Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 16 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I remember when this came out and how much it freaked people out. Could we really be living in such a surveillance state? Could the government really be monitoring us whenever they want?
Well, over 20 years later and... Yeah, that's probably all true and then some. Still, this was a fun movie with a compelling enough story, solid acting and a surprisingly deep cast of comedians playing serious computer nerds.
Biggest downside to me was the tech itself. Movies of this nature can't help themselves from reaching into the nonsense handbag and pulling out things like the "zoom and enhance" cliché or the ability to tell exactly where someone is at all times with pinpoint accuracy among others.
Dated though it may be, this was still a pretty enjoyable watch. I'd say it's worth checking out if you have it streaming somewhere.
Well, over 20 years later and... Yeah, that's probably all true and then some. Still, this was a fun movie with a compelling enough story, solid acting and a surprisingly deep cast of comedians playing serious computer nerds.
Biggest downside to me was the tech itself. Movies of this nature can't help themselves from reaching into the nonsense handbag and pulling out things like the "zoom and enhance" cliché or the ability to tell exactly where someone is at all times with pinpoint accuracy among others.
Dated though it may be, this was still a pretty enjoyable watch. I'd say it's worth checking out if you have it streaming somewhere.
Well, I like this one. I like the cast, the visuals are well done, but what is more important is the plot that I like really much. It's not the most sophisticated plot of all times, but I think it's quite good, and to some degree, realistic. Of course it's not possible to move sattelites that quickly, or zoom in on a videotape that much and still have crystal-clear visual, but quite some technology seen is realistic today, or in the near future. This is an hollywood flick, all right, so they have quite much action and everything looks very easy, steering a sattelite seems to be no harder than playing a video game, what makes it all seem a bit unrealistic/sci-fi-like, but today's technical posibilities are quite large, and continue to grow, so informing oneself about the issue (I mean the real world issue) is not a bad idea.
To give you some points to think:
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
To give you some points to think:
- It's routine for the credid card companies to document every transaction made with the cards, go figure who gets the docs if police is investigating.
- Every call / fax done is documented for billing, go figure, who...
- At least for your ISP it's possible to read every unencrypted email you send or receive, go figure ...
- Today there are MANY cameras in public areas in Great Britain, with numbers still growing.
- Face recognition software is already being used in combination with some surveillance cameras.
- Dictation software that can interpret your spoken word and convert it into written text is being sold to you today, maybe some organisations have much better versions at their hands ...
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
Sucessful lawyer Robert Dean is passed information by an old friend without noticing. Seconds later that friend is killed and Dean is targeted by a group within the Government who wish to cover up a conspiracy involving the murder of a congressman. With the Government's full weight of surveillance equipment brought to bear Dean turns to ex-NSA agent Brill to help protect him, find the information and get it out into the open.
This is much better than the ususal summer crash, bang, wallop stuff we usually get fed. It's greatly helped by the sense of paranonia that runs through the whole story from the Government's power and corruption at some levels. The film starts well, with 'everyman' Dean being drawn into a game of cat and mouse, framed for a crime he didn't commit and forced to go on the run from Government agents. Will Smith carries the film only so far but it realy gets interesting when Hackman turns up as Brill. He casts light on the ability of the government and is almost able to play them at their own game. Brill makes an appearance when the film starts to become too much of a staight chase movie.
To me the use of Hackman as Brill is the best bit of casting ever and makes this film stand out as being clever. In the 70's Hackman played a surveillance expert in Copolla's The Conversation. The film ends with Hackman being monitored himself, with him ripping his house apart looking for the bugs. What makes his casting as Brill so good is that Brill is where Hackman's "The Conversation" character would be 20 years on - it feels like it's the same character again. The director also deserves a lot of praise - he manages to keep the pace up throughout the film, whether it be scenes of chasing action or technological pursuit. The script helps as well - the conspiracy and the paranoia is strong throughout.
Smith is good in the lead, but he isn't quite as good an "everyman" as classic actors as Cary Grant or James Stewart were. Smith also struggles to carry the whole movie and the chases do get a bit samey after a while. Fortunately Hackman is brilliant as Brill, he is a classy actor and brings a lot of weight to the film just as Smith begins to feel the strain. Jon Voight is also good as the villian of the piece. The supporting cast is deep! There were so many famous faces in small roles that I really felt this was an allstar cast, despite the fact that it's a Smith vehicle. Gabriel Byrne makes a fleeting appearance, Ian Hart is there, Jake Busey (son of Gary) shows up, Jason Lee (actor in many Kevin Smith films) witnesses the murder, a gorgeous Lisa Bonet has a small part, James Le Gros, Regina King etc etc. The cast is well packed with famous faces - they don't all get the chance to put on a show but it adds quality at all levels.
Overall this is a fancy chase movie, but good direction, a strong and deep cast and a fantastic Hackman all make this film much better than it could have been. The last scene of the film is a little too upbeat but other than that it's pretty good stuff.
This is much better than the ususal summer crash, bang, wallop stuff we usually get fed. It's greatly helped by the sense of paranonia that runs through the whole story from the Government's power and corruption at some levels. The film starts well, with 'everyman' Dean being drawn into a game of cat and mouse, framed for a crime he didn't commit and forced to go on the run from Government agents. Will Smith carries the film only so far but it realy gets interesting when Hackman turns up as Brill. He casts light on the ability of the government and is almost able to play them at their own game. Brill makes an appearance when the film starts to become too much of a staight chase movie.
To me the use of Hackman as Brill is the best bit of casting ever and makes this film stand out as being clever. In the 70's Hackman played a surveillance expert in Copolla's The Conversation. The film ends with Hackman being monitored himself, with him ripping his house apart looking for the bugs. What makes his casting as Brill so good is that Brill is where Hackman's "The Conversation" character would be 20 years on - it feels like it's the same character again. The director also deserves a lot of praise - he manages to keep the pace up throughout the film, whether it be scenes of chasing action or technological pursuit. The script helps as well - the conspiracy and the paranoia is strong throughout.
Smith is good in the lead, but he isn't quite as good an "everyman" as classic actors as Cary Grant or James Stewart were. Smith also struggles to carry the whole movie and the chases do get a bit samey after a while. Fortunately Hackman is brilliant as Brill, he is a classy actor and brings a lot of weight to the film just as Smith begins to feel the strain. Jon Voight is also good as the villian of the piece. The supporting cast is deep! There were so many famous faces in small roles that I really felt this was an allstar cast, despite the fact that it's a Smith vehicle. Gabriel Byrne makes a fleeting appearance, Ian Hart is there, Jake Busey (son of Gary) shows up, Jason Lee (actor in many Kevin Smith films) witnesses the murder, a gorgeous Lisa Bonet has a small part, James Le Gros, Regina King etc etc. The cast is well packed with famous faces - they don't all get the chance to put on a show but it adds quality at all levels.
Overall this is a fancy chase movie, but good direction, a strong and deep cast and a fantastic Hackman all make this film much better than it could have been. The last scene of the film is a little too upbeat but other than that it's pretty good stuff.
Enemy of the State (1998)
Review: This is a different direction for many. Will Smith for one and some noticeable comedic actors are here, but this is no comedy.
Enemy of the State is quite a movie. What is the main point of this is the plot. It works in many ways. In a situation like this, anyone with connections and power can have access to such technology to track down anyone who knows far too much. It's quite real. Scary in a real sort of way.
Another truly strong point here is the acting. Will Smith and Gene Hackman deliver excellent performances. Smith showed great emotion and Hackman had conviction. Not just these two were great, we have Jon Voight as well. But what really got me is the acting from other characters as Seth Green, Barry Pepper, Jake Busey, and even Jack Black. These people are great especially Black who is really acting here! Black should have realised that comedy is not his thing if suspense and drama are as he is great here.
Overall, we get great acting, a fine plot, and fast, character development and fast and intense action as well. Sound like a winner to me. Enemy of the State is fresh and original and clever. One of Smith's finest movies.
The Last Word: Don't miss. Gripping and Suspenseful.
Review: This is a different direction for many. Will Smith for one and some noticeable comedic actors are here, but this is no comedy.
Enemy of the State is quite a movie. What is the main point of this is the plot. It works in many ways. In a situation like this, anyone with connections and power can have access to such technology to track down anyone who knows far too much. It's quite real. Scary in a real sort of way.
Another truly strong point here is the acting. Will Smith and Gene Hackman deliver excellent performances. Smith showed great emotion and Hackman had conviction. Not just these two were great, we have Jon Voight as well. But what really got me is the acting from other characters as Seth Green, Barry Pepper, Jake Busey, and even Jack Black. These people are great especially Black who is really acting here! Black should have realised that comedy is not his thing if suspense and drama are as he is great here.
Overall, we get great acting, a fine plot, and fast, character development and fast and intense action as well. Sound like a winner to me. Enemy of the State is fresh and original and clever. One of Smith's finest movies.
The Last Word: Don't miss. Gripping and Suspenseful.
This is a pretty good flick that I caught at the time in my room at the Pittsburgh Hilton. A really good cast helps it along, aided by a very small but effective (if not completely soaked in sweat) role from Tom Sizemore. What really gets me now is what followed in the few years after its' release. The motivation for the story is the ruthless push by the NSA to get approval for a bill that would allow them to spy on anyone at anytime using any method they deem necessary with unilateral and total approval issued by the NSA itself. Little did we know at the time that just a few years later President George W. Bush would do that very thing, with a nice, catchy, flag waving title. We all know it by its' minuteman moniker - The Patriot Act.
¿Sabías que…?
- TriviaGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Día de la independencia (1996) bargain price because he wanted to work with Hackman.
- ErroresWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
However, the full text is "one meter res grid frame", which is not equal to the image resolution. It suggests that the camera is able to zoom in to 1 x 1 meter. At a typical resolution of the period, this would make a single pixel about 1/8" or 3 mm in size, which is more or less the minimal resolution you would need to read a license plate. In the period, that was military-grade technology only.
- Citas
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Versiones alternativasAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- ConexionesEdited into 24: 12:00 a.m.-1:00 a.m. (2001)
- Bandas sonorasO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Enemy of the State
- Locaciones de filmación
- 1633 Connecticut Avenue Northwest, Washington, Columbia, Estados Unidos(Zavitz gets hit by a car)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 90,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 111,549,836
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,038,573
- 22 nov 1998
- Total a nivel mundial
- USD 250,849,789
- Tiempo de ejecución2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What was the official certification given to Enemigo público (1998) in Japan?
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