Duets

Bruce Paltrow's film "Duets" basically centers on the relationships of vastly different people who all end up at a karaoke contest in Omaha. Liv (Paltrow) meets her dad Ricky (Lewis) for the first time at her mother's funeral. Ricky is a "karaoke hustler", a guy who walks into various competitions and not only wins the cash prize, but manages to get a sucker to bet on which of them is going to win. Ricky reluctantly lets Liv tag along with him on the circuit, and along with singing herself, she also tries to forge a relationship with her father. Todd (Giamatti) is a salesman who travels most of the year and comes home to a house where his children don't talk to him and his wife would rather spend time online than talk to him after one of his business trips. One day he has a "moment of clarity" and decides to use some of the 800,000 frequent flier miles he has racked up, taking off in his car and driving anywhere but near his home. The first night he gets a room, he walks into a hotel bar and is convinced to get up on stage for their karaoke night, where he finds he loves the freedom it allows and the attention it garners him. Along the way on his trek, he picks up a hitchhiker named Reggie (Braugher) a recent parolee with the voice of an angel, and the two strike up a very close friendship despite (or possibly because of) their many differences. Finally, there is Suzi (Bello), a drifter who travels her way to karaoke contests by eschewing all dignity and selling any part of her she can. At a stopover in Cincinnati, she encounters Billy (Speedman) a former seminary student who is now a gypsy cab driver that just discovered his girlfriend sleeping with his business partner. Bello convinces him to take her to California, but along the way, the lure of the $5,000 purse in Omaha gets the best of her and they make a stop there.

"Duets" features several story lines, but other than karaoke, they all have one thing in common: They are all unhappy with either their past, their present or the prospect of a bleak or uncertain future. The film really isn't all that good, but there are a couple of good things about it. First and foremost, the chemistry between Giamatti and Braugher is fantastic. Completely casting aside the fact that they are two of my favorite actors, their connection was practically tangible. Hey, who knew Giamatti could sing, too? The rest of the stories were pretty clichéd or just not very compelling at all. I wasn't sure where they were trying to go with the Suzi/Billy arc but it ended up going nowhere for me personally. Huey Lewis, nothing more than a marginally average actor does an okay job in this film, but it obviously isn't much of a stretch for him.

If you are not a fan of any of the actors, "Duets" is entertaining enough to sit through and not end up hating yourself afterward. Personally, the film deserves a slight edge because of the Giamatti/Braugher thing, but altogether, it gets a 6/10. In this case I'm rounding up from 5.5 for that edge.

--Shelly

This film brings some great things to it, actually 3 things- Paul Giamatti's performance, Huey Lewis's performance and every good singing person who (besides Lewis) surprised me with they're talents. Overall, the karaoke scenes overshadow the dramatic trio of tales (except for the free bird story with Giamatti and Andre Braugher) which is unfair because the talent on stage is somewhat better than the acting (Maria Bello is pretty damn sexy though). Overall, it's fair, more of a chick flick to say. B

I like Duets very much because I think the screenplay is fairly original. After all, karaoke is a new phenomenon on it's own. It is about people who are travelling across the country to sing songs in karaoke bars in the hopes of making it to Omaha where the grand prize is. Characters are kind of people who has not found the peace in themselves yet. They are looking for that peace and finding it where they step on the stage and sing their hearts out. I loved it because that is the way I feel about music; it can completely change my mood from sad to glad or vice versa. Music is such a powerful tool that touches us all very deeply. I think that idea was depicted in the movie very effectively. Songs were very good (I simply fell in love with Maria Bello when she sang "Sweet Dreams..." and "I can't make you love me".) They all sing incredibly well; I was surprised by Gwyneth Paltrow's voice....man she really can sing! I listened to the soundtrack cd and I think it is amazing, probably one of the best soundtracks after "The Bodyguard". The only thing that I dislike about the movie was to see Huey Lewis looking quite old. His band used to be one of my most favourite music groups.

I say this is a very good movie and one of the 5 must see movies of the year so far (after The Gladiator, The Mission Impossible II, High Fidelity and Almost Famous).

I often wonder why I watch so many movies, and why I love them so. It isn't because they often explore new territory or challenge my intellect, but then there's a whole public library and a Barnes and Noble in every strip mall for that. No, I think it must be the escapist delight of allowing myself to be absorbed for a couple of hours in a well-crafted imaginary world where unbelievable things happen to unrealistic people. It's a guilty pleasure, but hey, sometimes I eat my dessert first. I can handle the guilt.

With that said, as guilty pleasures go, this dessert is a banana split for two with extra nuts and cherries. And one spoon. Huey Lewis and the incomparable Gwyneth Paltrow are a father daughter team trying to get acquainted on the karaoke circuit. He's a karaoke hustler (who knew) and she's a third generation Las Vegas showgirl who is at once worldly and naive.

Paul Giamatti is a shocker. He's amazing as the frustrated salesman who's out "for a pack of cigarette." Along the way, he encounters Reggie Kane (Andre Braugher) a convict on the lam whose quiet desperation is a stark contrast to Giamatti's wanton abandon.

Maria Bello is hilarious as the resourceful bohemeian chasing a dream of big money. Angie Dickenson graces the scene with a tasty cameo. And then there's the singing. OK, Todd Rundgren isn't worried about Giamatti's rendition of the classic "Hello it's Me", and Andre used a voiceover, but Gwyneth can really sing, and her duet with Babyface in the closing credits is a chart-topper in anybody's book.

Directed by Gwyneth's dad Bruce, in his first feature since graduating from the small screen, the word "Duets" describes this enjoyable film in more ways than one. But in the end, the duet that matters is just you and this wonderful little film.

Director Bruce Paltrow assembled an impressive ensemble cast to deliver this story about a diverse group of people with many things in common-- more than they would probably ever realize or admit to, in fact. On the surface, the tie that binds is music; specifically that cultural phenomenon known as Karaoke, a world in which for three minutes or so, no matter who or what they are, the individual at stage center is a star. Underneath that particular aspect, however, the common thread runs much deeper. Because these are people who, in their own way, are all seeking to connect with something, even though they don't know what it is or even consciously know they're pursuing it. They're looking for their personal metaphor-- that one special thing, or someone, that will give meaning and purpose to their life. It's a road we all go down at one time or another, in one way or another, and it's that road that is explored by Paltrow in `Duets,' an affecting film that illustrates how universally elusive the answers we're all seeking in life are, and for the most part because we simply don't know the questions in the first place.

Ricky Dean (Huey Lewis) is a singer/hustler on the Karaoke circuit; In Tulsa, on his way to a big competition in Omaha, he gets a call and detours through Las Vegas for the funeral of an old friend. While he's there, he meets up with someone with whom he has a special relationship, Liv (Gwyneth Paltrow), who decides she wants to join him on the road. Meanwhile, a salesman named Todd Woods (Paul Giamatti) suddenly realizes he's so burned out from being on the road that he doesn't even know what city he's in, making a pitch to a hotel conference room full of corporate types in Houston, thinking all the while he's actually in Orlando, Florida. When he finally gets home, his wife, Candy (Kiersten Warren), and his two kids are too self-absorbed to even say hello to him, so he goes out for a pack of cigarettes (even though he doesn't smoke), discovers Karaoke and makes a new friend, Reggie Kane (Andre Braugher). Then there's Billy (Scott Speedman), a young man who drives a cab (of which he is half owner), who due to a particular set of circumstances finds himself involved with one Suzi Loomis (Maria Bello), who is on her way to California, by way of the karaoke competition in Omaha. And, ultimately, Karaoke becomes the vehicle through which this eclectic bunch of individuals begin to discover just what it is they're looking for; and who among them ever would've thought it would be in Omaha, Nebraska?

Working from an intricate and insightful screenplay by John Byrum, Paltrow has crafted an engrossing comedy/drama that is entertaining and poignant. There's a lot going on in this film, but Paltrow sets a pace that keeps it moving right along, and uses transitions that effectively eliminate any confusion that could easily have resulted from having so many storylines unfolding at once. The characters are well drawn, and Paltrow establishes exactly who they are and where they fit in almost as soon as they are introduced, which enables the viewer to concentrate on the story without having to figure out who fits where and why. After all, this is not a mystery; and Paltrow uses the screen time of his characters wisely to develop the drama that is being played out in their respective lives, rather than by throwing in unnecessary twists and turns just to maintain interest. It works, because the story is interesting enough, without the aid of any superficial enhancements, and Paltrow does an excellent job of blending it all together to deliver a satisfying and emotionally involving film.

There are a number of outstanding and noteworthy performances in this film, but the most memorable is turned in by Paul Giamatti, who so successfully conveys the emptiness of this middle-aged man who has always played by the rules, and who now finds himself at a very real crossroads in his life. The fact that Todd has accrued 800,000 frequent flyer miles that he can't use, effectively puts his whole life into perspective; and Giamatti sells it with a portrayal that is affecting and incisive. And, as Reggie, the guy Todd takes up with on the road, Braugher hits just the right note, as well, and their scenes together provide some of the highlights of the film, as when they perform their duet of `Try A Little Tenderness'-- this is Karaoke at it's best.

Gwyneth Paltrow provides a few highlights here, as well; besides creating a very real, believable character in Liv, it's worth watching the film just to see her sing `Bette Davis Eyes.' But there's also an exquisite gentleness in her nature she so ably expresses that makes her decidedly easy to watch, and there's an engaging duet she delivers with Huey Lewis on `Cruisin' that's a real showstopper. It's quite interesting, in fact, to note just how well the actors in this film deliver their songs (and, yes, they all did their own singing). Other musical highlights include Braugher's `Free Bird' and Bello's rendition of `Sweet Dreams.' This entire film, in fact, just may be the best thing that ever happened to Karaoke; it definitely raises the bar and gives it some mainstream credibility.

The supporting cast includes Angie Dickinson (Blair), Lochlyn Munro (Ronny), Amanda Kravat (Redhead), Erika von Tagen (Julie) and Marian Seldes (Harriet). Early in the film, a truck driver asks a hitchhiker-- a guy just out of prison-- `What were you in for?' The guy replies, `An error in judgment.' And, in the final analysis, that's what `Duets' is really all about; the flaws, imperfections and `errors in judgment' that make up the music of life. It's about finding that right note and being able to share it with someone-- being able to perform a duet to the score of life. 9/10.