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7.0/10
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La historia gótica de un par de hermanastras cuyas vidas acaban atrapadas en una gran conspiración que gira en torno a una enferma mental vestida de blanco.La historia gótica de un par de hermanastras cuyas vidas acaban atrapadas en una gran conspiración que gira en torno a una enferma mental vestida de blanco.La historia gótica de un par de hermanastras cuyas vidas acaban atrapadas en una gran conspiración que gira en torno a una enferma mental vestida de blanco.
- Ganó 2premios BAFTA
- 3 premios ganados y 3 nominaciones en total
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I have seen the 1982,2018 and 1997 version and frankly this is by far the worst and doesn't have many merits. It is too short, it amends (not just abridges) the plot significantly to fit the runtime, and totally lacks the tone and atmosphere of the novel. The acting is also nothing to write home about and production low budget and uninspired. It is a shame because I really like Justine Waddell. And while Andrew Lincoln isn't a great actor I quite enjoy watching him. But this was poor. I can't see any reason why I would recommend it. It is also isn't too easily available. Though though is a low quality upload on YouTube if you must watch it.
Having read, and thoroughly enjoyed the book, I must say that except for a few phrases and scenes borrowed from the book, the plot did not resemble that of the book. I gave it five stars for effort and atmosphere.
A wealthy Victorian bride and her half-sister become the victims of an abusive marriage, and their only salvation lies in uncovering a mystery from the family's past ...
Brave attempt to cover a complex story in a relatively short run time. Some of the adaptations work very well to fold events and characters into a streamlined plot, but others take too many liberties. The main drawback is that the malevolent Count Fosco is reduced to a few scenes of haughty guffawing, and his back-story is completely erased. This does improve in some ways on the 1982 TV series, with some conviction added to the dialogue, but can't really compete.
The writer has beefed up the roles of the half-sister and the lover, and the actress gives a strong performance. Sadly, in spite of all the streamlining, the end has to rely too much on exposition to lead us out of the labyrinth.
Overall: Well produced but bit off more than it could chew.
Brave attempt to cover a complex story in a relatively short run time. Some of the adaptations work very well to fold events and characters into a streamlined plot, but others take too many liberties. The main drawback is that the malevolent Count Fosco is reduced to a few scenes of haughty guffawing, and his back-story is completely erased. This does improve in some ways on the 1982 TV series, with some conviction added to the dialogue, but can't really compete.
The writer has beefed up the roles of the half-sister and the lover, and the actress gives a strong performance. Sadly, in spite of all the streamlining, the end has to rely too much on exposition to lead us out of the labyrinth.
Overall: Well produced but bit off more than it could chew.
I didnt know what to expect . I only watched it on a rainy sunday afternoon on pay tv . Right from the start it drew me in . The music and settings and characters were excellent . I hadnt heard of any of the actors but they all were outstanding . A wonderful thriller .
Now that ive read other comments on this movie referring to past versions and the book , i will be endeavouring to find out more on this great movie
Now that ive read other comments on this movie referring to past versions and the book , i will be endeavouring to find out more on this great movie
Although I still prefer the 1948 film version, which is more satisfyingly developed (in spite of an ending that comes out of nowhere), this newer version of Wilkie Collins's mystery has a lot to offer. Tara Fitzgerald and Justine Waddell are excellent as the two very different heroines, and Simon Callow is, as always, delightful (if not as deliciously repulsive as Sidney Greenstreet in this role). The mystery, romance and suspense begin to take a moody, even depressing turn in the second half, but this is still, overall, a satisfying film for fans of gothics, visually compelling and more than a little haunting.
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- TriviaIan Richardson plays the same role in this and an earlier adaptation of the story: The Woman in White (1982).
- ConexionesReferenced in The Toxic Avenger: The Musical (2018)
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