El Agente Jay es enviado para encontrar al Agente Kay y restaurar su memoria después de la reaparición de un caso del pasado.El Agente Jay es enviado para encontrar al Agente Kay y restaurar su memoria después de la reaparición de un caso del pasado.El Agente Jay es enviado para encontrar al Agente Kay y restaurar su memoria después de la reaparición de un caso del pasado.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 16 nominaciones en total
Colombe Jacobsen-Derstine
- Hailey
- (as Colombe Jacobsen)
Opiniones destacadas
My Take: Not as wildly enjoyable as the first, but makes a terrific sequel.
Summer movie sequels are usually the victims of the "sequelness". Most sequels to big blockbuster hits tend to simply repeat the success of the first film, and simply recycle the formula of its predecessor. MEN IN BLACK II (or simply MIIB) is no exception. It practically repeats the formula of the first film: Aliens are out again, J (Will Smith) and K (Tommy Lee Jones) are back as partners to fight against it and the whole lot. The formula is copied, but the same cannot be said about the rest of the film. There are new rabbits in this same bag of tricks. Although most innovations are of special effects, MIIB provides some new fun moments in a somewhat formula approach.
Like said, MIIB returns Smith and Jones as the dynamic duo out to stop an alien, a creature called the Kylothian, who takes the form of a lingerie model (Lara Flynn Boyle), who, guess what? Trying to take over the world. of course. This is nothing new in comparison. It's mostly just a retread of the previous film. But few of these "been there, done that" sequels are fun in a different way. This one is, and it's actually surprisingly entertaining. The new script by Robert Gordon and Barry Fanaro contains a number of effective puns which elevates the humor from other formula sequels.
Of course, there are new and colorful special effects from mostly the same crew of the original film. The effects by effects house Industrial Light & Magic and make-up artist Rick Baker are still outlandish and imaginative. They still give us a host of aliens and creatures that we can feast our eyes upon. Not much imagination went to the storyline and characters, but a lot was certainly invested upon the effects and visuals. Kudos for director Barry Sonnenfeld, production designer Bo Welch and much of the special effects crew for providing a colorful atmosphere that bursts with liveliness in an otherwise formulaic episode of summer sequel season. It's the same old thing, but with new fun.
Rating: ***1/2 out of 5.
Summer movie sequels are usually the victims of the "sequelness". Most sequels to big blockbuster hits tend to simply repeat the success of the first film, and simply recycle the formula of its predecessor. MEN IN BLACK II (or simply MIIB) is no exception. It practically repeats the formula of the first film: Aliens are out again, J (Will Smith) and K (Tommy Lee Jones) are back as partners to fight against it and the whole lot. The formula is copied, but the same cannot be said about the rest of the film. There are new rabbits in this same bag of tricks. Although most innovations are of special effects, MIIB provides some new fun moments in a somewhat formula approach.
Like said, MIIB returns Smith and Jones as the dynamic duo out to stop an alien, a creature called the Kylothian, who takes the form of a lingerie model (Lara Flynn Boyle), who, guess what? Trying to take over the world. of course. This is nothing new in comparison. It's mostly just a retread of the previous film. But few of these "been there, done that" sequels are fun in a different way. This one is, and it's actually surprisingly entertaining. The new script by Robert Gordon and Barry Fanaro contains a number of effective puns which elevates the humor from other formula sequels.
Of course, there are new and colorful special effects from mostly the same crew of the original film. The effects by effects house Industrial Light & Magic and make-up artist Rick Baker are still outlandish and imaginative. They still give us a host of aliens and creatures that we can feast our eyes upon. Not much imagination went to the storyline and characters, but a lot was certainly invested upon the effects and visuals. Kudos for director Barry Sonnenfeld, production designer Bo Welch and much of the special effects crew for providing a colorful atmosphere that bursts with liveliness in an otherwise formulaic episode of summer sequel season. It's the same old thing, but with new fun.
Rating: ***1/2 out of 5.
Sequels are tough, but I honestly feel like MIIB pulls this off exceedingly well. It's not quite as good as the original but it still falls into that sweet spot of dark comedy, off-beat delivery and well acted performances. Smith and Jones are still spot on, the addition of Knoxville was very fun for me, Dawson adds a bit more warmth to the romantic interest than the dry wit of our mortician in the previous film and Boyle's portrayal of Serleena falls perfectly into the realm of weird but working that MIB is so good at.
The only reason I rate this one slightly lower than the original is because it doesn't quite hit me as hard as the first, doesn't resonate quite as much. There's nothing wrong, its just not quite at the same level of greatness.
The only reason I rate this one slightly lower than the original is because it doesn't quite hit me as hard as the first, doesn't resonate quite as much. There's nothing wrong, its just not quite at the same level of greatness.
`Originality,' is, almost by definition, a one-time thing. In 1997, the original `Men in Black' struck a nerve with movie audiences by showing that even a big budget blockbuster, heavily loaded down with state-of-the-art, computer-generated special effects, could still manage to seem light on its feet. The makers of that film pulled off this feat of gravitational legerdemain by coming up with a concept and a script overflowing with creativity, wit, imagination and a cachet of `hipness' to go along with its tone of anarchic playfulness.
Well, five years have passed and we now have `Men in Black II' to confirm what most of us suspected all along: that works that rely on `uniqueness' as their prime selling point are rarely ever able to duplicate their success a second time around. Five years can be a lifetime in pop culture and what seemed `cool' one summer can appear decidedly `old hat' the next. Without that aura of cutting edge newness that defined the original, `Men in Black II' seems like just another loud, over-the-top summertime blockbuster.
Will Smith and Tommy Lee Jones are back playing Jay and Kay, agents for the government's top secret organization whose job it is to monitor the activities of the thousands of aliens who have secretly infiltrated earth's societies and to help protect the planet from any possible threat from interstellar space. Smith and Jones still appear to be quite comfortable in their roles and they are aided by Lara Flynn Boyle, as Serleena, the baddest alien this side of Darth Vader, and Rip Torn, delightful as Zed, the slightly cracked head of the Men in Black agency.
Although the special effects in this film are, as one would expect in this day and age, astonishing and virtually seamless, the same can definitely NOT be said for the film's screenplay. The story moves along at a fairly fast clip, but it rarely makes us laugh. In fact, the script comes across as undisciplined nonsense, lacking both logic and coherence. Unlike in the earlier film, we get the sense that literally everything here has been placed at the service of the special effects. There's an awful lot of running and bouncing around but rarely to any point or purpose. Indeed, we end up feeling at the end somehow more exhausted and drained than exhilarated and euphoric. It would appear that director Barry Sonnenfeld thought that if he could just keep the thing MOVING we wouldn't notice that he had nothing new to offer in this retread. It doesn't work. In fact, if `Men in Black II' shows us anything, it is that just because something MOVES doesn't mean that it can't bore us at the same time.
Well, five years have passed and we now have `Men in Black II' to confirm what most of us suspected all along: that works that rely on `uniqueness' as their prime selling point are rarely ever able to duplicate their success a second time around. Five years can be a lifetime in pop culture and what seemed `cool' one summer can appear decidedly `old hat' the next. Without that aura of cutting edge newness that defined the original, `Men in Black II' seems like just another loud, over-the-top summertime blockbuster.
Will Smith and Tommy Lee Jones are back playing Jay and Kay, agents for the government's top secret organization whose job it is to monitor the activities of the thousands of aliens who have secretly infiltrated earth's societies and to help protect the planet from any possible threat from interstellar space. Smith and Jones still appear to be quite comfortable in their roles and they are aided by Lara Flynn Boyle, as Serleena, the baddest alien this side of Darth Vader, and Rip Torn, delightful as Zed, the slightly cracked head of the Men in Black agency.
Although the special effects in this film are, as one would expect in this day and age, astonishing and virtually seamless, the same can definitely NOT be said for the film's screenplay. The story moves along at a fairly fast clip, but it rarely makes us laugh. In fact, the script comes across as undisciplined nonsense, lacking both logic and coherence. Unlike in the earlier film, we get the sense that literally everything here has been placed at the service of the special effects. There's an awful lot of running and bouncing around but rarely to any point or purpose. Indeed, we end up feeling at the end somehow more exhausted and drained than exhilarated and euphoric. It would appear that director Barry Sonnenfeld thought that if he could just keep the thing MOVING we wouldn't notice that he had nothing new to offer in this retread. It doesn't work. In fact, if `Men in Black II' shows us anything, it is that just because something MOVES doesn't mean that it can't bore us at the same time.
Men in Black II (2002)
* 1/2 (out of 4)
Boring and bland sequel has Earth coming under attack from a dangerous alien (Lara Flynn Boyle) so Agent Jay (Will Smith) must bring Agent Kay (Tommy Lee Jones) out of retirement. I really wasn't sure what to expect out of this sequel but the very, very, very last thing I did expect was something boring. I must admit that I was really shocked to see how bland and downright bad this movie was as sadly it's yet another example of a sequel to a good movie being about nothing more than money. The original film was smart, clever and funny in regards to the subject matter but this sequel just lacks any sort of originality and it's really nothing more than a copy of the original. What's so sad is that there could have been so many good and interesting story ideas but sadly we're just given a copy of the first film and we even get many of the same jokes. It's funny to think that the jokes worked so well the first time but here they're just annoying and unfunny. I think the majority of the blame has to go towards the screenplay, which is just a mess. It's never funny, never makes too much sense and sadly it's clear that very little went into it. The performances outside of Tommy Lee Jones really aren't all that memorable either. Lara Flynn Boyle has no problems looking sexy but her character is bland. Rip Torn isn't given much to do and the same is true for Johnny Knoxville and Rosario Dawson. The incredibly bad love story with Dawson is just an embarrassment. MEN IN BLACK II even features some very poor CGI effects and in the end this is just a rather worthless movie that isn't worth the trouble.
* 1/2 (out of 4)
Boring and bland sequel has Earth coming under attack from a dangerous alien (Lara Flynn Boyle) so Agent Jay (Will Smith) must bring Agent Kay (Tommy Lee Jones) out of retirement. I really wasn't sure what to expect out of this sequel but the very, very, very last thing I did expect was something boring. I must admit that I was really shocked to see how bland and downright bad this movie was as sadly it's yet another example of a sequel to a good movie being about nothing more than money. The original film was smart, clever and funny in regards to the subject matter but this sequel just lacks any sort of originality and it's really nothing more than a copy of the original. What's so sad is that there could have been so many good and interesting story ideas but sadly we're just given a copy of the first film and we even get many of the same jokes. It's funny to think that the jokes worked so well the first time but here they're just annoying and unfunny. I think the majority of the blame has to go towards the screenplay, which is just a mess. It's never funny, never makes too much sense and sadly it's clear that very little went into it. The performances outside of Tommy Lee Jones really aren't all that memorable either. Lara Flynn Boyle has no problems looking sexy but her character is bland. Rip Torn isn't given much to do and the same is true for Johnny Knoxville and Rosario Dawson. The incredibly bad love story with Dawson is just an embarrassment. MEN IN BLACK II even features some very poor CGI effects and in the end this is just a rather worthless movie that isn't worth the trouble.
3 July 2002. Men In Black II is one of the truly unique films in that it is both better and worse than the original. I admire the risks taken to make this movie more interesting but at the same time it bombs in some of its overly cute lines and plot-ploys. I laughed heartedly in spots, more than I have in a while, but that other times, I could only shake my head at how dumb and flat some of the one-line moments were. One fascinating directing, script technique that is rarely seen in a comedy is the use of silence, the prolonged pause and the use of facial expressions, and the moment to carry the scene. This approach usually worked in this movie, which I think is saying a lot because it is extremely difficult to pull off successfully most of the time and it takes good acting and directing to do it. There was more tender moments in this movie than the original - better serious, moments. Both actors were great in their acting, acting in the difficult parts where body and facial expression counted more than dialogue. There were times that Wil Smith never completed his lines, but with great success. I would have to say overall, Men In Black II wasn't a great movie, but it was entertaining, interesting, took risks, and broke new comedic ground in bringing back real comedy and one-liners that sometimes died, but just as well, were brilliant. A great worthwhile attempt. A must for home video or should I say DVD now.
¿Sabías que…?
- TriviaThe original pug from Hombres de negro (1997) was used to play Frank again, but since the pug was now seven years older, they used makeup to hide the gray fur around its nose.
- ErroresWhen Agent K removes his digital Hamilton from the clock tower in the Grand Central Station locker, Agent J replaces it with the new Hamilton Ventura Chronograph. The next shot shows K's digital Hamilton back in the spot, replaced again by J's analog in the shots that follow.
- Citas
[about the driver-shaped airbag]
Kevin Brown/K: Does that come standard?
Agent J: Actually it came with a black dude, but he kept getting pulled over.
- Créditos curiososThe "torch lady" in the Columbia Pictures logo flashes her torch like a neuralyzer device.
- Versiones alternativasThere exists an alternate death scene of Serleena that seemingly was filmed but was never released on any home media, outside of an official Men In Black 2 picture book adaptation. The scene in question had Serleena giving Scrad a 'proton detonator' to destroy the MIB Headquarters, only for him to later show up and use it to destroy the Serleena, who had merged with Jeff The Worm.
- ConexionesEdited into Men in Black II: Alternate Ending (2002)
- Bandas sonorasI Will Survive
Written by Freddie Perren (as Frederick J. Perren) and Dino Fekaris
Performed by Tim Blaney
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Men in Black II
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 140,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 193,735,288
- Fin de semana de estreno en EE. UU. y Canadá
- USD 52,148,751
- 7 jul 2002
- Total a nivel mundial
- USD 445,135,288
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
- Mezcla de sonido
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