Una nave de transporte comercial y sus tripulantes están atrapados en un planeta lleno de criaturas sedientas de sangre que solo se alimentan por la noche. Lo peor llegará cuando se enteren ... Leer todoUna nave de transporte comercial y sus tripulantes están atrapados en un planeta lleno de criaturas sedientas de sangre que solo se alimentan por la noche. Lo peor llegará cuando se enteren de que pronto habrá un eclipse solar que durará un mes.Una nave de transporte comercial y sus tripulantes están atrapados en un planeta lleno de criaturas sedientas de sangre que solo se alimentan por la noche. Lo peor llegará cuando se enteren de que pronto habrá un eclipse solar que durará un mes.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 9 nominaciones en total
Angela Moore
- Dead Crew Member
- (as Angela Makin)
Peter Chiang
- Spaceship Traveler in Cryo
- (sin créditos)
Ken Twohy
- Spaceship Traveler in Cryo
- (sin créditos)
Opiniones destacadas
Exciting and interesting from the start, I have to say that while I approached this movie with at best limited expectations I came away from it pleasantly surprised. Vin Diesel is not really my cup of tea as an actor, but in fact he put on a very good performance in this futuristic sci-fi drama as Richard Riddick, a convicted murderer who's being transported to prison on a spaceship that crashlands on a strange alien world. Once there, the survivors discover that there are terrifying creatures who come out only in the dark, which at first doesn't seem much of a problem since the planet has three suns and is never dark. They then discover, though, that the planet is about to go into an eclipse, plunging it into complete darkness for an unknown length of time, and releasing the creatures to hunt them down.
Diesel's Riddick ends up as the hero of the movie, because he has surgically enhanced eyesight that allows him to see in the dark, and so he takes on the task of leading the others to safety. This movie is at times frightening, and on the odd occasion graphic, but not gratuitously so. A lot of effort was put by director David Twohy into developing the character of Riddick, and into portraying the change as the others slowly learn to trust him with their lives. I thought it slowed down a bit in the last third or so of the movie, and somehow became less interesting once the creatures were actually released by the eclipse. There seemed to be far more suspense as the survivors tried to figure out some of the mysteries of the planet and as they faced the approaching darkness. Once the darkness came, in some ways the movie became a pretty standard sci-fi monster type of movie. Still, it was a lot better than I had expected it to be. 7/10
Diesel's Riddick ends up as the hero of the movie, because he has surgically enhanced eyesight that allows him to see in the dark, and so he takes on the task of leading the others to safety. This movie is at times frightening, and on the odd occasion graphic, but not gratuitously so. A lot of effort was put by director David Twohy into developing the character of Riddick, and into portraying the change as the others slowly learn to trust him with their lives. I thought it slowed down a bit in the last third or so of the movie, and somehow became less interesting once the creatures were actually released by the eclipse. There seemed to be far more suspense as the survivors tried to figure out some of the mysteries of the planet and as they faced the approaching darkness. Once the darkness came, in some ways the movie became a pretty standard sci-fi monster type of movie. Still, it was a lot better than I had expected it to be. 7/10
I remembered this as a tight, well made and exciting little sci-fi film, but either I've become more judgmental twenty three years ago or this just hasn't aged well. Actually, it's just the first third or that is a problem. The beginning has quite a bit of poor acting and preposterous behavior from the survivors of a crashed space ship on an unknown planet. They adjust to the monstrous crash they've just been through, which is well done, and new surroundings astoundingly rapidly. They barely seem shook up and are not remotely believable. However, it gets better and the last two thirds are still pretty exciting. I kind of remembered the final scenes, but not the actual ending, so I was a little surprised, which is always good. Bottom line, this is a pretty good sorta Grade B type movie that gave the world Vin Diesel for better or worse. There was a terrible sequel to this, with Judi Dench no less, and another that I don't think I saw. The director hasn't made a film since Riddick 13 years ago and is now making two more. This character is this guy's directing career!
While most movies that pit humans against horrendous extra terrestrials end up being cheap imitations of the 'Aliens' series, Pitch Black stands as a fine piece of Sci-Fi, and an excellent movie all around. Perhaps my favorite aspect of the film is the lighting. This movie beautifully employs many different colors, shades and intensities of light which set the mood and lend a unique feeling to the film itself, something different than the 'normal' movie lighting we are generally subjected to. Vin Diesel brings his character to life in an excellent manner, skillfully avoiding the routine portrayal of the hardened criminal. After all, the film is about Riddick's (Diesel's character) personal journey, so thankfully Vin doesn't drop the ball. The remainder of the cast (with the exception of the talented and gorgeous Claudia Black) were unknown to me but all turned in marvelous performances, animating the diverse characters with unique quirks and mannerisms. Pitch Black is a perfect example of making a great film with out the resources of an excessive budget. The special effects are more than adequate, but at the same time they are by no means the sole focus, as in many high budget 'blockbusters'. It's a great movie because it uses Science Fiction as a medium to tell an engaging, provoking story, rather then telling a mediocre story to use the flash of Science Fiction.
The spaceship Hunter-Gratzner crashes on a desert planet. Pilot Carolyn Fry (Radha Mitchell) tries to take control after the captain is killed. Bounty hunter William J. Johns (Cole Hauser) is transporting prisoner Richard B. Riddick (Vin Diesel). There are also holy man Abu 'Imam' al-Walid (Keith David) and his young charges, antiquities dealer Paris P. Ogilvie, runaway Jack (Rhiana Griffith), John Zeke Ezekiel and Sharon 'Shazza' Montgomery (Claudia Black). They discover that the planet's 3 suns align to have a nightfall every 22 years and creatures from below rise up to massacre every creature on the surface. They are forced to rely on the killer Riddick and his night vision.
This is great smallish sci-fi horror. Radha Mitchell does a nice Ripley. This reminds me a lot of Alien which I consider one of the greatest movies ever. It's got good desolate settings. Vin Diesel is the Man. This starts as an interesting character that turns into something great. The creature feature plus the darkness make this even better.
This is great smallish sci-fi horror. Radha Mitchell does a nice Ripley. This reminds me a lot of Alien which I consider one of the greatest movies ever. It's got good desolate settings. Vin Diesel is the Man. This starts as an interesting character that turns into something great. The creature feature plus the darkness make this even better.
Let me waste a moment of your time to explain how I approached this film. 1st I dismissed the trailers out of hand because the film appeared to be an uncredited remake of Aliens, which I consider to be one of the weakest films in the Alien series. Stupidly continuing to dismiss the film after I heard positive things about it from people whose opinions I trust, I missed the theatrical run completely. I then became hooked on Farscape, in its 3rd or 4th season at the time, and found Pitch Black on cable one night around bed time - so I said "oh why not, at least it has Claudia Black in it." Soon, I recognized Keith David, and began to realize that Vin Diesel, Radha Mitchell and Cole Hauser could all act (why this should surprise me, I do not know). I was captivated. I have now remained captivated for four years. I just watched the film for the 3rd or 4th time, and I still love it.
This is not an art film, not an independent, and its not entirely original, but where it fails to break a lot of new ground, it utterly succeeds in providing interesting, realistic characters, hard-driving action in the medium of a compelling but simple plot, and non-stop entertainment; an absolutely beautiful environment with tastefully rendered special effects. Sound to good to be true? Don't take my word for it... see it for yourself.
The film also highlighted the charisma of the now somewhat iconoclastic Vin Diesel, introducing the character of Richard Riddick. Diesel would go on to star in the somewhat Riddick-ulous Chronicles thereof (which I also enjoyed, though recognizing its rather huge flaws) and is now something of a legend. Diesel is so charismatic, so big, and so interesting to watch that it is easy to ignore the fact that he is not only a talented actor, but a smart one too. Checking out the DVD version of Pitch Black, with the audio comments on might just blow you away.
The film is about the crew of an inter-system transport ship stranded on an unknown planet after a crash-landing in which their captain was killed. The new commander is inexperienced but bright and heroic (Mitchell), but she is caught between two dominant and dangerous personalities - a bounty hunter with secrets (Hauser) and a dangerous criminal who has been surgically altered to see in the dark (Diesel). Is that all? Of course not - the planet is inhabited, and the inhabitants are hungry.
As unoriginal and improbable as some of this may be, Pitch Black is beautifully filmed, well told, and very nicely performed. Don't expect to learn anything, and don't expect to have to think a whole lot, but do expect to have fun with this modern sci-fi action classic.
This is not an art film, not an independent, and its not entirely original, but where it fails to break a lot of new ground, it utterly succeeds in providing interesting, realistic characters, hard-driving action in the medium of a compelling but simple plot, and non-stop entertainment; an absolutely beautiful environment with tastefully rendered special effects. Sound to good to be true? Don't take my word for it... see it for yourself.
The film also highlighted the charisma of the now somewhat iconoclastic Vin Diesel, introducing the character of Richard Riddick. Diesel would go on to star in the somewhat Riddick-ulous Chronicles thereof (which I also enjoyed, though recognizing its rather huge flaws) and is now something of a legend. Diesel is so charismatic, so big, and so interesting to watch that it is easy to ignore the fact that he is not only a talented actor, but a smart one too. Checking out the DVD version of Pitch Black, with the audio comments on might just blow you away.
The film is about the crew of an inter-system transport ship stranded on an unknown planet after a crash-landing in which their captain was killed. The new commander is inexperienced but bright and heroic (Mitchell), but she is caught between two dominant and dangerous personalities - a bounty hunter with secrets (Hauser) and a dangerous criminal who has been surgically altered to see in the dark (Diesel). Is that all? Of course not - the planet is inhabited, and the inhabitants are hungry.
As unoriginal and improbable as some of this may be, Pitch Black is beautifully filmed, well told, and very nicely performed. Don't expect to learn anything, and don't expect to have to think a whole lot, but do expect to have fun with this modern sci-fi action classic.
¿Sabías que…?
- TriviaThe hot desert where they filmed was actually about ten degrees Celsius (fifty degrees Fahrenheit). They were misting water on the actors to make it appear as if they were sweating.
- ErroresThe spirits bottles are supposed to provide light as spirits "burns rather well". However the flame produced by burning alcohol is blue and dim, far from the yellow smoky, kerosene-like flame displayed in the movie.
- Créditos curiososThe persons and events in this production are fictitious. No similarity to actual persons or predators, living or dead, is intended or should be inferred.
- Versiones alternativasUniversal released an unrated Director's Cut, three minutes longer than the theatrical release.
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Detalles
Taquilla
- Presupuesto
- USD 23,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 39,240,659
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,577,688
- 20 feb 2000
- Total a nivel mundial
- USD 53,187,659
- Tiempo de ejecución
- 1h 49min(109 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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