Film Buff

Chasey Lain, shows the world why she's prime time in the adult biz. In this hot video she'll leave you weak in the knees. Searching the aisles late night in hopes of landing a video this vixen appears next.

Give Jim Enright credit -- his work is always lighthearted and interesting. Chasey Lain recounts favorite movies while waiting for a scene to begin, including screwball comedy, Dracula, a crime noir film, and 1950s teenyboppers. Best scene involves Tera Heart scolding Peter North's Dracula for his lousy approach to women.

For as beautiful as Chasey Lain is, there have been several movies where I have been disappointed in some of her performances. Maybe it was because this film was a little earlier in her career than most of the others I've seen, but she seemed interested in doing more.

I'm usually a plot man when it comes to watching this type of films (I like having something to connect the action scenes together), but this film doesn't seem to have much of a plot. Basically, it's an "interview" with Chasey, describing her favorite "old movies," but putting a "happier ending" on them when the scene fades to black. There isn't much in the way of continuity, but I guess we aren't really watching this film for continuity or plot, are we?

The film contains four long scenes, each lasting 15 minutes plus, and Chasey is involved in 3 of them. Scene 1 is Chasey with adult film veteran Joey Silvera. Scene 2 is Peter North with Tera Heart(?), Scene 3 is a 3-girl scene with Chasey and two others, and Scene 4 is a 3-on-1 scene with Chasey, Jonathan Morgan, Peter North, and Tom Byron, if I remember correctly. There may have been one more scene, but these 4 were the most memorable.

As for Chasey's performance, she appeared to be more willing in this film. In other Chasey films I had watched, all her male counterparts had been protected, and the "money shot" was never anywhere near being a facial. In this one, although there are still some things she won't do (which I appreciate - I'm not into *that*), she seemed to be actively involved in the climax. I was much more pleased with her performance in this film than in any others I've seen of hers.

Overall, the film was solid, aside from its plot limitations. Action scenes tended to follow the traditional pattern (girl shows admiration, guy returns favor, they work together to achieve the common goal). Camera angles and performer positions are pretty typical of this type of film. Definitely worth a watch if you're a Chasey fan or fan or a fan of this genre.

Jim Enright and his screenwriter Raven Touchstone do justice to old movies in this X-rated version, using the premise that Chasey Lain likes to use her imagination to see what the characters might do, erotically, after the movie fades to black at the end.

Consistently, upbeat, the five vignettes show: Chasey as the girl on a ledge in a Silent Film starring Joey Silvera in the Harold Lloyd role. Interesting camerawork including a dolly shot around the building set into the side of a room shows them humping rather than jumping.

A horror movie setup has down-to-earth Tera Heart seducing Peter North's Dracula (his Eastern European accent is quite poor), followed by a teen movie in which superstars Chasey, Julie Ashon and TIffany Mynx have daisy-chain sex together after their Elvis-hip idol Tom Byron turns out to be gay and effeminate.

Lain thinks older movies are more romantic than new ones, and imagines Norma Jeane making love to Bogie-styled Jonathan Morgan after a brief, lousy Brando impression (from "Streetcar")_ by T. T. Boy. Final segment has Chasey return for a gang-bang, as she's a female guard in a prison for men.

Enright off-camera is the interviewer asking Chasey all about the movies, and the only letdown here is the absence of an ending: the final interview (after showing the jail-cell foursome) just ends.