Everest

Like most IMAX films, Everest has impressive vistas. However, although visually stunning, many of the team members are not what you'd call sympathetic. The team leader actually talks his wife into doing this for their honeymoon (and believe me, they have *no* privacy), then leaves her down at base camp. Not only that, he then attempts the summit without the oxygen all the rest of the climbers use because he "likes the challenge." Challenge or not, it seemed very selfish to the group I went with for him not to use it, to deliberately put himself in greater danger than he had to be with his wife down below, particularly in light of the fact that another climber (with a wife 7 months pregnant at the time) had just died a few days before.

If you can ignore him, however, the rest of it is well worth watching, particularly the story of the son of E. Hillary's guide when the summit was reached for the first time. Liam Neeson's narration is tasteful and unobtrusive, and I can't say enough about the terrific camera work: if heights make you nervous, there are several sequences that you'll definitely have nightmares about. ;)

Typical IMAX movie: impressive mountains, impressive views, impressive falls... very impressive. However, I didn't care about the "story", or any of the people in there... In fact, the true heroes in my opinion are the people who went all the way up the Everest *carrying* the IMAX camera... However, you hardly hear about them...

Some of the camera work in this IMAX feature is absolutely stunning. And the mere fact that the crew was able to lug a bulky, heavy IMAX camera and film to the summit of Everest is a testament to sheer guts and determination. Unfortunately, the end result is somewhat of a mixed bag. There are moments of great emotional intensity (most notably, the miraculous Beck Weathers rescue), but, like a few others here, I got the feeling that much of the potential of the IMAX format simply went to waste. IMAX is, after all, an overwhelmingly visual medium, so why waste so much time on trying to create a Hollywood style `story' out of it? I mean, if I had gone to all the effort of getting that camera to the top, I'd have damned well given the audience some spectacular panoramic shots of the view from the summit instead of wasting valuable footage on two climbers hugging each other (a scene that would have worked just fine if shot on plain old videotape). In summation, this film has some truly amazing moments, but as a whole, it seems the creators failed to use the IMAX format to the maximum potential.

PS: The DVD version contains lots of good supplementary material, in fact, the `making of the film'

I saw this recently at the Space Museum in Hong Kong, and thought it was stunning. The photography was superb, making full use of the whole FOV image possible with IMAX equipment. The documentary was emotive and compelling and the scenes breathtaking. Those scared of heights should probably skip this one!!

I thought this was an amazing movie, whether viewed on IMAX or at home.

People who have said they are interested in seeing the story of the Sherpas or how the movie was made should check out the special features on the DVD, Broughton Coburn's book "Everest," or Jamling Norgay's book "Touching My Father's Soul"; they are all about the climb, Norgay especially devotes time and pages to the Sherpas, considering he is also ethnically a Sherpa, who someone mistakenly said were Tibetan; in fact they are Nepalese.

This was an interesting movie in its own right. I don't understand why some reviewers did not enjoy the back stories and time devoted to the climbers' emotions and personal lives...would you rather watch a movie about people you didn't empathise with, care about, or even know? I do not think so. Developing the characters of the lead climbers was very important to the movie, I felt.

Also, insulting Ed Viesturs is just incomprehensible to me. He is the prominent North American mountaineer of our times, and since the movie was made has ascended all 14 8000 meter peaks without the use of oxygen, a climbing skill he has acquired over many years and excels at. He doesn't do so because he 'likes the challenge' as one reviewer says, but merely because he feels it is a better way of climbing. It should be noted that whenever Viesturs guides mountains he uses oxygen so he can 'be there' for his clients. Viesturs did not have to coerce his wife into coming to Base Camp; she'd been on the mountain before and I believe enjoyed the atmosphere and the climbers. She was worried, of course, about Ed, but since he really had no one to worry about but himself, and I don't think anyone can dispute that Edmund Viesturs can take care of himself, she trusted him to return safely. (There would have been a considerably lower death rate on the mountain if only experienced climbers looking after themselves had climbed that season.) Ed Viesturs WAS a hero of the movie, although he is extremely humble about it, he did considerably assist in the rescue of Makalu Gau and Beck Weathers, as well as coordinating rescue attempts from Camp II, and I have no doubts that had Viesturs been at Camp IV on May 10/11, he would have climbed up and searched for missing climbers himself (most likely using oxygen). If you are not a professional climber yourself, I do not think you have the right to insult the personal practices of a mountaineer like Viesturs, especially when his choices (such as using or not using oxygen) affect, in the long run, only himself, as he was not guiding the peak or responsible for any other climbers at the time.

I loved the movie; every time I see it I get chills at the stunning Breashears images of the mountain.

I definitely recommend seeing this movie. It represents both the darker, dangerous side of mountaineering and the light, triumphant side.