perhaps, `Intolerable Cruelty,' for all its moments of mirth and fun, simply doesn't go far enough into the realm of outrageousness to make the concept really work. The Coen Brothers, who have proven themselves masters of the absurd in the past, for some reason seem to be holding back in this film, going for the easy laugh and the easy sentiment when what we really want is for them to cut loose and go for the jugular (as Danny De Vito did with similar material in `The War of the Roses' so many years ago). Maybe Miles and Marylin need to be a little more nasty, a trifle more cutthroat in their demeanor to bring it all to life.
`Intolerable Cruelty' offers some hearty chuckles and some definite eye-candy in the person of Ms. Zeta-Jones, but, when all is said and done, the film is mainly just promises and not enough delivery.
¿Sabías que…?
- TriviaCatherine Zeta-Jones' style of acting in this movie was modeled upon Katharine Hepburn's romantic roles.
- ErroresMuch of the film's plot is driven by inaccurate representations of California divorce law. Under the community property theory, factors like infidelity are virtually irrelevant to the distribution of property upon divorce.
- Citas
Freddy Bender: Objection, Your Honor: strangling the witness.
Judge Marva Munson: I'm going to allow it.
- ConexionesEdited into A Look Inside 'Intolerable Cruelty' (2004)
- Bandas sonorasThe Boxer
Written by Paul Simon
Performed by Simon & Garfunkel (as Simon and Garfunkel)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
End Credit Performance by Colin Linden
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Intolerable Cruelty
- Locaciones de filmación
- Norm's Restaurant - 470 N La Cienega Blvd, West Hollywood, California, Estados Unidos(lunch scene: as "Nero's")
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 60,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 35,327,628
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,525,075
- 12 oct 2003
- Total a nivel mundial
- USD 120,802,239
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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