Madeline

In an old house in Paris that was covered with vines, Lived twelve little girls in two straight lines.

If you don't know and love those lines, and if your children don't either, then none of you are likely to enjoy Madeline very much.

Ludwig Bemelans wrote those opening words for the first Madeline book published in 1939. Admirers of Bemelans cite his charming, economical use of words and images. He also illustrated his stories. Madeline the film is by all accounts a faithful homage to this man's notable children's literature.

It's possible that some parents have schooled their children to appreciate the Madeline tales but if they haven't it's likely that Madeline will be considered a little too tame by all but the real littlelees. There's just none of the brash, relatively violent noise of most children's film fare here.

However the film does star Frances McDormand (Fargo) and Nigel Hawthorne (Yes Minister, The Madness Of King George) and they do what they can with a film that some will find charming.

Hawthorne in particular is particularly touching in one of the final scenes. And young Hatty Jones is appropriately determined and fearless.

I just loved this version of Madeline, with the inimitable Frances McDormand and Nigel Hawthorne. Funny, attractive movie that is lively enough for adults to enjoy. I highly recommend it. Nothing offensive in it at all. The cinematography, the acting, the costuming was of the highest quality.

As a child I did not really read the Madeline series of books, but I did as an adult, and I found that this screenplay and production bring the book to life. At a time and in a society where there is so much negative entertainment, this was a pleasant offering. It was uplifting. It even had just enough suspense to make it interesting for adults.

Whether or not this film was critically acclaimed by the "so-called" experts or not, is irrelevant. The REAL experts are the children who watch, are captivated and endeared by Madeline's well casted characters. Every child I know (including my own) that has seen this film loved it and has begged for it on video.

Parents may not see this as a daring, frolicking action adventure; but rather as a sweet and funny children's film, which is after all, what is was designed to be.

There are so few films that really MEET a parent's expectations for what they WANT their children to see and can TRUST to not be "profane" (many older children's films that were "G-rated" are being remade now as "PG" under the guises that parents will "want" to watch them to; but do the kids really need the addition of bad language and sexual innuendo?).

Madeline, the movie, is true to the author's original story-line and keeps its poetical, lyrical style and flavor. The children and adults in the cast are true to what the author's characterizations were intended to be.. rather than a so-called "modern version" of it.

It is childhood at its best and its worst, with "realistic" villains (instead of the monstrous or far-fetched) and more of the genuine fun and whimsy that childhood is supposed to possess.

Children everywhere adore this film! As an adult, I appreciate it and APPLAUD it. I wish filmakers would TAKE NOTE and produce MORE films like this... TRULY for Children and SOLIDLY "G-rated". After all... children are the best experts on what they like.. and they LOVE THIS... so do I.

i hated to give this likable little movie only a seven, it's really very good, only i did'nt think it was about much except to be nice, congenial entertainment. the 'Madeline' books themselves, though lovely children's classics, are not really about much. they're not supposed to be. they are simple, and nice, and don't burden the child reader with too much message. that's good, since not every message suits every person.

i remember reading the 'Madeline' books as a small child in second grade. i have'nt picked up a 'Madeline' book since then, but i seem to vividly remember them for some strange reason because they really are simple stories. but i remember all the characters and they are all here. Pepito, Genevieve the dog, the circus performers, i remember them all very fondly.

it was a very cute little movie but as an adult, the selling point for me was the incredible Frances McDormand. she is such a great actress who never gives a bad performance. even when i think the movie is bad, she is always really good. this might not be one of her more demanding roles, but the performance is strong, smart, and sure. playing a nun is a fairly complicated thing to do, and she brings it off like a regular Debbie Reynolds. her performance is respectful, restraint, and never crass. i mean come'on folks, religious denominations are a touchy subject. but not here in this film.

this film is perfect for all children and contains nothing offensive except for the word 'Damn'. and if you can't handle that, get the heck out of the kitchen dopey. the main thing that should be cautioned is the irresponsible use of fire crackers. sure, i thought the scene was hilarious, but throwing fire crackers under a person's feet can do serious harm, and parents should definitely talk to their kids about that one.

all in all this was not a great film or a deep one. but it was awfully sweet and cute.

Madeline is a typically troublesome young red-headed girl who is a ward of the church under the care of Miss Clavel. However just as good as she is at getting into trouble she is equally as good at working out a way out of it. When the kindly Lady Covington dies, Madeline's school loses its most ardent sponsor and faces closure when Lord Covington decides that he no longer has to humour his wife by keeping it open. Obviously none of the girls want this to happen, but Madeline must also deal with other problems as well – not least of which is some sort of plot surrounding Pepito, the son of the Spanish Ambassador.

I had not heard of this film or the famous stories from which it had come but I watched it hoping for a strong child character in a strong family comedy drama. Sadly what I got was a very muddled film that has a couple of plots and forgets to do a great deal with any of them. I appreciate that the character is the heart of the film but that doesn't excuse how messy and poorly focused this is for the majority. It does have some good aspects about it and I can see why some older pre-teens might like it but younger than that and older than that might struggle. For me the main thing the muddled delivery did was rob it of a sense of fun and prevent anything flowing.

At times the tone is silly and childish, at others it is serious and intimate – but it never feels like it is all in one movie and again fragments the flow of it. The cast try hard to work with it but understandably they seem unsure of the tone of the film (a fault that must be put at Mayer's door) and it shows. McDormand is solid but unspectacular while Hawthorne clearly felt that turning up for his scenes was enough. The star is of course Jones as Madeline. She is a strong character but not developed beyond what she can do herself. I have no vested interest in the character but I was a little disappointed with what they did. Daniels is poorly used while De La Osa is purely annoying.

This all might just about do the job for the older, pre-teen audience but younger won't care and older will want more than this delivers. A muddled film that never really settles down or decides what it is doing.