Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 16 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I don't know how I missed this in theaters, but I watched it for the first time tonight. I almost gave it a 10, because this is as good as the suspense/action drama gets. Somebody on the DVD special features called it "...a combination of Crimson Tide, The French Connection, and 3 Days of the Condor." From my list of favorites I'd also say it has aspects of Marathon Man, The Fugitive, and The Firm. Will Smith, whose work does not thrill me 100% of the time, is terrific, and Gene Hackman could not have been better. They also receive support from some great character actors, many of them UNCREDITED (a fact which blew me away).
My enjoyment was enhanced by being familiar with Hackman's The Conversation, in which he plays Harry Caul, one of the world's greatest audio surveillance men. His hideout/office in Enemy is reminiscent of Caul's digs, and the photograph which the bad guys have on file for him is of his character from The Conversation. I sort of wish they'd named the new character Caul, giving long-term continuity to the story.
I'm running off at the fingers here, so I won't elaborate on the location, direction, etcetera, but will end with SEE THIS FILM!
My enjoyment was enhanced by being familiar with Hackman's The Conversation, in which he plays Harry Caul, one of the world's greatest audio surveillance men. His hideout/office in Enemy is reminiscent of Caul's digs, and the photograph which the bad guys have on file for him is of his character from The Conversation. I sort of wish they'd named the new character Caul, giving long-term continuity to the story.
I'm running off at the fingers here, so I won't elaborate on the location, direction, etcetera, but will end with SEE THIS FILM!
Hi - really latetotheshow once again
As for my review title . . . I edited it and my rating from a 5 to a 7 after watching special features - an action I often take once I view them and get more insight into the impetus behind the movie.
I also find that anything Jerry Bruckmeyer is behind is often top notch.
Of course, Gene Hackman could make any movie worth a high rating - and I still think there are a lot of unrealistic extremes that make this borderline comedy. And maybe they should've made this a more obvious dark comedy.
Some reviewer on here said it was 'informative & educational' . . . Good grief.
I think there are more informative & educational sources out there than a entertainment piece. That's the only thing that worries me about movies. So many people use movies for school rather than ENTERTAINMENT.
However, this subject matter is something we all think about when we zoom in on our own home in maps . . .
There's several good suspenseful moments, and again Hackman was the draw for me. I really liked how he portrayed being both very helpful while also couldn't care less about Robert at first, in one a particular fast-paced scene.
He played paranoia very realistically. Also played a highly intelligent nerd really well too. Seemed a really different character from the tough guys he usually plays.
Now I really want to see him in The Conversation, which is allegedly the prequel to his Brill character here.
Anyway, this movie provides a lot of food for thought . . .
I also find that anything Jerry Bruckmeyer is behind is often top notch.
Of course, Gene Hackman could make any movie worth a high rating - and I still think there are a lot of unrealistic extremes that make this borderline comedy. And maybe they should've made this a more obvious dark comedy.
Some reviewer on here said it was 'informative & educational' . . . Good grief.
I think there are more informative & educational sources out there than a entertainment piece. That's the only thing that worries me about movies. So many people use movies for school rather than ENTERTAINMENT.
However, this subject matter is something we all think about when we zoom in on our own home in maps . . .
There's several good suspenseful moments, and again Hackman was the draw for me. I really liked how he portrayed being both very helpful while also couldn't care less about Robert at first, in one a particular fast-paced scene.
He played paranoia very realistically. Also played a highly intelligent nerd really well too. Seemed a really different character from the tough guys he usually plays.
Now I really want to see him in The Conversation, which is allegedly the prequel to his Brill character here.
Anyway, this movie provides a lot of food for thought . . .
Enemy of the State was released in 1998, only 3 years before the Nein Eleven false flag that excused the launching of the most intrusive surveillance apparatus the world has ever known.
And just like the Congressdoosh in the movie, everybody except for RonP aul said it would only be used on dirty furriners to protect the Good Ol' USofA.
But as Edwards Nowden and later Julia Nassange revealed a decade later, America's alphabet agencies soon turned the surveillance against Americans themselves.
Fast-forward to 2021, where it turns out the movie plays more like a documentary than a political thriller. The good guys are now the bad guys. Politicians are hopelessly compromised. The sp00ks are in charge. All our moves are on camera somewhere. Everything we write - including our movie reviews - is logged. There is no privacy.
Somewhere in the bowels of Hollywood there is probably a script in development about the disingtegration of the Western World, probably disguised as a Fall of the Roman Empire Netflix series, featuring barbarian hordes and starving serfs. Twenty years from now it will all come depressingly true.
Enjoy the film !
And just like the Congressdoosh in the movie, everybody except for RonP aul said it would only be used on dirty furriners to protect the Good Ol' USofA.
But as Edwards Nowden and later Julia Nassange revealed a decade later, America's alphabet agencies soon turned the surveillance against Americans themselves.
Fast-forward to 2021, where it turns out the movie plays more like a documentary than a political thriller. The good guys are now the bad guys. Politicians are hopelessly compromised. The sp00ks are in charge. All our moves are on camera somewhere. Everything we write - including our movie reviews - is logged. There is no privacy.
Somewhere in the bowels of Hollywood there is probably a script in development about the disingtegration of the Western World, probably disguised as a Fall of the Roman Empire Netflix series, featuring barbarian hordes and starving serfs. Twenty years from now it will all come depressingly true.
Enjoy the film !
This is a pretty good flick that I caught at the time in my room at the Pittsburgh Hilton. A really good cast helps it along, aided by a very small but effective (if not completely soaked in sweat) role from Tom Sizemore. What really gets me now is what followed in the few years after its' release. The motivation for the story is the ruthless push by the NSA to get approval for a bill that would allow them to spy on anyone at anytime using any method they deem necessary with unilateral and total approval issued by the NSA itself. Little did we know at the time that just a few years later President George W. Bush would do that very thing, with a nice, catchy, flag waving title. We all know it by its' minuteman moniker - The Patriot Act.
Why? Well for starters there is the best chase sequence since The French Connection. Then there is Will Smith as an actor - not just a star, though later in the movie he is admittedly overshadowed by veteran Gene Hackman.
There are two layers to this movie: On the surface is a pacy thriller with edge-of-the-seat chases but underneath lies a telling commentary on government surveillance. It is one of those truth-in-fiction stories which makes its point about government intrusion into privacy dramatically and effectively.
There are references to the classic, The Conversation: The surveilled couple talking in the park, and the Hackman character's premises are an obvious recreation of his workshop in the earlier movie. If you haven't yet seen The Conversation - see it before you see this one - you will understand the Hackman character a lot better (besides, it is a superb movie in its own right).
Oh, and Jon Voight is terrific as the bad guy...
There are two layers to this movie: On the surface is a pacy thriller with edge-of-the-seat chases but underneath lies a telling commentary on government surveillance. It is one of those truth-in-fiction stories which makes its point about government intrusion into privacy dramatically and effectively.
There are references to the classic, The Conversation: The surveilled couple talking in the park, and the Hackman character's premises are an obvious recreation of his workshop in the earlier movie. If you haven't yet seen The Conversation - see it before you see this one - you will understand the Hackman character a lot better (besides, it is a superb movie in its own right).
Oh, and Jon Voight is terrific as the bad guy...
¿Sabías que…?
- TriviaGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Día de la independencia (1996) bargain price because he wanted to work with Hackman.
- ErroresWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
However, the full text is "one meter res grid frame", which is not equal to the image resolution. It suggests that the camera is able to zoom in to 1 x 1 meter. At a typical resolution of the period, this would make a single pixel about 1/8" or 3 mm in size, which is more or less the minimal resolution you would need to read a license plate. In the period, that was military-grade technology only.
- Citas
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Versiones alternativasAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- ConexionesEdited into 24: 12:00 a.m.-1:00 a.m. (2001)
- Bandas sonorasO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Enemy of the State
- Locaciones de filmación
- 1633 Connecticut Avenue Northwest, Washington, Columbia, Estados Unidos(Zavitz gets hit by a car)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 90,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 111,549,836
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,038,573
- 22 nov 1998
- Total a nivel mundial
- USD 250,849,789
- Tiempo de ejecución2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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