Revancha

"Payback" is one of those highly entertaining movies that make you forget your sorrows for a moment and entertains you right till the end. Difference with most other entertaining movies is that this movie also has a great story!

The movie is completely driven by the main character played by Mel Gibson. He plays a great and fun criminal who is an anti-hero and a total bad guy but still someone for who you can feel and cheer about. The movie also features lot's of other great actors including James Coburn in a very fun role, Kris Kristofferson, Lucy Liu, Bill Duke and David Paymer. The movie is filled with great and entertaining characters.

The story is just great and has quite some nice twists and moments. The movie is comedy like but it also has a wonderful film-noir feeling with a typical atmosphere. There are also some nice action sequences in which Mel Gibson's character might be featured a bit too much as an hero.

Nothing about this movie indicates that there were troubles on the set during filming with the director Brian Helgeland, on the contrary! Everything about the movie feels very fun like.

Solid entertainment!

8/10

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If you don't like violence, then don't watch this movie. If you are open to great storytelling and gritty dialogue, this is the movie for you. In some ways superior to the remake and just as gripping. Some have hated this film just because of what it was, and that's a shame for them that they can't enjoy a film that neither glorifies nor trashes the underside of life. In a weird way, the main character Porter (who was Walker in the Lee Marvin film, played this time by Mel Gibson who is almost as good as Lee Marvin. Nobody could be better than Marvin in this kind of role) has a kind of decency code of his own even though it is more than a bit twisted. After all, in a world inhabited by criminals, the rules change significantly and so once has to either adapt or find a way out. Porter does both in both versions.

No sense in rehashing the plot. Suffice it to say that it is about a crook who got burned and wants what is coming to him and gets even along the way. Besides, the plot has been recounted by so many better reviewers than myself. I can only say that in "Point Blank" the ending is a bit more ambiguous. A precursor to the films of the 1970s.

It's always hard for me to rate one film version over another. It is almost impossible to not want to (in my mind at least) mix and match actors in roles. James Coburn played the same part as did Carroll O'Connor in the original and they are both perfect while being so different. After all, they were both accomplished actors. And maybe I could have done without a lot of the S&M and B&D scenes in the newer version but I chalk that up to the changes in the world since the 1960s.

Long before there was a Quentin Tarrantino, there were great directors like Don Siegel, Sam Peckinpah and Sam Fuller who were as tough as nails and not just some fan who knew how to use the best of all of these guys brilliant touches, and add some sick jokes. But director/writer Brain Helgeland does spectacularly well with the material, while the new cast shines in their roles almost as though they weren't acting, but living the parts. And that goes right down to the underrated David Paymer as a pathetic hustler (who could easily have been played in earlier times by an Elisha Cook Jr. as he did with the Wilmer role from "The Maltese Falcon" yet Paymer does so with more humor.) It is hard to make one root for people so lacking in morals but director, writer and actors manage amazingly well.

Both "Payback" and "Point Blank" are instant classics that should be considered as such. And God bless the memories of Lee Marvin and John Vernon (both in the original "Point Blank" version.) Such fine thespians will be sorely missed. Fortunately, their memories are on celluloid and other mediums to be enjoyed by many more audiences.

You might have guessed I really love these two movies.

Yes - Payback & Point Blank (1967) are very similar. But there is a very good reason for that. Both films are based on the novel 'The Hunter' by Richard Stark, a pseudonym for Donald E Westlake.

The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.

Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.

PAYBACK is wonderfully entertaining nod to the film noir drama that puts a great star smack dab in the middle of a great story and he totally runs with it. This dark and delicious film stars Mel Gibson as Porter, a former Mafioso who was left for dead by a former running partner and robbed of his half of a heist ($70,000.00)and Porter's single-minded quest to get his money back, not concerned with what he has to do or who has to kill to get it. The funny thing about the story is that all the people who stand in his way can't believe Porter is going to all this trouble for only $70,000.00...which is chump change where mob money is concerned, but this doesn't concern Porter, who just wants it back, no more, no less. Gibson appears to be thoroughly enjoying himself here, in one of his most off-beat and engaging characterizations. Effective support is provided by Maria Bello, James Coburn, Kris Kristofferson, Gregg Henry, David Paymer, William Devane, John Glover, and a brief but memorable turn from Lucy Lieu. The cinematography is dark and dreary(it almost looks like it's in B&W, but's it not)but it fits the style of the film perfectly. The story is simple and straightforward and will keep you engrossed until the final credits roll...an under-appreciated sleeper that got by a lot of people.

Easily one of Gibson's best, and one of the best of it's kind you will ever see. Homage to film noir, combined with usual Gibson tongue-in-cheekness, and some fabulous supporting roles from the likes of Coburn, Kristofferson, Liu, and Devane. Henry does a stirling job here opposite Gibson. Liu is simply wonderful in a role that - worryingly perhaps - looks like it was made for her!

Porter's single-minded, no-nonsense determination to get what he sees as justice for himself strikes a chord, and has you rooting for him right to the end. This film rarely lets up on the intensity, and gets better as it goes along. It will make you laugh and cringe at the same time, but you won't want to take your eyes off the screen for a second. It looks good, feels good, and oozes class. Definitely a must-see.