Mirage

Mirage (1990) is a very rare horror/chiller from 1990, released here in the UK on the "New World Video" label.

It's a desert based horror film about a group of young friends who are partying for the weekend, only to be killed off one by one by an unknown force who drives a menacing black truck!!! This film has some creepy scenes, and some gore here and there, but i have to say that the acting was so lame, even by low budget standards! But the film was oddly addictive and i liked it, and i never fell asleep or turned it off, which is always a good sign! I nearly gave this movie 6/10, but seeing as it built up steam along the way, had some good moments of gore and suspense, had some good nudity, and the fact that the blonde in the main female role was a hottie too! i'll give it 7/10.

Pretty much a typical slasher. I appreciate the unusual setting but, well, it's a desert, there's not much of interest there. Overall, not that entertaining aside from a couple of moments of befuddlement.

This movie, which starts out with a interesting opening of two hot blondes getting it on in the back of a driver-less, moving vehicle, has quite the quirky little personality to boot. The cast of seven (although one girl doesn't hang around for the bodycount, which is unfortunate because the death toll is already so small as is) are all super-hot, as our story centers around teens partying way out in the desert (an odd but effective choice of setting), who are hunted down by a creepy man in black gloves and jeans who drives a black truck. It predates many of the vehicle-inspired slashers to date ("The Trip", "Joy Ride", "Jeepers Creepers") where the killer's vehicle itself becomes an evil antagonist. The killer himself is quite creepy, and we find solace in the extremely likable heroine in Jennifer McAllister (look at the interesting symbolic contrast of the evil killer in all black, while our benevolent heroine sports all white attire, as scanty and stonewashed as it may be). Director Bill Crain does some really great things with his camera, some neat tricks on screen, and the cast tries their absolute best. There's enough gore in the low bodycount to please the gore fans, and enough T&A from a couple of the girls to please T&A fans. Overall, this flick is highly underrated and widely sought out in the slasher movie world as it's proved quite rare to find on video. Highly recommended.

I've seen some really obscure slashers in my day, but MIRAGE has to be one of the hardest to find. Never released on video in the US (no idea why not), it's near impossible to find on the internet or elsewhere. Sometimes, with certain movies, the obscurity is understandable (HEAVY METAL MASSACRE), but here, I am very perplexed.

Three couples decide to head out to the middle of the desert for a little R&R. However, they soon begin being menaced by a black truck and an unknown driver. Then the mysterious driver begins bumping them off one by one. Who is this man? What does he want with them? Is he real, or is it all just a mirage?

I imagine MIRAGE came about when someone thought to his/herself, "Say, I wonder what would happen is Steven Spielberg's DUEL was a straight-up slasher, and with a group of teens instead of Dennis Weaver?" Well, that idea culminates here, and it's actually not as campy as you would think. Sure, the acting isn't the best in certain spots, and some of the characters do dumb things, but those can easily be forgiven through what good things MIRAGE has to offer.

I've always said that in order to create a perfect (or at least near perfect) slasher is spend thirty minutes on character development and maybe one or two murders, forty to fifty minutes on stalk and slash, and ten to twenty minutes on killer confrontation. MIRAGE follows this nearly to a tee and it works wonders for it.

The characters were all likable and believable, and even the "jerk" character was likable to a degree. The setting doesn't feel forced (it doesn't feel like these characters came here just to get killed), as they actually partake in believable activities instead of just constant sex. They also act like they're all friends, as opposed to just non-stop bickering. There's also some entertaining montages, such as them playing football or one of the couples making love in the back of a pick-up while a weight presses on the gas as they roar across the desert.

The kills in MIRAGE are all gory and well-done, even if they aren't too creative. We get to see the aftermath of a messy meeting of a head and a grenade, an arrow through the head, a dismemberment, etc. However, don't think that the kills are all MIRAGE has going for it. There are some brilliant suspense sequences involving the truck menacing the final girl and whoever else is with her. The desert is one of my favorite underused slasher settings, and it's done to perfection here. They make this desert seem so vast and endless, which really builds on the isolated atmosphere.

I don't think it would be too much of a spoiler to say that the killer is someone completely random, however, one might get the feeling the film is trying to be a whodunit because of how the audience never sees his face until the final ten or so minutes. There is some good suspense when he gets out of his truck and chases the final girl around some rocks while taunting her. There's also a twist ending that I didn't care for, but oh well.

I love this movie with all my heart. It has nearly everything I look for in an entertaining slasher flick: Likable and fun characters, good gore, great pacing, lots of suspense, a phenomenal setting, and good acting to boot. I just wish they had used the concept of mirages more.

Highly recommended, if you can find it.

Here we have a film that would not appear to work on paper, but goes and works exceptionally well on the screen. It has so many generical good points that when watching it you forget how bad the acting really is. I would not personally say that it is a 'tongue in cheek' film but that it has some of the points that make it a film that will go down in history as being undernoticed and in turn underrated, i mean that it is a relitivly 'small' film in relation to some of the other ones that follow a similar plot but in many ways in mirrors and somtimes passes them in its plauseability(this could happen)and the boundrys that it goes to.