Agrega una trama en tu idiomaUpon moving into a bigoted neighborhood, the scientist father of a persecuted black family gives a superpower elixir to a tough bodyguard, who thus becomes a superpowered crimefighter.Upon moving into a bigoted neighborhood, the scientist father of a persecuted black family gives a superpower elixir to a tough bodyguard, who thus becomes a superpowered crimefighter.Upon moving into a bigoted neighborhood, the scientist father of a persecuted black family gives a superpower elixir to a tough bodyguard, who thus becomes a superpowered crimefighter.
- Dirección
- Guionistas
- Elenco
- Susan Kincade
- (as Lonnie James)
- Voice on Computer
- (as Fred Scott)
Opiniones destacadas
The performances are, for the most part, bad. The script needs tightening. And, unfortunately, due to pacing problems described above, the movie drags and didn't hold my interest. I almost gave up on it, in fact.
That said, I thought it was a thought-provoking movie. It's certainly not a must-see, but there's worse out there.
A black doctor and his family move into a wealthy white suburb of Los Angeles so he can focus on his research. Unfortunately, all his neighbors are racist in ways that make the cast of In the Heat of the Night look like pikers. So the family winds up being protected by Abar, the head of the Black Front for Unity.
It turns out that the doctor is working on a formula for invincibility, and after he perfects it, he administers it to Abar, who uses he newfound superpowers to make black teens go to college, black hobos drink milk instead of malt liquor(!), and black preachers ride a horse and buggy instead of a Caddy. Really.
The plot veers wildly, with a wacky western dream sequence and liberal use of Martin Luther King's "I Have a Dream" speech punctuating things. Meanwhile, the acting ranges from pretty bad to unbelievably awful. The doctor is ridiculously wooden, while his wife resorts to over-the-top screaming.
And then there's the fabulous 1970s design. There probably wasn't enough of a budget for a wardrobe, so most of the people presumably wore whatever they had (thankfully, they didn't have Audrey Hepburn's Givenchy). This results in a lot of authentic 70s fashion statements and some garish color schemes in the outfits. But there's even more garish color in some of the sets. The doctor's new house has lovely avocado green shag carpeting, and one room that's entirely bright red, as though it had been borrowed from Bergman's Cries and Whispers. The result is an utter disaster, but one that winds up being lots of fun.
1/10 if you're looking at it as a normal movie; 8/10 if you're looking for a "so bad it's good" experience.
A black family named Kinkade where the father is a research scientist moves into an exclusive all white neighborhood where there's nothing subtle about their bigotry. Offering his protection to them is a guy named Abar who is a young community activist and looks as fit as the Rock is now. They suffer a lot of despicable acts and one family tragedy and all because dad wants to be near his work.
As it turns out his work is developing a super being and Abar is recruited as the prototype. I think the creators of this film were inspired by Gary Lockwood's performance in that classic Star Trek episode where a pair of the Enterprise crew were zapped going through a nebula and get God like abilities. That's what Abar gets and you can judge for yourself how wisely he uses them.
I'm not sure where this takes place. Hints that it's a southern location are in the story, but the photography screams California. The acting here is on a grade school level. The mad scientist looks like a bad version of Morgan Freeman without a 10th of his abilities.
Strange, but very bad movie.
** (out of 4)
Dr. Kincade (J. Walter Smith) moves his wife and two children into an all white neighborhood where they soon become targets of physical and mental violence. Turns out the white folks aren't too happy about blacks moving in so the doctor must get a bodyguard named Abar (Tobar Mayo) to help. After a tragic death the doctor uses a chemical he's been working on to turn Abar into a superhero. ABAR, THE FIRST BLACK SUPERMAN is a pretty campy movie that thankfully has enough funny moments to make it worth sitting through. With that said, if you're wanting a "good" Blaxploitation film then this here certainly isn't it, although I must say there's some good stuff scattered around and with some more editing I think you could have had a very good movie. What's so strange is that the title refers to the character as a "Superman" type but he actually turns into a mix between Martin Luther King, Jr. and Jesus. Abar walks around with special powers that can produce storms, put snakes into women's beds and he even has the power to turn black men's alcohol into milk. This entire sequence is rather bizarre and I'm not exactly sure what the point was but you have to admit that it's rather entertaining. The hilarious moments come from the racist white people. If you've seen a Blaxploitation movie then you know all whites are racist and that stays true here. Just wait until you see the neighbors reaction to the blacks moving in and her "breakdown" is among the funniest scenes I've seen in a very long time. How long it takes for the protests to start was rather hilarious as was a bit where the news station warns people that blacks have moved into town. The performances for the most part are forgettable but both Smith and Mayo are mildly interesting in their parts. The biggest problem is that the film runs on way too long and it takes way too long for the story to get going. I'm really not sure why they waited nearly an hour for the powers to kick in but by then you've really lost interest in it. This is certainly far from a "good" movie but fans of the genre should get a few laughs out of it.
This is absolutely a low budget movie as I didn't get paid. I didn't have a clue it even was put on tape or DVD, as I had not seen the movie until I was in my forties. Someone searching my name and asked me about it. So I had to do a search for myself and it popped up under my name as the original name of the movie was changed, from SuperBlack to this.
¿Sabías que…?
- TriviaThe film was shot in the Baldwin Hills and Watts neighborhoods of Los Angeles without permits to do so, and at one point, actual motorcycle gang members who had been hired to play a black motorcycle gang surrounded the cars of the white police officers who had been called in to shut down shooting. The officers chose to stay in their cars.
- Citas
White Woman #1: I heard that they would steal anything that isn't nailed down. And they say if a white woman goes with a black man...
[Whispers in friends ear]
White Woman #2: You don't say? Really? Tell me more.
- Versiones alternativasThe run time of the VHS release titled In Your Face is about 17 minutes shorter than Abar, The First Black Superman issued on DVD. Among the cuts are several entire scenes depicting Abar's performance of miracles.
- ConexionesReferenced in Hollywood Shuffle (1987)
Selecciones populares
- How long is Abar?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Abar: Black Superman
- Locaciones de filmación
- Estados Unidos(Location)
- Productora
- Ver más créditos de la compañía en IMDbPro