Fantasía 2000

Top quality animation and a sense of humour make this sequel/add-on a formidable animated movie in its own right. The running time of 74 minutes is a bit of a let-down. I would have liked to have seen more pieces and more imagination. And be warned, The Sorcerer's Apprentice remains. As this was the original's ONLY real selling point they decided to stick it back in there, so you're really only get just over an hours worth of new footage. Which feels like a bit of a rip-off.

But my favorite segment is the one with Donald Duck, in fact they were all cool, especially the one with the volcano. The music matches the story perfectly and it has some truly beautiful animation. Far superior to those ugly CGI crap we get these days. And the TV show style introductions were more watchable than the dubbed Deems Taylor segments in the original.

This was the first animated movie to be made for IMAX screens and the digital picture is amazing. See this preferably on an IMAX screen or on DVD. Watching it on VHS would only insult the brilliant animation. It's sad that Disney has abandoned traditional hand-drawn animation for theatrical projects. It's what the studio was built on after all. But Disney is shadow of its former self, we all know that.

Just as good as the original Fantasia, but loses points for not being longer and more ambitious.

"Fantasia 2000" is a beautiful sequel of the classic animation "Fantasia" (1940). The conductor is James Levine and each segment is introduced by the actor Steve Martin, the violinist Itzhak Perlman, the actress Bette Midler, the entertainer Penn & Teller, the actor James Earl Jones, the conductor Quincy Jones and the actress Angela Lansbury. The audio is in DTS and THX and the program is the following:

(1) Symphony No. 5 in C minor-I. Allegro con brio, by Ludwig van Beethoven.

(2) Pines of Rome, by Ottorino Respighi.

(3) Rhapsody in Blue, by George Gershwin.

(4) Piano Concerto No. 2 in F Major-I. Allegro, by Dmitri Shostakovich.

(5) The Carnival of the Animals, Finale, by Camille Saint-Saëns.

(6) The Sorcerer's Apprentice, by Paul Dukas.

(7) Pomp and Circumstance – Marches 1, 2, 3 and 4, by Edward Elgar.

(8) Firebird Suite – 1919 Version, by Igor Stravinsky.

My vote is eight.

Title (Brazil): "Fantasia 2000"

More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others.

The celebrity hosts spoiled it for me. The animation and the music are gorgeous; hosts were unnecessary. Walt Disney didn't bother having Clark Gable or Rita Hayworth host the original.

We had two kids at home and I went to rent to one thinking it was a typical Disney movie. I was wrong, but the kids still liked it.

I was surprise by the musical choice in this one. Great classical pieces. And the animation is very well done. Some segments better than others.

I got to see this one on a regular tv-set, but I guess you should try to see it on an IMAX screen, or at least a cinema screen.

Out of 100, I gave it 81. That's good for *** out of ****.

Seen at home, in Toronto, on June 15th, 2002.