El engendro

I have to say, I always enjoy Johnny Depp's work. He is a chameleon; an actor who can take literally any role, who can step outside the boundaries of typecasting. And, his performance in this film is in no way weaker than any other character; it is merely a role that not many are likely to recall when asked about him. The film builds decently enough. Depp and Theron play a married couple, and a significant element of stress begins to grow on Theron following Depp's events during an orbital assignment given to his character.

I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.

The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.

I watched this movie yesterday, and I was hooked to its haunting story till the end. First I have to say the performances were excellent, Johnny Depp still surprises me with his variety of roles, I can't imagine he could have done the hilarious role of Captain Jack Sparrow after this scary role.

His eyes were acting more than any part of his body and you could feel the slight change in his character through the stillness of his eyes. Charlize Theron gave a better performance than her Devil's advocate role although they had the same criteria, the disturbed wife. But her genuine agonizing performance distinguished her in this movie.

I noticed the music was a major pillar in this movie, it was like another main character in this movie, the editing was great also especially the scene in the subway. The story was an original also, it had good turn ups and twists.

The movie had all the right elements in general and it certainly doesn't deserve a 4.7 on the imdb. I think the voters were greatly disappointed after seeing all those good elements destroyed by the cheesy and typical ending that only producers could have had a part with, in order to make another sequel.

The ending by all means was bad, it destroyed the originality of the story and the tension build up. I give it an 7.5 for all the good elements, it would reached a 9.0 if the ending was different.

Up to about ninety percent through the film, The Astronaut's seems to be on course to being something special. Leads Depp and Theron are very convincing in their roles and they are backed by a very competent supporting cast led by the always reliable Joe Morton (T2, Speed, Bounce, Paycheck, Smallville). The special effects and cinematography are well done and the pacing and building of suspense entice the viewer to unravel the mystery along with the protagonist. Unfortunately the revelation doesn't quite live up to the buildup leaving the viewer more than a little dissatisfied. Despite the letdown I still recommend this movie on the strength of the performances and on the fact that is a rare hybrid of the science fiction and thriller genres. 7/10.

THE ASTRONAUT'S WIFE / (1999) **

Johnny Depp plays a NASA astronaut named Spencer Armacost who, while on a space mission, losses contact with Earth for two minutes. He and his colleague, Alex Streck (Nick Cassavetes), return home to their spouses, Jillian Armacost (Charlize Theron) and Natalie Streck (Donna Murphy). Bizarre episodes begin to occur with Alex, leaving Jillian suspicious of her husband's condition. As her husband's strange behavior increases, Jillian begins to question what really happened in those 120 seconds.

"The Astronaut's Wife," written and directed by Rand Ravich, poorly executes good ideas. We have imaginative and potentially suspenseful ideas with this film's concepts behind such happenings in two minutes as Spencer and Alex are in galactic boundaries. The gradual increase in Spencer's unusual behavior depicts effective suspense-but thorough introduction of the characters does not take place, nor do we witness the key events in which the rest of the move hinges upon. Consequently, "The Astronaut's Wife" does not work.

The film's first act is full of incidences, characters, and subplots. Clearly too many things happen too early in the story. Within the first thirty minutes the production attempts to develop two separate relationships, shows us the atmosphere of a teacher's workplace, something bizarre transpires out of earth's orbit, a decision is made to resign and move to New York, a suicide takes place, a character mysteriously dies, and probably more. I just couldn't follow the plot.

I liked the eerie, supernatural overtones located throughout the production. The film is smart to reveal the right amounts of information at the precise time. There is also a certain style to "The Astronaut's Wife," containing an elusive mood, a weirdly intriguing design, and some tense and unusual camera angles. The movie becomes more interesting as we reach the closing.

Charlize Theron has been in a lot of movies lately, but "The Astronaut's Wife" is her first leading role. She seems to have come out of left field in 1997 with the comedy "Trail and Error." Afterwards, she contributed larger performances in "The Devil's Advocate," "Celebrity," "Mighty Joe Young," and most recently "The Cider House Rules," and "Reindeer Games." Her role in "The Astronaut's Wife" is a little more complex than her past credits, excluding her enticing and believable acting job in "The Devil's Advocate." She presents the traumatized Jillian Armacost with the perfect blend of zest and tragic confusion.

Depp and Theron conjure a chemistry-rich couple. The movie very clearly takes Jillian's point of view instead of allowing us to know mysteries with Spencer. This stays consistent and focused, but sometimes leaves us pondering about unexplained events.

"The Astronaut's Wife" builds for an awe-inducing conclusion through revealing and intriguing dialogue and an omnipresent undertone. The film suggests a form of extraterrestrial is behind the deaths of several characters as well as the strange behavior of Spencer, but we learn the truth only in the end. Call "The Astronaut's Wife" an unusual "The X Files" episode featuring a cliffhanger conclusion and a supernatural climax. The movie must have appeared really exciting on script. If only more capable filmmakers would have claimed this production we may have had a real winner. Instead audiences feel disappointment and failure, potential is wasted and originality is underscored

Two minutes of lost communication between a space shuttle and home. What went on? The astronaut involved returns, but his wife finds he is not quite the same... This film can be considered a serious blight on the resumes of Charlize Theron and Johnny Depp. I found the film a terrible mess,mostly because a slightly interesting premise, (which had tricked me into watching) disintegrated into adisjointed, incoherent plot and the final blow, horrific special effects. The cast seems to struggle with the script and the scenes of violence and sex are awful and unnecessary. Even the combined talents of Theron and Depp cannot save this bombshell from outer space.