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IMDbPro

Fear and Loathing in Las Vegas

  • 1998
  • C
  • 1h 58min
CALIFICACIÓN DE IMDb
7.5/10
312 k
TU CALIFICACIÓN
POPULARIDAD
1,901
46
Johnny Depp in Fear and Loathing in Las Vegas (1998)
Three Reasons Criterion Collection Trailer for Fear and Loathing in Las Vegas
Reproducir trailer1:26
1 video
99+ fotos
AventuraAventura en el desiertoAventura urbanaComediaComedia de marihuanos (stoner)Comedia oscuraDramaDrama psicológicoViaje por carretera

Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.

  • Dirección
    • Terry Gilliam
  • Guionistas
    • Hunter S. Thompson
    • Terry Gilliam
    • Tony Grisoni
  • Elenco
    • Johnny Depp
    • Benicio Del Toro
    • Tobey Maguire
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.5/10
    312 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,901
    46
    • Dirección
      • Terry Gilliam
    • Guionistas
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Elenco
      • Johnny Depp
      • Benicio Del Toro
      • Tobey Maguire
    • 796Opiniones de los usuarios
    • 155Opiniones de los críticos
    • 41Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 3 nominaciones en total

    Videos1

    Fear and Loathing in Las Vegas: Criterion Collection
    Trailer 1:26
    Fear and Loathing in Las Vegas: Criterion Collection

    Fotos215

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    Elenco principal89

    Editar
    Johnny Depp
    Johnny Depp
    • Raoul Duke
    Benicio Del Toro
    Benicio Del Toro
    • Dr. Gonzo
    Tobey Maguire
    Tobey Maguire
    • Hitchhiker
    Michael Lee Gogin
    • Uniformed Dwarf
    Larry Cedar
    Larry Cedar
    • Car Rental Agent - Los Angeles
    Brian Le Baron
    • Parking Attendant
    • (as Brian LeBaron)
    Katherine Helmond
    Katherine Helmond
    • Desk Clerk at Mint Hotel
    Michael Warwick
    Michael Warwick
    • Bell Boy
    Craig Bierko
    Craig Bierko
    • Lacerda
    Tyde Kierney
    • Reporter
    Mark Harmon
    Mark Harmon
    • Magazine Reporter
    Tim Thomerson
    Tim Thomerson
    • Hoodlum
    Richard Riehle
    Richard Riehle
    • Dune Buggy Driver
    Ransom Gates
    • Dune Buggy Passenger
    Laraine Newman
    Laraine Newman
    • Frog-Eyed Woman
    Frank Romano
    • Dune Buggy Passenger
    Gil Boccaccio
    • Desert Room Doorman
    Gary Bruno
    • Desert Room Doorman
    • Dirección
      • Terry Gilliam
    • Guionistas
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios796

    7.5312.1K
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    Opiniones destacadas

    7Asentiff2004

    This is bat country

    An oddball journalist and his psychopathic lawyer travel to Las Vegas, with a car full of drugs, alcohol and the pursuit of the American Dream.

    A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
    8mahmus

    This film was too weird to live, yet too rare too die.

    Where to even start with this? What starts as a fun drug-fueled comedy slowly turns into a claustrophobic nightmare of grotesque imagery and sensory overload. I've never done any hallucinogetic drugs, but I imagine that after a while, the rush Would become a nightmare. This is an ugly movie. It's hard to watch. It's extremely uncfomfortable. And that's the point.

    Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.

    But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.
    10kosmasp

    Love it or hate it

    After I watched this movie for the first time, I thought it was dumbest piece of ... whatnot I had ever seen! But as time passed (merely a few hours) and while I couldn't get that movie out of my head, I realised that Terry G. again made a movie, that nobody else could've done ... at least not like this! Everyone was saying that you couldn't possibly make a movie out of that book ... and nay-sayers will still be convinced that it can't be done. But I've come to terms and really accepted this movie for what it is! A crazy hell of a ride movie, that is just ludicrous! And I love it! Every f**ing minute of it! And how could you write a review without even mentioning the F-word. Try to listen to the commentary by the real Hunter S. Thompson! That's the guy who wrote the book, for those who don't know.

    So as this movie is just plain crazy, I don't know how to wrap this up ... maybe I just leave it open ... ;o)
    7Polaris_DiB

    On a razor's edge.

    In a sense, this is kind of like the movie Terry Gilliam was born to do.

    Terry Gilliam is an awesome visual director in the same way that Tim Burton is an awesome visual director: every single frame bleeds its own distinct style of beauty, but sometimes the story just doesn't hold it up, or the stylistic elements get in the way. However, what could possibly be better to found Gilliam's surreal psychedelic imagery on than Hunter S. Thompson's story of his exploration into the American Dream? Still, it's a hard thing to pull off, translating Thompson to film, and while Gilliam does succeed, it's largely from the support of the incredible cast working under him to work out. Johnny Depp and Benecio Del Toro especially have to really work on exaggerating when needed, slowing down when necessary through what feels like hundreds of hallucinogenic scenes with just barely enough narrative structure to pull them together.

    Of course, the outcome is pretty fantastic, but it sets this movie squarely in the "love it or hate it" section of the world's video library, which is pretty much Gilliam's career simplified anyways.

    --PolarisDiB
    10smriga

    The art of character acting...

    I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.

    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      In the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
    • Errores
      Dr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
    • Citas

      [watching Dr. Gonzo leave]

      Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.

    • Créditos curiosos
      The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
    • Versiones alternativas
      The US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
    • Conexiones
      Edited from Vega$ (1978)
    • Bandas sonoras
      My Favorite Things
      Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II

      Published by Williamson Music

      Performed by The Lennon Sisters

      Courtesy of Ranwood Records/ A Walk Music Group Co.

      By arrangement with Warner Special Products

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    Preguntas Frecuentes23

    • How long is Fear and Loathing in Las Vegas?Con tecnología de Alexa
    • What are the differences between the theatrical version and the Criterion Collection Director's Cut?
    • Is this a sequel to Where the Buffalo Roam?
    • How many other movies have been adapted from this authors novels?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de mayo de 1998 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Miedo y asco en Las Vegas
    • Locaciones de filmación
      • Stardust Hotel & Casino - 3000 Las Vegas Boulevard South, Las Vegas, Nevada, Estados Unidos
    • Productoras
      • Fear and Loathing LLC
      • Rhino Films
      • Shark Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 18,500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 10,680,275
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,338,590
      • 24 may 1998
    • Total a nivel mundial
      • USD 10,680,275
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 58 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.35 : 1

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