Jerry and Tom

A tedious, dialogue-intensive story about the vicissitudes of a mentor/protege hitman team, "Jerry & Tom" is a study in understatement with a pointless plot and an ending which may make you want to "whack" yourself for having watched the whole thing.

Though forgettable in the long run, while it lasts "Jerry and Tom" is very enjoyable. Never has a movie about two ruthless hitmen had less on screen violence. Neither has brutal killing has ever been executed with such taste. While the humor is decidedly black, it's not morbid. There are many funny moments, but the overall effect is somewhat slight.

What makes it work is the Joe Mantegna/Sam Rockwell duo. They are both fine team players, especially when paired up with an unlikely other half. Rockwell has in the past partnered a variety of characters from uptight John Turturro in "Box of Moonlight" to precocious child Micha Barton in "Lawn Dogs" and always with much subtle off beat humor.

Mantegna is basically a one role actor. It's a turn he does extremely well, but we have seen it all before. Still, watching these two in "Jerry and Tom" is great fun and there's good support from Charles Durning, Ted Danson and Maury Chaykin.

There is a nice sense of whackiness about it all, not only in the dialog and characterization but also in the strange and unique manner in which some of the scenes smoothly segue into each other with unexpected camera moves.

This is part of my Scarecrow Video Guide inspired movie-trek, following "Steven Soderbergh's Schizopolis".

"Jerry & Tom" is a fun little black comedy, but it reminded me a little too much of another fun little black comedy..."Coldblooded", starring Jason Priestly & Peter Riegert. (Oddly, Riegert shows up here in a similar role. And, as of now, both films have a 6.7 on IMDb.). I'm not sure which one is lesser known, but they both have something to offer.

"Jerry & Tom" is the "better" film, if only by virtue of the performances. Joe Mantegna is always good, and Sam Rockwell can't lose, IMHO. But nothing much happens here. "Coldblooded" was more fun, as I recall. (It's been at least 7 years since I saw it.) I could tell 10 minutes in that "Jerry & Tom" was based on a play. It's basically a series of conversations, some brilliantly funny, centered around a group of hit men. It would be a great play, but as a film it's a little lacking. There's an amazing series of creative transitions to show time passages (the story takes place over 10 years), and some hilarious flashbacks. But the scenes in between are incredibly slow.

Still, it's hard to fault a film with great actors reading great lines. Aside from Mantegna and Rockwell, Charles Durning is predictably excellent, and William H. Macy shines in a brief role.

Perhaps these two films would make a good double feature. Watch "Jerry & Tom" first and savor it, then have a few drinks and enjoy "Coldblooded".

Next on the trek- "Forbidden Zone"!

Don't look for a deep meaning for life in this film. Look for a very entertaining two hours of superb characters, situations, and some of the most crafty filming techniques I've seen in years. The transitions from one scene to the next were very clever. This one was worth rewinding and watching the characters more closely to fully appreciate them and many of the scene transitions. This is a quality film. The story is not overly complex but keeps you guessing as to what will be next.

Tired of the Hollywood formula movies? Tired of shallow characters? Rent this one, you will not be disappointed.

This is the movie that brings you into the world of the ordinary hit man, well not the machine gun tottling Mafioso gunmen we're so used to watching in the big gangster movies. But the ordinary hit man who does his job as a necessary means to a living. The job is fine but there's no pot of gold at the end of the rainbow. The art of doing well is to kill with nonchalance. It is a hazardous occupation -- you go on as long as you can but don't know if you'll be a target yourself one day. There are no fancy trenchcoats or big cigars. The hit men work as used car salesmen, wipe windows in the lot when free and pay for their own movie tickets. They supply their income by knocking off their assigned victims. A respectable year for Tom means usually getting about two to three contracts done. Need to dismember the body after a murder? They go for a cheap K-mart chainsaw instead of the more renowned Black and Decker brand, and get frustrated when they find that it doesn't work at first try. Young Jerry (Sam Rockwell) learns the ropes from Tom (Joe Mantegna) and witnesses his first murder in the front seat of a car. Jerry's induction is every bit as abhorrent as one would normally react to seeing a man killed. But he learns to like what he does and becomes as cold and merciless as his mentor is. In fact Jerry gets to be as ruthless as Tom, to the point that he even takes sadistic pleasure when whacking off his victims. Tom's professional detachment is his strength and hallmark. But this trait unfortunately is never learnt by his protégé and the latter's intractability proves to be his undoing. Apart from a very entertaining script, what makes the movie an excellent watch is the top-notch performances from the cast, especially Joe Mantegna, Sam Rockwell, Maury Chaykin and Charles Durning. And of course the wonderful cameos by William Macy and Ted Danson. The brutality of the killings is shocking but any darkness in the movie is balanced by the humorous edge throughout. This is about ordinary hit men getting their contracts done. There are no recriminations and regrets. The movie starts and ends on a sardonic note, the very tone that first-time director Saul Rubinek wanted to create. I'm sure if this was a bigger name director with a bigger budget JERRY AND TOM would have been a screamer at the box office. This was a movie I thoroughly enjoyed and it comes highly recommended. Ten out of 10 from me.