Atando Cabos

Often when watching a film with a cast which has more Oscar nominations in their careers than the film has minutes, a level of expectations will be engraved which exceeds far above a film than which one should. Such is an example with the poignant, touching and often funny film, The Shipping News.

The Shipping News is film about loss, recovery, pain, but most of all, recovery. When a person loses a loved one, or in this case, a person who loses someone they think they love, it comes with a package of emotional stress and remorse. The person they lose is immortalized within their thoughts, usually in a positive, memorable perspective.

The story begins with a narration by Quoyle (Spacey), and through this depressing and self defeating narration, we learn that Quoyle is man who has never succeeded in anything, is a failure in his family's eyes, and has never accomplished one thing in his entire life. He struggles through every miserable task he is given, he aches at the thought of one more day.

As a defeated man who has never loved, never laughed, and never succeeded, he is desperate for something, desperate for someone. When he meets a woman named Petal (Blanchett) he thinks he's in love. We see a woman who is looking for a costumer, looking for someone to spend the night with. Quoyle sees a wife, someone to spend the rest of his life with. So without hesitation, he takes a swing at this wild tiger. He thinks he has achieved that echelon of happiness. He has a darling little girl, he has a wife, and he has a steady job. But he soon learns that one person, a person he has known for little over a few years, can turn his life upside down. After a realistic and inevitable chain of events, he is back to his pitiful little life. Only this time, he's lost more than he can handle. His own emotional attachments have become his own emotional destruction.

In the midst of these happenings, Quoyle is met at the door by his Aunt Agnis (Dench), whom he has never met. She suggests they begin a new future, for she too has lost something. She decides that they should travel to their native roots, in Newfoundland. The future looks bleak to Quoyle, but only the happiest of times look ahead to Agnis. At least from our perspective.

Throughout the film we are met by several supporting characters played by familiar and not so familiar actors. These characters, while they may seem supporting, play the largest part in the film. For these characters are the building blocks which help Quoyle begin his `transformation'. These are the people which help Quoyle recognize his roots and why he must belong there. Throughout these characters, we are met with many intertwining storylines which could make a whole entire film by themselves. But these characters are all here to help one man find a reason. A reason for being.

Throughout this masterful tale of loss, recovery, and pain, we discover that problems exist within problems. We learn that the future may result in failure, but will always have an answer. The answer lies within Quoyle himself. While these supporting players may have an impact on Quoyle's job and home, Quoyle is the only one who can help find happiness for himself.

With a star-studded cast which shines with the inspiring score by Christopher Young, Lasse Hallstrom has created a film which should not be overlooked, but should be look upon as a film which displays how courage, love, and faith, can overcome loss, struggle, and pain.

Headline:The Shipping News sweeps all awards for 2002, the moviegoers cheer, and Spacey and cast snag a round of Oscars.

The Shipping News is about one man discovering himself when he wasn't even looking; when he's all but just given up.

Those familiar with Proulx's visceral scripting of lives -not-so-ordinary-in-reality will be pleasantly coddled as her Shipping News characters are brought to amazing life at the hands of some our time's finest actors; Dame Judi Dench, Julianne Moore, Cate Blanchett and Kevin Spacey. Each is known for disappearing into their roles, and with the combination of Proulx's perfect characters (misfits) the actors seemed engulfed.

Quoyle (Kevin-- clearing a spot for a few award trinkets as we speak- Spacey) is a sad, nearly nonexistent man. He gets no respect from anyone he holds near and dear. He's a guy you pass on the street and may remark at, if only to notice how sad he appears. His life is nothing spectacular. His story? His story is another kettle of boiling water all together…

His life takes a few dramatic turns as we meet him. His gallivanting wife Petal (Cate Blanchett) has absconded with their young daughter Bunny and his parents have done something equally dramatic. The events find him thrown together with his tough-as-nails Newfoundland born aunt Agnis Hamm (Dame Judi Dench). With his run of luck at the deeper end of long over, she invites him to try a fresh start, up there.

He's got nothing to lose so follows her up to his family's historic birthplace. A barren rock his people called home, only forty odd years ago, called Killick-Claw. Think, middle of nowhere with fantastic cliff and ocean views and the restaurant is the only restaurant. Small, quaint and a perfect place to hide from your troubles and the world.

He and his precocious, and "sensitive," daughter Bunny are adjusting and getting to know their new neighbors on the small hamlet, that appears to never see the season of summer.

Quoyle is experiencing a newfound meaning to life (his life especially)in Newfoundland. He is hired as a small-time reporter for the local rag-mag and community pulse serving paper The Gammy Bird. His writing starts to affect all aspects of his mundane life.

He also meets an equally sad and sullen gal named Wavey (Julianne "Best Actress 2002" Moore). She' s a widow who wears her heart on her sleeve and is weary of starting any new romances. Poor Quoyle.

Mysterious happenings and awakenings start to emerge all around Quoyle as well as a new sense of self, friendships and life. What's it mean?

The Shipping News is old time story telling at it's finest. Newfoundland in itself is a bit of a mystical place to most of us. Proulx creates her story's characters so rich in dimension with that same timeless appeal like a Huck Finn or Nicholas Nickleby, one expects to look them up in the local phone book when in town. But it's the subtle expert performances for subtle yet animated characters make this simply a masterpiece. The award shows are going to be quite redundant this year... A Beautiful Mind and its wonderful cast and performances will be The Shipping News' only competition in the BIG 3 categories - for sure.

Spacey (whom I adore to the point of actually being speechless in front of), brings us, perhaps, his finest performance to date in Quoyle (pronounced coil). Kev reveals Quoyle's soul is wounded and yet his heart, even with all the injustices it has faced in its forty-something years that should be bitter and hard, manages to pound sweet, strong and hopeful. It's an unbelievable performance. Not that I'm surprised…This man is a

scrumptious treat for the senses not unlike like fresh fried Ipswich clams drizzled in tarter sauce with a side of old fashioned delectable helping of New England style cole slaw!

Why's Spacey so great? Is it because he hung with Jack Lemmon in his formative years as an actor? Or because (like myself) he adores the complicated gritty works of Eugene O'Neill? Perhaps, because he makes himself aloof to keep his personality out of his films, thusly making himself completely disappear into the film? Um…yeah. Disagree? Get your own review. K-PAX aside, his work always brilliant, intense, or funny, or light…it's what ever he wants it to be. I'd breed with the man, sure, but I'm also sure I will not be alone in my admiration for his performance here. Sorry, Russell, your also grand and one helluva actor, but your "butt" has been elegantly drop kicked by Cadet Fowler for the mad mad race for Oscar…

Judi Dench is, as always, an inspiration on film.

Julianne Moore (Wavey) worked her plane Jane gorgeous self into a yarn of great depth and feeling. We wanted to make her tea and give her a hug by the end of the film.

Cate "I'm in every movie on the marquee this winter" Blanchett is a chameleon- somebody check her body temperature and dining habits! As Quale's rude, nasty, sluty bimbette squared love interest, Petal, she makes you loath her within the first forty-eight frames.

Petal and Quoyle's offspring, little "Bunny", was played by triplets Alyssa, Kaitlyn, and Lauren Gainer. These gals could give Haley Joel Osment a run for his bubblegum money. They played beside veteran thespians like it was their birthright. You can picture the little dolls finished with their scenes sneaking off to be kids again "please pass the play dough, please, I'm done with my scene mum."

Pete "Kobayashi" Postlewaite plays Quoyle's nemesis at the paper with tons of humor and that smoothness of delivery he's so famous for. Love this man.

Welsh and Sheppard's Pie of a manly man, actor Ryhs Ifans ( Little Nicky, Notting Hill) was adorable as Quoyle's new friend B. Beaufield Nutbeem. It was such a pleasure to see him- on so many different levels.

Director, Lasse Hallstrom (My Life as a Dog, Cider House Rules) is famous for quirky studies on the human condition. Here he's strung his cast together like a Newfoundland fisherman's net and draws them so tightly together so as not a syllable of dialog slips away. In lesser hands The Shipping News could have been a sentimental sugar encrusted bakers dozen of stale over done leaden donuts.

There's so many more involved and each deserves accolades for bringing an already warm story to the screen with a remarkable toasty reality that makes you laugh, stir, and wonder… I feel bad for Ron Howard. He finally gets a nod or two and he has to be up against this film.

Snack recommendation: Plain Donuts, fried octopus tentacle sandwiches and tea

Headline: The Shipping News looms over small cinema. Crowds, hearing the buzz, rush to see it opening day! The masses exclaim:" for once a film is better than its hype."

Blunt Aside: Have you noticed the names I've listed; Petal Wavey, Bunny? That's just some of Proulx's magic. She chooses her names in such a way as to metaphorically manipulate your mind without your even knowing it. Even Quoyle has significance. After you see the film (which is mandatory) the names will come gloriously into the light. Trust me.

I had seen the good rating of Shipping News before I watched it, and I would like to give it a shot.

Lasse Hallström did a good job when he directed The Cider House Rules, and Kevin Spacey is of course a good actor with movies like The Usual Suspects, LA Confidential and K-Pax. Furthermore we got supporting actresses such as the lovely Julianne Moore and talented Cate Blanchett, it was promising.

The movie is mostly a drama, but it succeeds in giving the audience some laughs when needed, which is important to me. Dramas can be too depressing sometimes, but it is of course sometimes needed to make a statement. Anyway, it is not needed in Shipping News and Lasse Hallström understands this very well.

The acting is great, the stars I mentioned earlier deliver good performances, but we also get the pleasure to watch other good actors too, so the cast really gives us a good movie.

Actually there are mainly positive things to say about this movie, the picture quality was good and the environment at Newfoundland created a good atmosphere. The only thing I would critisise is that the movie maybe could have been a bit longer, there were a few issues that I would like to have seen sorted out.

I have rated this movie 7/10, but it maybe deserved a little more. It is definitely worth watching.

I was very impressed with The Shipping News for several reasons: the location should win an Oscar alone, Hallstrom's magical minimalist direction and the acting by the major leads and perhaps even more wonderful, by the many minor parts, were outstanding.

The beauty of the story, involving as it does many all-to-familiar dramas that are easily recognized by people anywhere, was used as a springboard to explore a little known area of the world and to bring much needed illumination on rarely discussed social problems.

To actually see such a beautiful movie shot on location in the magnificent surrounds of Newfoundland should lead film makers away from the sterility of southern California and the too-used streets of New York. I guess I've had my fill of movies about what Hollywood has been dishing out and I've gotten thoroughly jaded with virtually everything made by them.

Director Lasse Halstrom continues to prove himself to be outstanding at presenting sensitive human dramas with this touching film about a broken man's retreat to his ancestral roots. This poignant tale unwinds deliberately and delicately as each of the main characters shares his or her dark secrets buried in the past.

Halstrom is an inspired actors' director who entices outstanding performances from his troupe. He has a wonderful ability to make simple characters appear bigger than life. I continue to admire his unobtrusive presentation, forgoing ostentatious directorial stylizing in favor of simple shots that let the story and the characters dominate. The cinematography and choice of locations in this film are understated and lovely without the need for garishness.

The acting is superb. Kevin Spacey, as Quoyle, once again shows his range, taking on an emotionally crippled character that is quite unlike the confident and clever characters that jump off his resume. Spacey relinquishes all traces of the cockiness that is his trademark and brilliantly renders a pathetic nebbish whose greatest daily struggle is to overcome his own ennui. For Spacey to suppress his natural dynamism to slip this character on so effectively is a testimony to his excellence as an actor.

While this is clearly Spacey's film, the supporting cast of accomplished veterans weaves a splendid tapestry. Julianne Moore is excellent as Quoyle's love interest with a delicate portrayal of a character that is simultaneously supportive and insecure. Judi Dench is marvelous as Quoyle's crusty old aunt, who drags him back to Newfoundland to find himself among the ashes of his unseemly clan. Cate Blanchett is bodacious as the impulsive vamp who ravishes Quoyle and stays with him only long enough to give him a daughter. Scott Glenn is terrific as the cantankerous publisher of the local newspaper who turns Quoyle from a typesetter into a reporter.

This film is not for everyone. It is extremely deliberate and will fray the patience of the average viewer. However, for those who have a love of human interest stories with flawed but lovable characters, this will be a treat. I rated it a 9/10. It is a gem of human foibles and interactions that is moving and insightful.