El batallón de San Patricio

Anyone who doubts the power of religion to sway a man's loyalties has never studied history. Likewise, anyone who doubts the power of a man's need to feel respect and a sense of "belonging" has simply never felt the lack. The Irish of the time came to our shores fleeing famine and disease, poor in the wallet but rich in pride and heritage. They asked for nothing but a chance, and took what was offered in good faith. The politics of the time made them much as the Mexicans are viewed today. Unwanted aliens who should be sent back from whence they came. Taking the offer of the US Army at face value, they were ridiculed and scorned and abused constantly. When battle was joined they found themselves fighting a people not so different from themselves. A people who shared ties of Catholicism, as well as spirit. They got nothing but hatred and ridicule from those who supposedly would welcome them, and could not be proud of fighting Mexicans, who shared so much in common with them. All they asked was a place to belong. Once they found it, they fought for it with all they had. It just happened, they found it in the ones they were supposed to be fighting.

"One Man's Hero" is set in the 1840's , Mexico was embroiled in turmoil . Renegades and revolutionaries ruled the mountains and the central government was trying to regain control . The neighboring United States saw the opportunity to invade . Across the Atlantic Ocean a different battle raged , as Ireland lost half its population to the potato famine . Desperate and broken two million Irishmen sailed across to the United States . Enticed by the promise of citizenship , scores of young Catholic Irishmen joined the predominantly US Army. For most , it was their only choice . The Saint Patrick's Battalion (Spanish: Batallón de San Patricio, later reorganized as the Foreign Legion of Patricios), formed and led by John Riley, was a unit of 175 to several hundred (accounts vary) immigrants and expatriates of European descent who fought as part of the Mexican Army against the United States in the Mexican-American War of 1846-48. It is set in 1846 , the plot centers around John Riley (Tom Berenger) , an Irish immigrant soldier recruited in the American army during the Mexican-American War , being a sergeant in command of a battalion who are usually despised by the soldiers remaining . One day , John Riley and other Irishmen deserted to Mexico after in the U.S. Army during the Mexican-American War. As the motley bunch flee to Mexico , there they are assaulted and imprisoned by a Mexican guerrilla led by deserters (Joaquin De Almeida , Daniela Romo) opposite the Mexico government . Later on , Riley and his men choose to be soldiers for the Mexican Army , waging war the US invader . Riley then is commissioned as a Captain in the Mexican Army and fights with soldiers on both sides of the border.

It tells the little-known story of the "St. Patrick's Battalion" or "San Patricios," a group of mostly Irish, and other immigrants of the Catholic religion, who are mistreated , humiliated by US soldiers and encountering religious and ethnic prejudice . The script revolves around the personal story of John Riley, an Irishman who had been a Sergeant in the American Army . Here Tom Berenguer gives a good acting as the Irish sergeant who faces off anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to the Mexican army , subsequently commanding an Irish battalion, as he leads his men in battle. He is well accompanied by a good cast, such as : Joaquin De Almeida as a rebel officer , Daniela Romo as a stubborn Guerrilla woman who falls for Riley , Mark Moses as an US upright Colonel , Stephen Toblowsky as a nasty officer , James Gammon as General Zachary Taylor , Patrick Bergin as General Scott , and a cameo by Prince Alberto de Monaco . It packs a colorful and evocative cinematography by Peter Wooley . And a rousing and thrilling musical score by Ernest Troost , shot on location in Durango , Puebla , Morelos, Mexico . Lavishly financed by Spanish/US/Mexican producers as Julio Fernandez , Jaime Comas Gil , Conrad and Lance Hool . The motion picture was well written , produced and directed by Lance Hool.

It is well based on facts , about Saint Patrick's Batalion , being composed primarily of Catholic Irish immigrants, the battalion also included Germans, Canadians, English, French, Italians, Poles, Scots, Spaniards, Swiss, and Mexicans, many of whom were also members of the Catholic Church. Most of the battalion's members had deserted or defected from the United States Army. The battalion served as an artillery unit for much of the war. Despite later being formally designated as two infantry companies, it still retained artillery pieces throughout the conflict. In many ways, the battalion acted as the sole Mexican counterbalance to the recent U.S. innovation of horse artillery. The San Patricios were responsible for the toughest battles encountered by the United States in its invasion of Mexico, with Ulysses S. Grant remarking that "Churubusco proved to be about the severest battle fought in the valley of Mexico".Disenfranchised Americans were in the ranks, including escaped slaves from the Southern United States. Only a few members of the Saint Patrick's Battalion were actual U.S. citizens. The Mexican government printed propaganda in different languages to entice immigrants in the U.S. Army to switch sides and offered incentives to foreigners who would enlist in its army including granting them citizenship, paying higher wages than the U.S. Army, and generous land grants. U.S. Army regiments from which members are known to have deserted include: the 1st Artillery, the 2nd Artillery, the 3rd Artillery, the 4th Artillery, the 2nd Dragoons, the 2nd Infantry, the 3rd Infantry, the 4th Infantry, the 5th Infantry, the 6th Infantry, the 7th Infantry, and the 8th Infantry.The San Patricios are honored in both Mexico and Ireland.The San Patricios captured by the U.S. Army were treated and punished as traitors for desertion in time of war. Seventy-two men were immediately charged with desertion by the Army.Two separate courts-martial were held, one at Tacubaya on 23 August, and another at San Ángel on 26 August. At neither of these trials were the men represented by lawyers nor were transcripts made of the proceedings. This lack of formal legal advice could account for the fact that several of the men claimed that drunkenness had led them to desert (a common defense in military trials at the time that sometimes led to lighter sentences), and others described how they were forced to join the Mexican Army in some form or another. The majority of the San Patricios either offered no defense or their defenses were not recorded. Wealthy Mexicans came to the San Patricios' defence at the trials, and members of Mexico's first families visited them in prison . There had strong sentences against the Irish soldiers . One soldier who claimed he was forced to fight by the Mexicans after he was captured by them, and who subsequently refused to do so, was sentenced to death by firing squad instead of hanging, along with another who was found not to have officially joined the Mexican Army. Most of the convicted San Patricios were sentenced to death by hanging: 30 from the Tacubaya trial and 18 from San Ángel. The rationale was that they had entered Mexican military service following the declaration of war. Execution by hanging was in violation of the contemporary Articles of War, which stipulated that the penalty for desertion and/or defecting to the enemy during a time of war was death by firing squad, regardless of the circumstances. Hanging was reserved only for spies (without uniform) and for "atrocities against civilians", neither of which activities were among the charges brought against any members of the Saint Patrick's Battalion. Although more than 9,000 U.S. soldiers deserted the army during the Mexican-American War, only the San Patricios (who unlike almost all other deserters had also fought against the United States) were punished by hanging. Those soldiers who had left military service before the official declaration of war on Mexico (Riley among them) were sentenced to "... receive 50 lashes on their bare backs, to be branded with the letter 'D' for deserter, and to wear iron yokes around their necks for the duration of the war . In all, 50 Saint Patrick's Battalion members were officially executed by the U.S. Army. Collectively, this was the largest mass execution in United States history-the hanging of 38 Sioux at the conclusion of the Dakota War of 1862 appears to be the largest execution by hanging at a single event. En masse executions for treason took place at three separate locations on three separate dates; 16 were executed on 10 September 1847 at San Ángel, four were executed the following day at the village of Mixcoac on 11 September, and 30 were hanged at Chapultepec.

One Man's Hero details a little known chapter of the very unpopular Mexican American War. The acting is superb, Tom Berenger aches with conflicted loyalty to his church, to his "boys" and to his adopted country. In many ways this is a diffucult film to view. Often, Americans feel my country right or wrong. This film fairly reveals both sides with warts and all. There is never a winner in any military confrontation. Everyone loses - their own lives, the life of a loved one, a cherised home land. The US army of the 1800's often employed less than honorable tactics to lure uneducated immigrants into its rank & file. What they found was a prejudice not just reserved for the those of a different color skin or on the "other" side of the confrontation. The prejudices of the army were cruelly devisive & a socially acceptable behavior among the rank and file of the US troops. Often an ethnic groups loyalties were not grounded in the flag and mission of their adopted homeland, but among their own, where they shared traditions, culture and church. This is the story of One Man's Hero. The cast is excellent. The story will make you think. Today we talk about human rights, human dignity .... In the 1800's our country was far from the equality, freedom and dignity we are still striving to achieve today. One Man's Hero will make you think. It will make you think twice before you utter an unkindness or that "funny" joke from the water cooler. When we hurt others, we are only hurting ourselves. This is the lesson of One Man's Hero. Can we ask any more of a film.

When it comes films based on true events, it is in the filmmakers' best interest to keep all the facts as legitimate as possible without skewing the story all that much. The genre of films that probably receives the most critical of film buffs' attentions are the ones that have been historically recorded and not some fable spread by rumors and myths. Taking a deeper look, the type of historical film that gets this kind of focus is usually bio-pictures or war dramas. Further closing the gap, the war dramas that have received the motion picture treatment range; but several have depicted these tragedies during the Great War, World War II, the Vietnam War, the Revolutionary War and the American Civil War. Of course in world history, these are not the only confrontations that occurred, but for North American history, this is the usual batch. It is rare when another event is looked at that possibly was forgotten in the regular high school history books. The most recent that comes to mind is Heaven's Gate (1980), which was about a county war in 1890.

Turns out this movie takes place during the 19th century as well. Lance Hool, a producer to other various films like Missing in Action (1984), The Air Up There (1994), Flipper (1996) and Man on Fire (2004), takes a turn in the director's chair to cover the Mexican-American War in 1846. Written by Milton S. Gelman (who passed practically a decade before this film's release), the story is about real-life soldier Sergeant John Riley (Tom Berenger) and his men who abandoned the U.S. army after being persecuted because of their Catholic faith. While leaving, they find refuge with fellow Mexicans led by Cortina (Joaquim de Almeida) and Marta (Daniela Romo). There, they both decide to join Mexico and fight for their freedom. Meanwhile, Colonel Benton Lacy (Mark Moses) attempts to get Riley back to the north before General Winfield Scott (Patrick Bergin) blows them all away. Running parallel to that, Marta and Riley start to become more attracted to each other every minute they spend together.

For problems, there isn't all too much to gripe about. The only script issues that are obvious deal with character motivations. From what is known, John Riley is somewhat a mystery but only after the Mexican- American war ended. There are documents of his existence but there isn't a clear answer as to what he did post-war. Did he marry for real? In this feature, Marta is Riley's love interest as is she to Cortina. The passion that Riley has for Marta is a constant subplot that is brought up every half-hour or so. Yet Cortina repetitively reminds Riley to stay away, but Riley doesn't listen. Soon, Riley and Cortina fight and immediately right after; it's water under the bridge for some odd reason. What was all the antagonizing for if it was going to be settled so quickly? Was it even worth writing in? The only other dilemma in this movie is more technical and that's the depiction of war. This film was Orion Pictures last release and many of the studio's films were rated R (as was this one). Still there seems to be almost no blood or gore.

That particular aspect was probably the most inaccurate component. War is not light and fluffy stuff. There are a couple scenes where blood does flow but it's rated R. Gettysburg (1993) also should have been R but it was PG so the depiction of violence was much less gruesome and that's only appropriate because of its rating. Why give a movie the label of rated R if won't even play out as an R rated film? It's misleading. The cast to the film was also entertaining. Hearing Tom Berenger with an Irish accent is definitely a change in his usual speech pattern and it does sound authentic, as well as the soldiers played by Stuart Graham, Gregg Fitzgerald, Don Wycherley, Wolf Muser and Luke Hayden. Each actor equally matches Berenger in amiability. Daniela Romo as Marta is very pretty and it is obvious as to why Riley falls for her so quickly. Joaquim de Almeida is always fun to watch but in his role as Cortina, it's hard to know how trustworthy he is. Mark Moses performance as Colonel Lacy is another great show. Moses knows how to have a presence.

Visually, the film had an appealing look to it. All effects looked like they were executed practically, of which regularly gives a movie a more realistic viewing. Credit to João Fernandes as the director of photography for capturing wide shots of the western North American terrain. The actual depiction may not feel it has the right temperature to walk in casual clothing but it rightfully matches the environment of what the west was like. Fernandes was also the cinematographer for Friday the 13th Part IV: The Final Chapter (1984), Missing in Action (1984) and Red Scorpion (1988). The film score produced by Ernest Troost was another great element. Troost also composed the music to both horror comedies Tremors (1990) and Dead Heat (1988). Unlike Dead Heat (1988) though where the orchestra sounded like it came from an oldies monster film, Troost's orchestra to this film is much more full and contemporary. The main title is very applicable to the setting, with bagpipes representing Riley and his men. There's also a choir to boot.

It has some weird character motivations and underwhelming violence for an R rated war film, however it is an immersive film. The story provides a new history lesson to those unfamiliar of the Mexican-American war, the actors perform great, and the cinematography is befitting to the setting as well as the film score.

It is a movie...so I expect there to be embellishments--in plot, especially, amongst other things. The acting? Well, I am not a movie critic...it was passable, not great, not horrible--most of the acting did seem flat and non-dimentional, however, you are getting just a glimpse of a few (a very few) of the major characters. What I do like overall, is, the fact that someone attempted to make a movie about this era of American History, especially, due to its pivotal role that the Mexican-American War would play in the years following the conclusion.

On the historical facts of the movie, well, it has errors: for example, the Americans seem to "out-number" the Mexican forces--and as we all know the average ratio was between 3:2 and 3:1, in favor of the Mexican Army, in all the battles--which could have made the movie more spectacular--for the "bad" Americans--if they can be called that--something that was latent but not overt. As others have pointed out, it also does have a "Mexican" bias, but this is due to the arrangement of the plot of the movie...concerning the San Patricios Companies of Foreigners. I personally thought the biases of the "named" characters (at least the Americans) were "historically" correct--despite any gaffes in acting. Zachary Taylor (James Gammon) had his "damn the consequences" attitude, and Winfield Scott (Patrick Bergen) was also "true" to the history. The "Anti-Catholic" (not just Anti-Irish) sentiment as portrayed by the junior officers and non-comms in front of the Colonel of the 5th US Infantry Regiment, is also in line with the time.

It is a shame that they could not work in more of the major characters (and a few of the Civil War Generals--in their baptism of fire). We see Scott, Taylor and Harney; It would have been nice to see others like Santa Anna, David Twiggs, William Worth, etc. as well as maybe Jackson as an Artillery Lieutenant moving his guns forward at Churubusco to take on the San Patrico batteries or Grant moving his men of the 4th Infantry forward, or even Lee reconoitering a position. However nice this may have been, it was extraneous to telling the movie-maker's story, and it was not to be.

Not every movie can be a "Gettysburg" calibre movie...but considering the "attention span" of my fellow countrymen (most would not endure a 4 hour movie--let alone the subject matter), this movie trys to be entertaining, as well as, historically "honest". I say, "bravo".