Zero Effect

This movie seemed to fall flat in many places. It opened slow and never really picked up a lot of steam. That being said, the story is engaging and very well-written. The dialogue, though...I thought the dialogue was a little poor. Jake Kasdan might be better served finding a screen writing partner to jazz up the dialogue. Maybe I'm a little spoiled by Monk (which I realize came later), but I didn't find the main character all that endearing. Mostly his traits were just annoying and not fully conceived--for instance the weird scene with him playing the guitar...which never comes up again. Why add in that particular moment unless it's going to play a part later on? The camera-work was excellent, with lots of long steady-cam shots. One place where I thought the film shone was in its use of music. I usually don't even notice the soundtrack, but on this one it really stood out as being well-selected. Ben Stiller usually bugs the crap out of me, but his performance was restrained and I actually liked him a lot more than Bill Pullman's detective character.

7/10

OK, I thought this was an excellent movie. Having said that, where is the credit to Arthur Conan Doyle? When movies are based on the works of Shakespeare, such as modern day versions of Hamlet and Macbeth they always credit Shakespeares works.

Compare Zero Effect to A Scandal in Bohemia.

Compare the character Zero to Holmes: 1. both use drugs 2. both play a musical instrument 3. both apply astounding powers of observation to solve cases 4. both use disguises 5. both are loners who rely on their intermediaries (Watson/Arlo)

In Zero Effect, Arlo deals with conflicts between his romantic life and Zero's need of him to function. In A Scandal In Bohemia, Watson has recently married and Holmes and Waston must deal with the issue.

The first line of A Scandal In Bohemia reads: "To Sherlock Holmes she is always THE woman."

Guess what, in the end Sherlock doesn't get the girl and he admires her as his most capable adversary. I guess Doyle must have a copy of Zero Effect stashed away somewhere.

Again, I will say I thought is was a fantastic movie. I'm not always a big fan of Pullman, but he was excellent in the role. If you are considering not watching this movie because you don't like Ben Stiller, well don't let that stop you. He takes his normal persona down a couple notches. Don't expect to see any traces of Zoolander or Meet the Parents.

Bill Pullman is a very underrated actor, and this film he totally steals the show as the reclusive, quirky but 'greatest detective in the world', Daryl Zero. He certainly suited the part in Zero Effect!

Ben Stiller, Ryan O'Neal and Kim Dickens all provide great support in this different but interesting comedy. It had a very good story, some interesting social commentary and observation. Not quite a thriller but for its acute observation, realistic characters and storyline, Ill give this a ***1/2 out of *****!!!

is whether it can withstand a subsequent viewing. Zero Efect does. The only tragedy concerning this uniquely styled mystery will be if its Director (Jake Kasden) and scriptwriters never produce a sequel.

In TV reviews this film is accurately billed as a - wickedly quirky detective comedy thriller. It is safe to say the old cliché they-don't-make-them-like-that-anymore applies, and in truth, they probably never made them like this beforehand either! The one resemblance to other filmmakers work is that there is a Coen-esquire; vibe to it. A true compliment indeed.

Usually, American movies often high on gloss, glitter and noise lack the essential ingredient that compels viewers to become completely engrossed: that of depth. Or more precisely, the hook is depth and complexity. Here, offbeat quirkiness provides the humour. A non-format story pans out to provide novelty. A moderately paced detective story throws up one surprising twist after another, backed musically where appropriate to support the flawlessly acted evolution of an ever-deepening plot. All of which combine to unravel a charming, cogent mystery.

The problem this finely balanced inventive film creates is that by comparison it brings home the paucity of run-of-the-mill who-dun-its. Given the summary above Zero Effect, and films of this ilk, may prove more suited to European than American audiences. Films that make the viewer do some work ultimately tend to be the most absorbing and successful (e.g. recall - The Usual Suspects).

The five central characters each achieve the professional actors quest of being thoroughly and seamlessly believable, subtly injecting humour, pathos, unpredictability and sensitivity. You can easily empathise with them as their characterisations play out. Kasden's film excels as what must be the definitive comical mystery in all respects, perhaps setting the benchmark for future detective films to surpass.

~

Excellent story and dialog. Certainly underrated. The film has great performances by Bill Pullman and Kim Dickens, as well as Ben Stiller. This one seems to have gone unnoticed by most people, but it was clever and entertaining. The plot moves and has plenty of twists, but the plot twists are not what makes the film great. The characters and their development are what make this movie unique. Daryl Zero is one of the most memorable private detectives I have ever seen and his relationship with Gloria Sullivan (Kim Dickens) is well developed. Daryl's sidekick, Ben Stiller, is interesting too as his loyalties are tested throughout the film. At first it is difficult to determine how astute Daryl is--is he really the "most observant" person in the world? Or is he a bumbling fake? As the story develops, you see how adept Daryl Zero is. Even the soundtrack is good with a great song by Nick Cave.