CALIFICACIÓN DE IMDb
6.8/10
7.3 k
TU CALIFICACIÓN
Un joven estudiante atraviesa un día crucial en 1984, mientras lidia con su identidad sexual y comparte momentos con sus amigos durante el último día de clases.Un joven estudiante atraviesa un día crucial en 1984, mientras lidia con su identidad sexual y comparte momentos con sus amigos durante el último día de clases.Un joven estudiante atraviesa un día crucial en 1984, mientras lidia con su identidad sexual y comparte momentos con sus amigos durante el último día de clases.
- Premios
- 5 premios ganados y 2 nominaciones en total
Jason Lockhart
- Steve
- (as Jason Scheingross)
Kevin Joseph Kelly
- Chuckie
- (as Kevin J. Kelly)
Craig H. Shepherd
- Irate Customer
- (as Craig Shepherd)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I honestly did not think I would like this movie. Something about the fact that it was based in the eighties made me a little edgy about seeing it. But I was actually pleasantly surprised.
Chris Stafford, who I would very much like to see in bigger roles, presented an incredible portrayal of a young man struggling with his sexuality in a very bias environment. Not only did I enjoy the way his character gradually came out of his shell and embraced this part about him that he had tried so hard to deny for so long but I was just so entranced and surprised by his performance throughout the film.
Anderson Gabrych as Rod was equally amazing. I was a little put off by him at first and I was extremely wary of that stereotypical gay he seemed to be at first introduction but I really enjoyed his performance, as well. And Tina Holmes was wonderful as Eric's best friend and her difficulty with the fact that the man she was in love with didn't love her that way was incredibly believable.
I enjoyed each actor's portrayal of their character and the flawless acting and the sexy (but tasteful) love scenes and just about everything about the film. The only thing I did not enjoy was the end. It felt awkward and cut short and if the director was aiming for a cliffhanger, he certainly succeeded - but a little too much was left unsaid for a completely successful closing.
Overall, the movie was one that I will watch many, many more times. It's an emotional, realistic insight into the struggles of coming out and embracing one's sexuality. Definitely worth the watch.
Chris Stafford, who I would very much like to see in bigger roles, presented an incredible portrayal of a young man struggling with his sexuality in a very bias environment. Not only did I enjoy the way his character gradually came out of his shell and embraced this part about him that he had tried so hard to deny for so long but I was just so entranced and surprised by his performance throughout the film.
Anderson Gabrych as Rod was equally amazing. I was a little put off by him at first and I was extremely wary of that stereotypical gay he seemed to be at first introduction but I really enjoyed his performance, as well. And Tina Holmes was wonderful as Eric's best friend and her difficulty with the fact that the man she was in love with didn't love her that way was incredibly believable.
I enjoyed each actor's portrayal of their character and the flawless acting and the sexy (but tasteful) love scenes and just about everything about the film. The only thing I did not enjoy was the end. It felt awkward and cut short and if the director was aiming for a cliffhanger, he certainly succeeded - but a little too much was left unsaid for a completely successful closing.
Overall, the movie was one that I will watch many, many more times. It's an emotional, realistic insight into the struggles of coming out and embracing one's sexuality. Definitely worth the watch.
Anyone who grew up gay in the 70s and came out in the 80s can relate to some aspect of this wonderful film. The music, the clothes, and the look are perfectly recreated. The performances are honest, tender and intimate. The awkward conversations and situations only add to the realism. The complexity of Eric and Maggie's relationship is truthful and very emotional. Eric's internalized homophobia is something most of us go through...especially when we are not ready to "come out" to our parents and ourselves. I can recall dressing outrageously and experimenting with my hair to make a statement just as Eric does and then denying that I was gay.
Yes, some men are portrayed as "queenish" and "promiscuous", but that's because some real men are. QUEER AS FOLK should be this good.
Chris Stafford shines, Tina Holmes is incredible, Andersen Gabrych is seductive and Stephanie McVay is the mom we all wish we had. The fabulous Lea Delaria belting out "Blue Skies" is an added bonus. Looking forward to more greatness from the talents involved here.
A great gay companion piece to THE LAST AMERICAN VIRGIN.
Yes, some men are portrayed as "queenish" and "promiscuous", but that's because some real men are. QUEER AS FOLK should be this good.
Chris Stafford shines, Tina Holmes is incredible, Andersen Gabrych is seductive and Stephanie McVay is the mom we all wish we had. The fabulous Lea Delaria belting out "Blue Skies" is an added bonus. Looking forward to more greatness from the talents involved here.
A great gay companion piece to THE LAST AMERICAN VIRGIN.
This is definitely one of the best gay "coming-of-age" films that I've ever seen. Screenwriter Todd Stephens' choice of era (80's) to showcase his story can not be any more appropriate, drawing a parallel between the struggle of a young gay man in coming to terms with his sexuality and a nation in realizing "all that glitters is not gold." Both required the courage to honestly looked at the truth, and this is ultimately what "Edge of Seventeen" managed to accomplish. Quite often in the world of celluloid, being gay is reduced to being comical, sacchrined, or "romantically" bleak. Director David Moreton knew better. He chose to give us a multi-faceted depiction of gay experience instead. There's a bit of tears, some heartaches, a tinge of angst, a sense of loss, and a healthy dose of laughter; Kudos to the entire cast for their wonderful performances. The lead character could not have been played better by Chris Stafford, who has the incredible ability to convey such wide range of emotions/reactions, from being speechlessly moved with a sense of implicit pressured in realizing how hard his parents have to work to send him to college, to being awkwardly "pleasured" during a post-clubbing front-seat rimming session. Tina Holmes also delivered an outstanding performance as the "girlfriend" of the lead. Instead of playing it like a stereotypical witty and I've-got-ten-thousand-comeback-line faghag, Holmes' Maggie is every bit as complex as the young man in the spotlight. At times, she reminded me of a young Meryl Streep, with her dead-on display of subtle emotional shifts.
7=G=
"Edge.." takes on a huge challenge as it takes the audience on an compromised guided tour of homosexuality in bloom while maintaining its entertainment value. The film features some excellent acting by some very unfamiliar faces and strikes an appropriate balance between gay sex and gay love. Kudos.
¿Sabías que…?
- TriviaMuch of the filming took place in Sandusky, Ohio, with the amusement park scenes filmed at Sandusky's Cedar Point, the amusement park where the writer actually worked when he was in high school.
- ErroresAlthough the movie is set in 1984, the shots of Cedar Point Amusement Park clearly show "The Raptor", which was not built until 1994, a decade later.
- Créditos curiososDelaria is seen still on stage after the credits briefly telling the audience to "go home."
- Versiones alternativasThe version shown on TV has been cut down to 78 minutes.
- ConexionesFeatured in Indie Sex: Teens (2007)
- Bandas sonorasThe Cherries
Written and Performed by Dominic Glynn and Martin Smith
Published by Jim Long Music (ASCAP)
Courtesy of Zomba Music Services
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- How long is Edge of Seventeen?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 700,000 (estimado)
- Total en EE. UU. y Canadá
- USD 871,759
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,302
- 2 may 1999
- Total a nivel mundial
- USD 871,759
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