Una biografía Frida Kahlo, que canalizó el dolor de una lesión debilitante y de su tempestuoso matrimonio en su trabajo.Una biografía Frida Kahlo, que canalizó el dolor de una lesión debilitante y de su tempestuoso matrimonio en su trabajo.Una biografía Frida Kahlo, que canalizó el dolor de una lesión debilitante y de su tempestuoso matrimonio en su trabajo.
- Dirección
- Guionistas
- Elenco
- Ganó 2 premios Óscar
- 17 premios ganados y 47 nominaciones en total
Patricia Reyes Spíndola
- Matilde Kahlo
- (as Patricia Reyes Spindola)
Loló Navarro
- Nanny
- (as Lolo Navarro)
Fermín Martínez
- Painter on Bus
- (as Fermin Martinez)
Opiniones destacadas
It wouldn't matter what you might show or say - people who have taken a liking to an 'artist' or their particular 'style' will defend them regardless. So it probably is with Frida Kahlo and Diago Rivera. Every country must have its acclaimed legends good or bad - the USA with Pollock and Warhol, Spain with Picasso and so it goes - it's the law of economics and superiority, etc...Oh, not to mention art....
This glossy film version of Kahlo's life and work sets out to make a hero of her and nothing will stand in its way. In the attempt to do so it pulls out all stops ~ striking visual imagery from Mexican born director of photography Rodrigo Prieto (Water For Elephants '11) ~ marvelous visual effects from Dawson and Schrecker ~ good performances from most of the cast ~ OK (if overly voyeuristic) direction from Julie Taymor ~ evocative music score by Eliot Goldenthal ~ lots of color and angst.
Maybe there wasn't a great deal to work with in Kahlo's life, as the movie spends more time indulging in over detailed examinations of her somewhat sordid private life. This may not seem so sordid if you happen to be into numerous extramarital affairs --with either sex that just happens to suit the situation-- According to the screenplay Frida divorced Rivera on grounds of his extramarital affairs - even though she knew of these right from their first meeting and he had told her many times he was incapable of any control over them. Problem was, Frida's own marital agreement was often broken in the same way but unlike Frida, Rivera (it seems) was not willing to dabble with both sexes. It's also obvious Frida had been known for her unabashed carnal indulgences as a schoolgirl - let alone an adult - in or out of marriage.
Of course fans will excuse these dalliances on the grounds of her 'artistic' temperament and physical sufferings - well, so be it. Many will regard this movie highly (especially the fans) others may feel a little left out. Good looking but maybe not a great deal more...
This glossy film version of Kahlo's life and work sets out to make a hero of her and nothing will stand in its way. In the attempt to do so it pulls out all stops ~ striking visual imagery from Mexican born director of photography Rodrigo Prieto (Water For Elephants '11) ~ marvelous visual effects from Dawson and Schrecker ~ good performances from most of the cast ~ OK (if overly voyeuristic) direction from Julie Taymor ~ evocative music score by Eliot Goldenthal ~ lots of color and angst.
Maybe there wasn't a great deal to work with in Kahlo's life, as the movie spends more time indulging in over detailed examinations of her somewhat sordid private life. This may not seem so sordid if you happen to be into numerous extramarital affairs --with either sex that just happens to suit the situation-- According to the screenplay Frida divorced Rivera on grounds of his extramarital affairs - even though she knew of these right from their first meeting and he had told her many times he was incapable of any control over them. Problem was, Frida's own marital agreement was often broken in the same way but unlike Frida, Rivera (it seems) was not willing to dabble with both sexes. It's also obvious Frida had been known for her unabashed carnal indulgences as a schoolgirl - let alone an adult - in or out of marriage.
Of course fans will excuse these dalliances on the grounds of her 'artistic' temperament and physical sufferings - well, so be it. Many will regard this movie highly (especially the fans) others may feel a little left out. Good looking but maybe not a great deal more...
"Frida" is a beautifully done biopic about Mexican artist and icon Frida Kahlo. Salma Hayek plays this role very well. She exhibits all the passion that goes into being an artist, especially when playing off Alfred Molina, who plays Diego Rivera, husband of Frida Kahlo, and a famous Mexican artist in his own right. What really impressed me was the artistic references in the movie. I loved seeing the paintings coming to life! I also liked the surreal animated sequences, particularly the hospital nightmare, populated with Day of the Dead-style skeletons. Few movies have ever made me regard them as a work of art. "Frida" is definitely one of them!
I watched this film for the first time, last night,and, it is one of the most beautiful films I have ever seen. There are shades of "Surviving Picasso" about it. Yet, this movie transcends the Picasso film on a number of levels. Where "Surviving Picasso" is all about Anthony Hopkins masterful performance, "Frida" has a chemistry between its leading actors that you just don't see enough of in modern cinema. Yes, Salma Hayek inhabits the character of Frida and makes it entirely her own. But Alfred Molina's portrayal of her overweight, philandering husband really brings this movie to life. History is important to this movie also. Although removed from the turbulent events dominating European politics in the 1930s, Mexico embraces the ideology that will soon tear Europe apart and reflects that ideology in its art. Diego Rivera, as portrayed by Molina, is certainly a greater lover of women and painting than he is of political ideology, but the fact that he plays host to the exiled Trotsky shows that he is willing to put himself in harms way for the sake of his political principles. Trotsky is played charmingly by Geoffery Rush and his introduction to the story sends Diego and Frida's marriage to another level. This movie never fails to surprise you and if you have not seen it yet, you should.
Ahm.. I just watched this, it was from 2002 but I had no interest what so ever in the movie or the story when it came out, I knew about it I read in papers but never did actually saw it. Well, tonight was the night. And know this.. I will see it again.. and again until I understand that woman.. Frida Kahlo.
This is the kind of story that goes straight to your heart, straight to your brain and you sit there wondering " How could this really be true.. how could this really happen to a person?" I think that Frida was one brave woman, hell of an artist.. and I wish for myself to be like her if something so horrible happens to me. She was strong, she was a prey to conflicting emotions but she survived. The movie deserves a 10!
My neck hurts from sitting in that uncomfortable chair we have in the dining room but I couldn't feel any pain while watching "Frida". Why?! Simply, because I thought.. "wow.. how was that woman capable of staying alive for so long? How did she bear all that pain?"
This is a "have to see or regret for life".
This is the kind of story that goes straight to your heart, straight to your brain and you sit there wondering " How could this really be true.. how could this really happen to a person?" I think that Frida was one brave woman, hell of an artist.. and I wish for myself to be like her if something so horrible happens to me. She was strong, she was a prey to conflicting emotions but she survived. The movie deserves a 10!
My neck hurts from sitting in that uncomfortable chair we have in the dining room but I couldn't feel any pain while watching "Frida". Why?! Simply, because I thought.. "wow.. how was that woman capable of staying alive for so long? How did she bear all that pain?"
This is a "have to see or regret for life".
Frida is a biopic, as decadent and beautiful as the art of Frida Kahlo. I can't imagine how you could make it any other way. Yes, we follow Frida through her dysfunctional and broken relationship with both Diego Rivera and the international socialist movement. But the way this story is told is key. The editing and cinematography pays enormous tribute to Frida's paintings and the genre of art that she represents. Salma Hayek is tremendous as Frida. Alfred Molina is tremendous as Diego. It's thoroughly exquisite.
¿Sabías que…?
- TriviaFrida Kahlo's niece was so impressed with the film that she gave Salma Hayek one of Kahlo's necklaces.
- ErroresEarly in her New York trip Frida is watching 1933's King Kong (1933). Later she is called home to tend to her dying mother. Several scenes later we see her at her mother's grave and it shows that she died in 1932, a year before King Kong was released.
- Citas
Frida Kahlo: I had two big accidents in my life Diego, the trolley and you. You are by far the worse.
- ConexionesFeatured in The 60th Annual Golden Globe Awards (2003)
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- How long is Frida?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Frida Kahlo
- Locaciones de filmación
- San Luis Potosi, San Luis Potosí, México(exterior, second bus scene)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,885,000
- Fin de semana de estreno en EE. UU. y Canadá
- USD 205,996
- 27 oct 2002
- Total a nivel mundial
- USD 56,298,862
- Tiempo de ejecución
- 2h 3min(123 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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