Agrega una trama en tu idiomaMemoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son and his older... Leer todoMemoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son and his older sister. Through the household comes a number of suitors hoping to impress the young woman... Leer todoMemoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son and his older sister. Through the household comes a number of suitors hoping to impress the young woman, including an aviator. When the elder woman's son shows up at the estate with his French ... Leer todo
- Aunt Heloise
- (as Irene Jacob)
- Gabriel Chenoux
- (as Tcheky Karyo)
- Meg
- (as Kirsten Smith)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Fraser's story (which the title implies is the point of the film) is fabulous. It is a whimsical and witty look at the coming of age of a ten year old boy in 1920's Scotland. He learns about sex by furtively studying his grandfather's books and pictures of unclad women. Put in the context of a completely naive ten year old mind, he develops some funny interpretations of the subject that are routinely and innocently blurted out in the presence of adults, usually to the mortification of his parents. This was a wonderful story and his journey to manhood should have been the subject of the entire movie.
The second story line was dull, and encumbered the film. This is the story of Fraser's father Edward. It centers around two key subplots. The first is his kooky childlike lifestyle, including crazy inventions and ineffective businesses. The second is his obsession with his Uncle Morris's (Malcolm McDowell) fiancée. Other subplots in this story line include a rivalry between Edward and Morris for the inheritance of the castle. This overly dramatic subplot bogs down the film ruins the comedic and mirthful elements provided in Fraser's story.
The cinematography was splendid, helped greatly by the beauty of the Scottish countryside and the magnificence of the Castle the family called home. Fortunately, there was a character with an airplane that gave director Hugh Hudson a convenient excuse to show aerial views of the castle and the countryside which were simply breathtaking. The photography in this film is reason enough to see it.
The acting was excellent. Though I wish the character had less emphasis, Colin Firth was excellent as Edward, the quirky father figure. Mary Elizabeth Mastrantonio gave a fine performance in a minor role as Moira, Edward's wife and the mother of his ten children. Once again, she had an opportunity to showcase her beautiful singing voice (see "Limbo" if you want to really hear her sing). Malcolm McDowell and Irene Jacob were also excellent as the uncle and aunt.
The best performance by far was that of Robbie Norman as young Fraser. He was full of innocent mischief and gave a convincing portrayal of the curiosity and nescience of youth.
I gave this film a 7/10. If you enjoy interesting character studies, slice of life films, beautiful scenery and comedy spawned of innocence, you will love this film. Had they stayed with the main story line, I probably would have given it a 10.
Most of the story was told through Fraser's precocious eyes. Both he, and his father Edward, develop an infatuation with Malcolm McDowell's "exotic child bride"(Irene Jacobs). Fraser and his aunt share a sweet friendship;she turns him onto jazz, Louie Armstrong and the like.
His father Edward's (Colin Firth) love is unrequited and misplaced. He is a sympathetic character in the story until he develops this wandering eye. He is a hypocrite in that he wants to be pious and he wants & takes his sister-in-law and becomes the devil he warns Fraser of.
Edward Pettigrew's foolish fantasy is revealed at Gamma's funeral for all to see. His only redemption is the true love of Moira played by Mary Elizabeth Mastrianni, who forgives him for all his foibles.
(A Family Dinners will never be the same when you consider a little bit of knowledge gets a little out of hand --- and maybe dad does know best!)
There is little plot to speak of--just life unfolding variously in its sweetness and pain, often tinged with a delicious whimsy. Be warned, though, that much as you may be disposed to like the father, he is a flawed man; his pathetic and childish attitudes are often painfully embarrassing to the viewer. Also, sexual references permeate this film, and there is a strong suggestion that youthful sexual curiosity ought to be given free reign. Parents with a contrary view might wish to give it a look before showing it to their children.
The cinematography is excellent, deftly making the most of the fine Scottish landscape.
But the music--ah! The music is wonderful, from the first folk-tinged strain, through Beethoven and Saint-Saëns, to the Louis Armstrong ending. Few films are so musically satisfying.
The role of the childish and inarticulate father, Edward Pettigrew, is nicely developed by Colin Firth. Rosemary Harris is his aristocratic, but good-natured mother-in-law, who actually owns the estate inhabited by her daughter and Edward and their progeny; Harris handles her part with great understanding and humour. The children are natural and believable, and the servants are well-picked and quirky--their kitchen conversations add much warmth to this work.
For me, the ending credits revealed a lovely surprise: that the reflections of the boy, Fraser Pettigrew, actually come from a memoir written by Sir Denis Forman. I know that name well; Forman is also the author of my favorite opera guide, a cleverly designed, but funny and irreverent book appropriately titled, "The Good Opera Guide." (But don't be put off by the U.S. title, "A Night at the Opera"; it's a wonderful book by any name.)
Small wonder, then, that this movie has such a fine soundtrack.
Rating: 8 for the movie, 10 for the opera book.
Every child deserves to have a father like Edward Pettigrew (Firth). As Frazier describes his father, " Father is an inventer and a genius!!!"
The film begins with a toddler Frazier, disliking his rest time, decides to have an adventure by crawling around the roof of the family castle in Argyll, Scotland. Father climbs down the steep roof with a rope attached to his waist and rescues wee Frazier, all the while barking like a dog. Frazier, (who makes comments throughout the film), observes that at that time in his life, he and his father ONLY communicated in DOG, the language they both spoke best.
Naturally the film has a romantic and potentially explosively moment between Father and his brother-in-law's fiance- a 24 year old French muscian who is quite beautiful and charming. She is also very wise for her years and managed to defuse the situation before it blows up. Never-the-less, the wife, played beautifully by Mary Elizabeth Mastreontonio, finds out at a crucial moment in the film and those rock-solid marriage nearly ends at a most tragic time in young Frazier's life.
But father, being a genius, finds a way to heal the wounds caused by his split-second decision to give in to his baser instincts. The WAY he gets his wife to forgive him and laugh again is pure magic.
Colin Firth never looked so handsome. Not even his glorious Mr. Darcy is so appealing. This role gives him the opportunity to show all his sides. His glorious, looney sense of humor as well as his gift for drama without words. Here he is active, leaping into a freezing cold Locke, running up and down stairs, inventing things, saving his son, dancing with his wife. He gets to laugh and cry and be HUMAN.
For those who discovered Colin Firth as Mr. Darcy, My Life So Far is the glorious update!
My Life So Far in DVD has a place on honor in my collection of over 500 DVD's and VHS' One of my favorites, and, I hope soon to be yours.
¿Sabías que…?
- TriviaThe film is based on the memoirs of Denis Forman, a British television mogul born 10/13/1917, and is presumed to be set in 1927 when Denis Forman turned 10 years old (the age of Fraser Pettigrew in the film).
- ErroresWhile Fraser at age 3 crawls out of his bedroom onto the roof, his older brother, young Rollo in short pants with suspenders (in a shot from behind at 02:27), is on the lawn holding a tennis racket, but (at around 28 mins) the scene cuts to a frontal shot where young Rollo's hands are empty. Later (at around 33 mins), he holds the tennis racket again.
- Citas
Fraser Pettigrew: Our house is probably too big, which is why my mum kept having babies so we can keep it filled up.
- Créditos curiososGrateful special thanks to the entire Miramax London operation and the people of Stracchur & Cairndow.
- Bandas sonorasSymphony No.5 in C Minor, Op.67
Written by Ludwig van Beethoven (as Beethoven)
Performed by The City of Birmingham Symphony Orchestra
Conducted by Simon Rattle (as Sir Simon Rattle)
Sir Simon Rattle performs by courtesy of EMI Classics
Selecciones populares
- How long is My Life So Far?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- World of Moss
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 635,620
- Fin de semana de estreno en EE. UU. y Canadá
- USD 53,937
- 25 jul 1999
- Total a nivel mundial
- USD 635,620
- Tiempo de ejecución1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1