El cubo

Cube is a movie that explores human nature and our instinctive urges for survival vs our humanitarianism. Not a new concept, I know, however this movie does it in style, with a plot so simple that it could only be the work of a conceptual genius. I don't intend to give too much away, as the power of the film lies in it's mystery, but I will say that this movie could almost be classified as disturbing, not due to its content, but rather the thoughts that it instills in the audience. I found myself rather shaken as I left the cinema, feeling as though I had been exposed to an ugly, hidden side of humanity and society. Don't get me wrong, this movie is definitely worth seeing, I would even be so bold as to say that it must be seen! I must admit that there are few movies I have seen that have had such a profound affect on me, and I don't think I am alone in my feelings.

"Cube" is certainly a unique movie. The brilliant, absolutely irresistible premise grabs you instantly, and the production design keeps you impressed. The first hour of this picture was thoroughly engrossing and full of surprises; I would even call it "astonishing" if the actors didn't deliver some obviously forced, unnaturally "profound" speeches, and if the director didn't try to create dramatic moments by taking the easy way out - having the characters argue with each other all the time; if they acted as a team and tried to overlook their differences, THAT would have been the REALLY original approach. Still, the movie was fast-paced and fully engrossing.

And then, about 20 minutes before the end, it begins to collapse! The mathematical calculations become IMPOSSIBLE to decipher and follow. A major character changes his behavior completely. And the ending is a real disappointment. Some people have said it's "surprising"; I think it's a total cop-out. It doesn't provide any explanations, and it doesn't provide any clues for us to try to figure it out on our own. I watched the last five minutes three times. They leave you with an intense "THAT'S IT?" feeling.

Overall, this movie is definitely worth seeing, and the acting isn't nearly as bad as most people say, but be prepared for a HIGHLY unsatisfying ending. 6/10.

Quentin wakes up in a square room with exits on each wall. Soon he is joined by other people, strangers, who also have no idea where they are. Looking around they find that each room leads to another one that looks just the same. One of the group is the famous prison escape artist Rennes, who realises that some of the rooms are booby-trapped but that he thinks he has got the solution. With no other ideas the group follow him and try to evade the traps and stay alive – all the time with absolutely no idea of why they are here or who has imprisoned them.

I heard about this film years ago but only recently managed to find it on television to watch. It is hard to think that it is almost a decade old now but that it is still effective and a regular cult movie that people will still talk about. Its power is in its simplicity – every room is the same and every next room could be safe or could be a trap; there is no reason for any of it and there appears to be no way out. Usually this sort of stuff makes for a great pitch but not always a good movie because the idea can't stretch beyond a catchy gimmick, however here it does it and makes it look easy. The whole film is our characters trying to work their way through the rooms without getting horribly killed. This in itself is gripping and at times unbearable to watch – horror fans may be disappointed that long periods go by without a lot of gore but personally I prefer tension to the delivery.

At the same time we also get the characters feeding the mystery of the cube, building the tension and the sense of hopelessness without ever really solving anything. It answers questions with more questions and keeps things moving well. The development of the characters is better than I expected and I liked the way that the film played with the characters, changing them as the film went along. It isn't a fantastic character piece but again it is just something that helps keep the film moving and I suppose it was interesting to see the nature of people come out. In that regard I was also impressed by the cast. I had expected poor performances from a low budget film but actually they were all quite good. Wint is best but towards the end his performance became a bit too simplistic. Hewlett underplays and probably has the least character to deal with but is still good. De Boer was effective and interesting. Robson was a nice distraction. Guadagni was a good counterweight for Wint and played well to develop him and herself at the same time. Miller was good and the pace of the film helped distract from him basically doing a Rain Man impression.

Overall an impressive low budget thriller that works because it sticks to the simple idea while building side issues with the characters and the cube around it but never actually solving anything. Perhaps it is better not to over praise it because I thought it was at its best because I didn't know what was going to happen.

Great. Another shining example of how my inadequacy in mathematics could be the end of me. I used to skip math class. I took the bare minimum requirement expected of me and passed with something less than flying colours. The point is, math is all that separates our "heroes" from certain death in this arena.

"Cube" is an innovative little thriller that can safely dodge accusations of blandness or mediocrity. The premise is simple and the plight of the characters is highly relative despite its surrealistic science fiction setting. Six individuals find themselves trapped in a cube comprised of many rooms linked together, with no readily visible way out, no rations, tools or explanation for being there, with traps set up in some of the rooms. An apparent experiment on how people think and react to certain situations and the transformations they might undergo.

The simplicity of the film and the cube itself are the film's strongest assets and can probably account for it's international success, notably in Japan. It's low budget production costs came under $400,000. But they got a really good bang for their buck with some help from special effects houses that provided their services free of charge. As the director has commented on the audio commentary track of the DVD, one aspect they were going for was a way to have an action flick in one room. They pulled it off quite nicely. Another interesting tidbit brought to light was that each character's name is after a prison.

A curious aspect of this Canadian film was its surprisingly short run in Canadian cinemas. In speaking with one of the film's producers, Mehra Meh, I learned that despite it's award as "Best First Feature" at the Toronto Film Festival of 1997, the film run in Canada came a year later and was just for a few short weeks before it was yanked from theaters and then showcased internationally. When time came for the DVD release, I found another perplexing development. It was only available as an import. A Canadian film only available as an import in Canada? It wasn't until months later that it was released domestically.

In any case, the film is available now and worth checking out if you have interest in the psychological thriller fare. Those who work their days or nights (or both) in a cubicle may wish to pass on this one, as it just might be too close to home.

Interesting, suspenseful flick, with some great direction, hampered by terrible acting and atrocious dialogue. The overall concept is an intriguing one, and could have made for a better film in the hands of a competent writer, but instead the screenplay is filled with idiotic characters and ludicrous dialogue. Combined with some terrible overacting by most of the cast, and the dialogue-heavy scenes become painful to watch. Fortunately, the 'action' sequences redeem the film, as they are shot well and become incredibly suspenseful - especially the scene with the quiet room. Some great gore effects and a fitting ambiguous ending make it a worthwhile viewing.