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IMDbPro

Los últimos días de la música disco

Título original: The Last Days of Disco
  • 1998
  • R
  • 1h 53min
CALIFICACIÓN DE IMDb
6.7/10
15 k
TU CALIFICACIÓN
Kate Beckinsale and Chloë Sevigny in Los últimos días de la música disco (1998)
Three Reasons Criterion Trailer for The Last Days of Disco
Reproducir trailer1:38
3 videos
76 fotos
Dark ComedyComedyDramaMusicRomance

La historia de dos editoras de libros de Manhattan recién graduadas, que encuentran el amor y a sí mismas en la discoteca de la zona.La historia de dos editoras de libros de Manhattan recién graduadas, que encuentran el amor y a sí mismas en la discoteca de la zona.La historia de dos editoras de libros de Manhattan recién graduadas, que encuentran el amor y a sí mismas en la discoteca de la zona.

  • Dirección
    • Whit Stillman
  • Guionista
    • Whit Stillman
  • Elenco
    • Chloë Sevigny
    • Kate Beckinsale
    • Chris Eigeman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    15 k
    TU CALIFICACIÓN
    • Dirección
      • Whit Stillman
    • Guionista
      • Whit Stillman
    • Elenco
      • Chloë Sevigny
      • Kate Beckinsale
      • Chris Eigeman
    • 147Opiniones de los usuarios
    • 66Opiniones de los críticos
    • 76Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Videos3

    The Last Days of Disco
    Trailer 1:38
    The Last Days of Disco
    The Last Days of Disco: The Criterion Collection - Blu-Ray
    Trailer 1:38
    The Last Days of Disco: The Criterion Collection - Blu-Ray
    The Last Days of Disco: The Criterion Collection - Blu-Ray
    Trailer 1:38
    The Last Days of Disco: The Criterion Collection - Blu-Ray
    The Last Days of Disco: Criterion Collection
    Trailer 2:17
    The Last Days of Disco: Criterion Collection

    Fotos76

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    Elenco principal62

    Editar
    Chloë Sevigny
    Chloë Sevigny
    • Alice
    Kate Beckinsale
    Kate Beckinsale
    • Charlotte
    Chris Eigeman
    Chris Eigeman
    • Des
    Mackenzie Astin
    Mackenzie Astin
    • Jimmy
    Matt Keeslar
    Matt Keeslar
    • Josh
    Robert Sean Leonard
    Robert Sean Leonard
    • Tom
    Jennifer Beals
    Jennifer Beals
    • Nina
    Matt Ross
    Matt Ross
    • Dan
    • (as Matthew Ross)
    Tara Subkoff
    Tara Subkoff
    • Holly
    Burr Steers
    Burr Steers
    • Van
    David Thornton
    David Thornton
    • Bernie
    Jaid Barrymore
    Jaid Barrymore
    • Tiger Lady
    Sonsee Neu
    Sonsee Neu
    • Diana
    • (as Sonsee Ahray)
    Edoardo Ballerini
    Edoardo Ballerini
    • Victor
    Scott Beehner
    Scott Beehner
    • Adam
    Zachary Taylor
    • Backdoorman
    Neil Butterfield
    Neil Butterfield
    • Rick
    Michael Weatherly
    Michael Weatherly
    • Hap
    • Dirección
      • Whit Stillman
    • Guionista
      • Whit Stillman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios147

    6.714.9K
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    Opiniones destacadas

    8dzhaviland

    Disco a time of innocence

    I was a disco queen and what I loved about this movie is that it captured the innocence and naivete of the time along with everyone trying to be what they thought others thought was "cool". No other movie really captures that aspect of the disco days so perfectly. it was a time where everyone was looking for love, walking into a disco hoping all eyes were on them but being naive in regards to relationships. So banal, ridiculous conversations happened constantly while trying to impress or create desire. Then you went home with either the person you had the most chemistry with or whoever you were left with at the end of the night. Generally the sex sucked and not in a good way(ah that was a touch of Charlotte I think). This movie perfectly hit on all those things and takes me back many years. The only thing it didn't have was the absolute joy and abandon many people felt while dancing. There was such a freedom and love of life. Ah well, nothing's perfect, not even disco.
    8lemon993

    The love train goes express to Oz.

    Chloe Sevigny, the independent film princess, lands in the great emerald city by the sea. The final moments of the disco period are about to expire and she must dispose of her wickedly evil roommate, Kate Beckinsale. The disco is the epicenter of the film, the "Oz" if you will, where the wizard appears to control the music and lights of the city. Whit Stillman produces movies as often as the Olympics come around, but I like the tone he achieves here. Check-out the eighties publishing world depicted in the film. What's missing? No computers. The office seems less cluttered and more soothing to the creative spirit. There's an off-the-cuff reference to J.D. Salinger and his different works. There are many such random references scattered through the frames of the film. The director keeps you on your toes. The highlight of the film arrives on an iron horse by means of an impromptu dance sequence. The extemporaneous dance number spills out onto the subway platform and beyond the station. Nice touch.
    8kergillian

    Wonderful and sardonic view of yuppie/disco life

    Another winner from Whit Stillman! This is a very clever, well-written film in the Eric Bogosian or Hal Hartley style of a play for the screen. This film really does feel like theater in many ways, especially the funny and clever, tightly written dialogue.

    Superb performance by almost the entire cast (the one exception being McKenzie Astin, who was fairly awful, but was barely onscreen so it was shrugable), raised the film to a level above its potential. Kate Beckinsale was the perfect bitch, so annoying that I wanted to pull her out of the screen and shake her repeatedly;) Christopher Eigeman nearly stole the show as Des, he played the character perfectly, his voice and tone always on edge, the defensiveness and womanizing, the stories he told, all a brilliant package. But Chloë Sevigny more than held her own, with her best performance that I've ever seen...everything from her line release to her body language stuck out; she became Alice.

    This film is a definite must see...a great soundtrack, great sets, brilliant writing and better acting. It's a bit long, some scenes feel unnecessary, and at times he seems to be over-hammering his point, but Stillman has still provided us with a near-masterpiece, 8/1.
    7move_over_fatso

    Aiiiee, almost no reviewer here quite gets it ...

    1) There is no action in this movie. If you need *something*, then avoid this movie like the plague. And while one may think to themself, "dayam, those actresses look fine", there are no gratuitous skin shots. Its not a movie like "Honey", where you turn off the volume and just stare at Jessica Alba.

    2) Its not really about the End of Disco (despite the title). The soon to be dead Disco era is a BACKDROP for the theme of the movie. Casablanca was not about WW II. It was a romance movie, and the War was a backdrop. No one bitches about the authenticity of the airplanes, uniforms, historical details of the politics or legal procedures, or portrayal of the Moroccan culture. Yes, I wish the filmmaker was a bit more zealous about period dress and music. Oh well. And while there are reminiscent touches, its not a movie who's focus is dedicated to capturing the Disco period. If what you want is an homage to Disco, then you won't like this movie.

    3) It IS a "Coming of Age" movie. It is about vapid, just-out-of-college Americans starting out in the real world. The movie mostly skewers them, but I can't help but feel a bit of nostalgia and loss for a period of life that will never come back to me (early twentysomething). I strongly suggest you avoid the movie if you're under 35. You do not need to have lived through the disco period to appreciate the movie, but you do need to be an old fogey. Definitely a movie for adults, in the non-NC17 way.

    4) The actors put on superlative performances. They were portraying vapid, witless, bland, soon to be full-blown yuppies. The time period is perfect for reflecting on the contrast of soon-to-be-over perceptions of life and the world from youth to early adulthood. You can almost see their worldview evolve within the one(?) year time period of the movie. There's nothing sucky about the acting. The characters are mostly sucky people; that's why they seem wooden, vapid, and lame. (And Kate Beckinsale does an AWESOME American accent; because she's British, and there isn't a hint of her native tongue.) Yes, their dancing seems lame, because the general public are generally lame dancers. People did not break out like John Travolta on the dance floor every night. Its not a movie about dancing.

    5) One should be appreciating the dialogue from a detached distance, and be struck by its wit and humor. Not living through these people in a first person perspective. This is for people who can appreciate reading James Joyce, Harold Pinter, or Evelyn Waugh, or any great novelist/playwright who doesn't beat you over the head (usually with a voice-over) with the meaning of every aspect of a scene. (Apologies if these writers aren't good examples; I'm having a problem recalling an ideal choice.) If the movie seems to drift and be aimless, its because life is not a continuous series of epiphanies, and this is not a typical Hollywood feature. If you need something more obvious, you WON'T like this movie.

    Its actually a bit hard to like this movie, but I do. I have met people who have lived through the Disco era and waxed poetic like Josh towards the end of the movie. They're actually yearning for the illusions of their youth; which is kind of what the movie is about.
    trpdean

    Witty Movie about Wasp-y relationships in early 1980s

    Well, before you see this, ask yourself if you either: a) want to engorge yourself with lengthy witty banter, or b) see a Wasp-y version of the weaving of people in and out of relationships like Seinfeld or Woody Allen but with a bigger cast? If your answer is yes, this is your movie. If not, not.

    This movie is FAR more like Stillman's others (Metropolitan and Barcelona) than like anything you've seen about disco - which is simply the background. I was surprised that these yuppie characters were so freely admitted to Studio 54 (the set of the film), but perhaps it indicates disco's waning popularity by the early 1980s.

    I enjoyed it very much - but it's not everyone's cup of tea.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The disco seen in the movie was actually an old picture theater being renovated in Jersey City, New Jersey.
    • Errores
      Early in the movie, boxes of glassware in the back of the club have large modern barcodes. An hour into the movie the boxes are shown again, with the barcodes taped over.
    • Citas

      Josh Neff: Disco will never be over. It will always live in our minds and hearts. Something like this, that was this big, and this important, and this great, will never die. Oh, for a few years - maybe many years - it'll be considered passé and ridiculous. It will be misrepresented and caricatured and sneered at, or - worse - completely ignored. People will laugh about John Travolta, Olivia Newton-John, white polyester suits and platform shoes and people going like *this*

      [strikes disco pose]

      Josh Neff: , but we had nothing to do with those things and still loved disco. Those who didn't understand will never understand: disco was much more, and much better, than all that. Disco was too great, and too much fun, to be gone forever! It's got to come back someday. I just hope it will be in our own lifetimes.

      [Des, Charlotte, Dan, and Van stare at Josh like he's crazy]

      Josh Neff: ...Sorry, I've got a job interview this afternoon and I was just trying to get revved up, but... most of what I said, I, um... believe.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Truman Show/The Last Days of Disco/A Perfect Murder/The Opposite of Sex/Hope Floats (1998)
    • Bandas sonoras
      Doctor's Orders
      Written by Geoff Stephens, Roger Greenaway, Roger Cook

      Performed by Carol Douglas

      Courtesy of Unidisc Music, Inc.

      By Arrangement with Celebrity Licensing Inc.

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    Preguntas Frecuentes20

    • How long is The Last Days of Disco?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de junio de 1998 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Last Days of Disco
    • Locaciones de filmación
      • Jersey City, Nueva Jersey, Estados Unidos(location)
    • Productoras
      • Castle Rock Entertainment
      • Polygram Filmed Entertainment
      • Westerly Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 8,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 3,020,601
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 277,601
      • 31 may 1998
    • Total a nivel mundial
      • USD 3,020,601
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 53 minutos
    • Mezcla de sonido
      • Dolby Digital
      • DTS
      • SDDS
    • Relación de aspecto
      • 1.85 : 1

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