Un esposo ideal

Gertrude (Cate Blanchett) is an English aristocrat in the Edwardian era. She is very much in love with her husband, Robert (Jeremy Northam), a rising star in the British Parliament. Yet, an old schoolmate of Gertrude's, the conniving Laura (Julianne Moore) arrives back in town with a mission. She knows a secret about Robert that would bring about his ruin and decides to pressure him to support a government bill that would invest heavily in a Argentine adventure, one she has staked her money on as well. What can Robert do? He turns to a close friend, Lord Arthur (Rupert Everett) for help. Arthur, a rich and witty bachelor, offers what support he can. But, with women chasing him around every corner, including Robert's sister, Mabel (Minnie Driver), can Arthur devote the time required to saving his friend? And, will Gertrude have to be told about the blackmailing, causing her to lose some faith in the husband she thinks is "ideal"? This film, based on a play by Oscar Wilde, is a sophisticated and charming movie of the highest order. As such, it is replete with clever and mirthful lines, lovely costumes, beautiful sets, and memorable characters. As the principal actors, Blanchett, Northam, Everett, Driver, and Moore are excellence itself, laying doubt that anyone else could have filled their roles in a better manner. Yes, it is a dialogue-driven film but it is never stuffy or boring. If you have enjoyed such movies as Emma or A Merry War, this one is an ideal choice for your next film engagement. But, even if you are channel surfing and stumble across the flick on some lonely night, you will be drawn to its universal humor and humanity.

I saw "An Ideal Husband" at the Old Vic theater in London, and was surprised at the time how timely a 100 year old play could be.

When I saw the trailers, TV ads and posters for this version, it seemed like an entirely different story--will Rupert Everett get married off. That's certainly a thread in the movie, but in the marketing of this version, they made it appear as if it was the entire wardrobe.

I didn't see the film when it was in theaters because these ads, with their very modern music and fast cutting, made the film look like a joke.

But when it came out on video, I decided to try it, and am glad I did.

The film itself is excellent. Beautifully shot and paced, with an expert cast. Wilde's humor shines through, and the writer-director has done a wonderful job "opening" up the play into a film, without changing anything important. It's a masterful job of translating from stage to screen. It's really so crisply done, and very funny.

In years to come people will realise that this is a fine movie version of this play. And by then, hopefully, they will have either forgotten about the marketing campaign, or hopefully learned from it.

I recommend the film.

As I left this movie, someone said "How nice to see an intelligent movie!"

The risk going in was that it would be ONLY an intelligent - or at least clever - piece, all period manners and costumes. In fact, with all the Oscar Wilde wit which sounds wonderfully fresh here, there are also rich moments of emotional depth throughout this amusing but also quite moving film.

One theme here - touching in hindsight - is how little it can take to destroy a reputation - Wilde was later to have some of the most painful possible firsthand experience of this. But the central question here, which anchors the humor and beauty that decorate it, is the cost of rigorous, even rigid, honesty. And the growth of the central characters on this point shines through, even through the dance of wit and farce.

Underpinning this is a surprising faith in human nobility, quite in contrast to the ironic persona Wilde maintained. It struck me while watching it both that Wilde had very French characteristics - a continental finesse, the love of repartee - and yet was profoundly an English writer by virtue of his faith in fair play and the bonds of (platonic) male friendship.

In fact, Lord Goring, whose world-weary ways make him something of a surrogate for Wilde, is a distant cousin to Sidney Carton in coming to the defense of a 'nobler' friend even at great (possible) sacrifice to himself. His very lack of seriousness is what makes his efforts on behalf of his friends so moving.

With this, the pure visual beauty of actors like Cate Blanchett and Rupert Everett, matched by sumptuous costumes and sets, adds a sensuous element which, in a lesser film, might have dominated the movie. They, with Minnie Driver in cheeky comic form and Julianne Moore sweetly evil and superbly English, make it a delight both to watch and to savor later as tart food for thought.

It's quite a long time that i haven't seen such a perfect movie: a highly talented cast, a lavishing setting and a finely chiseled and powerful script.

Here, you got an all-star team: Driver as the eccentric but romantic young woman (unfortunately a falling star that hasn't shine for a long time), Moore as the Machiavellian lonely woman, Everett as the helpful friend, "Sir Robert" as the courageous man and ... Blanchet as the lovely wife whom characterization deeply moved me. In my tumultuous life, i was just wondering what's the special gift a woman can offer (me) to fall in love: beauty, wit, sensuality, wealth, power? Gertrude has nothing of that but her kindness, her attention, her devotion left me under the spell. She could become easily my ideal wife.

Then, the story happens in the Victorian time for which i have also a strong tie. I just really appreciate the British phlegm: you can say the more vile things but always with class. Here, you find cupidity, blackmail, lies, ambition but there's nor a fight nor a shout!

At last, the script is really well written: you don't know if this is a romance, a buddy movie, a thriller or a tragedy. I really like the morals questions the movie asks: can a bad action be redeemed? How can a true friend be helpful? Does love live with lies? The answers are not brought in a dull, academic patronizing way but playfully because all the characters seems to orbit around each other!

In conclusion, it's a sort of lighter and happier "Carlito's way" thus a great movie that is maybe really unknown.

One of good adaptations. For performances - Rupert Everett as the inspired choice for each "translation" of Oscar Wilde universe - but, in same measure, for a sort of freshness of a case of inspired use of the nuances of Wilde humor. A film about a man and his secrets and the prices of confidence. Seductive. And simple. And, maybe, lovely.