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IMDbPro

Dogma

  • 1999
  • C
  • 2h 10min
CALIFICACIÓN DE IMDb
7.3/10
236 k
TU CALIFICACIÓN
POPULARIDAD
1,622
311
Salma Hayek, Ben Affleck, Matt Damon, Linda Fiorentino, Alan Rickman, Chris Rock, Kevin Smith, and Jason Mewes in Dogma (1999)
An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loop-hole and reenter Heaven.
Reproducir trailer2:20
4 videos
99+ fotos
AventuraComediaComedia oscuraDramaFantasíaSátira

Un hombre ordinario es llamado a salvar la existencia de la humanidad de dos ángeles caídos que buscan una forma de regresar al cielo.Un hombre ordinario es llamado a salvar la existencia de la humanidad de dos ángeles caídos que buscan una forma de regresar al cielo.Un hombre ordinario es llamado a salvar la existencia de la humanidad de dos ángeles caídos que buscan una forma de regresar al cielo.

  • Dirección
    • Kevin Smith
  • Guionista
    • Kevin Smith
  • Elenco
    • Ben Affleck
    • Matt Damon
    • Linda Fiorentino
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    236 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,622
    311
    • Dirección
      • Kevin Smith
    • Guionista
      • Kevin Smith
    • Elenco
      • Ben Affleck
      • Matt Damon
      • Linda Fiorentino
    • 1KOpiniones de los usuarios
    • 170Opiniones de los críticos
    • 62Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 8 nominaciones en total

    Videos4

    Trailer
    Trailer 2:20
    Trailer
    Jay and Silent Bob: Rebooted & Revealed
    Clip 2:58
    Jay and Silent Bob: Rebooted & Revealed
    Jay and Silent Bob: Rebooted & Revealed
    Clip 2:58
    Jay and Silent Bob: Rebooted & Revealed
    What Roles Was Ben Affleck Considered For?
    Video 4:10
    What Roles Was Ben Affleck Considered For?
    What Roles Has Matt Damon Turned Down?
    Video 3:27
    What Roles Has Matt Damon Turned Down?

    Fotos224

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    + 216
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    Elenco principal67

    Editar
    Ben Affleck
    Ben Affleck
    • Bartleby
    Matt Damon
    Matt Damon
    • Loki
    Linda Fiorentino
    Linda Fiorentino
    • Bethany
    Bud Cort
    Bud Cort
    • John Doe Jersey
    Barret Hackney
    • Stygian Triplet
    • (as Barrett Hackney)
    Jared Pfennigwerth
    • Stygian Triplet
    Kitao Sakurai
    Kitao Sakurai
    • Stygian Triplet
    George Carlin
    George Carlin
    • Cardinal Glick
    Brian O'Halloran
    Brian O'Halloran
    • Reporter
    • (as Brian Christopher O'Halloran)
    Betty Aberlin
    Betty Aberlin
    • Nun
    Dan Etheridge
    • Priest @ St. Stephen's
    Derek Milosavljevic
    • Kissing Couple
    Lesley Braden
    • Kissing Couple
    Marie Elena O'Brien
    Marie Elena O'Brien
    • Clinic Girl
    • (escenas eliminadas)
    • (as MarieElena O'Brien)
    Janeane Garofalo
    Janeane Garofalo
    • Liz
    Bryan Johnson
    Bryan Johnson
    • Protestor #1
    Walter Flanagan
    Walter Flanagan
    • Protestor #2
    Jason Lee
    Jason Lee
    • Azrael
    • Dirección
      • Kevin Smith
    • Guionista
      • Kevin Smith
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1K

    7.3236.1K
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    Opiniones destacadas

    8lastliberal

    A winner on many counts

    It is not often that you get to see a group of stars that you like in a funny movie that also makes some interesting points.

    Matt Damon (The Bourne Ultimatum ), Linda Fiorentino (Unforgettable). Severus Snape, Jay and Silent Bob, Salma Hayek (Frida), George Carlin, and, of course, God (Alanis Morissette), all join to make this irreverent and funny movie.

    The premise is so interesting, and the fact that it is set in New Jersey is so appropriate, whether intentional or not. As a recovering Catholic, I remember the teaching of the church that I could basically sin all I want, but if I repent at the end, I will be saved and go to heaven. New Jersey is reputedly the home of many undesirable criminals with vowels on the ends of their names - maybe some of them even relatives of mine - and I know they are predominately Catholic. I am sure they are counting on this "escape clause," just as Loki and Bartleby were counting on the same thing.

    Yes, while I was laughing, I was also carefully looking at the images {the golden calf (money) we worship} and listening to the lines. There is a wealth of material in this movie and it was thoroughly enjoyable.

    One to see again and again.
    BHorrorWriter

    Holy WOW, Batman!

    Not enough can be said to praise the brilliance of Kevin Smith. This movie is just plain and simple genius! I loved it! Off the wall characters, dirty language, a little bit of religion, and Alanis Morisette as God! What more could you ask for in a Kevin Smith film.

    I took this movie in as a whole. Absorbing every scene, every piece of dialoge. Brilliant! I must say, the "shit demon" was my least favorite part of the whole movie...but in Kevin Smith fashion...it was brilliant and disturbing. You gotta love it!

    10 out of 10
    8CherryBlossomBoy

    This should serve as an eye opener...

    ...provided that people care about it.

    Only Kevin Smith knows what his real intentions were when he penned the script for "Dogma". I read somewhere that this is a thinly veiled propaganda for catholic church, or Christianity in general.

    I don't see it that way at all. First of all, the surface is not thin at all. There are layers and layers of clever gags, dark humor and satire in this ride of pursuit.

    The main premise is relatively simple - two rogue (or rejected or whatever) angels live on through present day, still doing what they've been doing throughout the Bible and trying to get back to heaven. Their only way to do it is through a loophole in catholic dogma, which, if exploited, would prove that god is fallible. For that they must be stopped and an earthly creature is recruited for the task. There is little time and thus the pursuit begins. During it various biblical elements come into play through their present-day form.

    To some "Dogma" was eternal biblical struggle relived and modernized to better adjust to modern viewers. There are some argument in favor of that view. I'd say that the sheer fact that it's a satire (some poignant moments notwithstanding) and the campiness of realization actually tell the opposite tale. They show how this stuff the legends are made from (and still worshiped) fares when viewed through a prism of real life.

    The two archetypal angels may have been prosecutors of evil in the Bible, but in real life they are just two self-righteous angry mass murderers. A biblical monster is in real life just a pile of crap, a dangerous one but crap nevertheless. God may be an infallible, omnipresent, omnipowerful creature in the Bible, but in reality its set of values, rules and powers are more becoming of a pop star than of a being that supposedly created everything. In fact you have to wonder about the power of "god" that has to follow rules.

    Other various gags and skits, such as the black apostle (13th one at that), play on a virgin working in an abortion clinic and the other ones only reinforce the sense of unsubtle ridicule. In that regard "Dogma" did and will repel many a religious viewers and stir certain controversy. But its subtle message that the whole story is ultimately meaningless might finally make some people question their beliefs at last.
    9revsonya

    simply fabulous--kevin smith rocks!

    While both funny and frightening, this film is more than just a comedy with gratuitous violence and (bad)-language. It's a theological reflection...and a call to the Church to focus on things that matter (like living life to the fullest, helping those in need, honoring and respecting all, expecting respect in return) rather than those that don't (like...well, dogma [doctrines/church laws] or any belief that causes us to "draw a line in the sand," condemning to hell or perdition any who disagree with us). As I watched it (the first and all subsequent times), I felt sure that the movie was written by someone who really loves his church -- but is smart and aware enough to recognize its shortcomings, its blindspots, even its failures and hypocrisies. Rather than simply leaving or ignoring or dismissing it, Smith chooses to enter into dialogue with it, using the potent medium of film to do so. One can only hope that the church--not just Roman Catholic but all branches of it-- takes him up on his call to conversation.

    Not to be missed in the film, on a lighter note, are the introductory disclaimer and the "Thank Yous" at the end. Smith thanks Elaine Pagels, for God's sake -- who knew anyone in Hollywood read contemporary, feminist theology? What a welcome revelation....
    9zahasj

    Chesterton lives!

    Another vote from a cradle Catholic who was not remotely offended by this movie. Not that some of the negatives mentioned by other posters here aren't true -- yes, a lot of the humor is gross, yes, the F-word is overused, yes, its criticism of organized religion is less stinging that you'd expect (though that in itself is a slightly foolish expectation, given that the writer/director is himself an active member of an organized religion). And yes, if you're not Catholic, much of the movie is a little foggy, under-explained, and not very engaging. That last one I definitely agree with; I seriously doubt whether I'd recommend the film to a non-Catholic at all.

    But, oh, God, I LOVED it, serious flaws and all! It's a huge chaotic mess with about sixty different trains of thought and philosophy, from the ecstatic to the scatological, slugging it out for dominance, and in its very sloppiness there's a sense of anarchic, exultant wonder I've never seen in a movie before. The only two things like it that I can think of are Thornton Wilder's play "Skin of Our Teeth" and G.K. Chesterton's amazing joyous fever dream of a novel "The Man Who Was Thursday", both of which are works by people who may or may not have faith but who definitely have a good idea. Or several dozen of them, and who just run with them wherever they go. These works are big chaotic messes, but in that way they are mirrors of Creation, the mother of all big chaotic messes. In all these works, just as in the real world, love and joy and beauty and filth and cruelty and despair are constantly tumbling over and bleeding into each other; the one universal rule is that everything is absurd, that the human race is the most absurd thing of all, and that this absurdity can be the catalyst to either suffocating grief or a kind of hilarious wonder.

    If you go into "Dogma" expecting a trim and tidy theological comedy of manners, you'll be sorely disappointed. If you're looking for something with the same filthy gorgeous lunacy of existence itself, this is it.

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    7.4
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    Padre soltero
    6.2
    Padre soltero

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      William Donohue of the Catholic League lambasted the film, and publicly protested against it for months, without actually seeing it. When his office called View Askew and requested a special screening so he could "speak about it intelligently," Kevin Smith responded "So what has he been doing the past six months?"
    • Errores
      (at around 10 mins) When Bethany is at Mass, the priest says, following the homily, "Let us now rise for the recession of faith." The correct wording is "Let us rise for the profession of faith," which is then followed by the recital of the Apostles' Creed. This was most likely done to satirize and/or draw attention to the idea that people's faith had faltered at the time the film takes place (hence "recession").
    • Citas

      Bethany: What's he like?

      Metatron: God? Lonely. But funny. He's got a great sense of humor. Take sex for example. There's nothing funnier than the ridiculous faces you people make mid-coitus.

      Bethany: Sex is a joke in heaven?

      Metatron: The way I understand it, it's mostly a joke down here, too.

    • Créditos curiosos
      Opening text: Disclaimer: 1) a renunciation of any claim to or connection with; 2) disavowal; 3) a statement made to save one's own ass. Though it'll go without saying ten minutes or so into these proceedings, View Askew would like to state that this film is - from start to finish - a work of comedic fantasy, not to be taken seriously. To insist that any of what follows is incendiary or inflammatory is to miss our intention and pass undue judgment; and passing judgment is reserved for God and God alone (this goes for you film critics too...just kidding). So please - before you think about hurting someone over this trifle of a film, remember: even God has a sense of humor. Just look at the Platypus. Thank you and enjoy the show. P.S. We sincerely apologize to all Platypus enthusiasts out there who are offended by that thoughtless comment about the Platypi. We at View Askew respect the noble Platypus, and it is not our intention to slight these stupid creatures in any way. Thank you again and enjoy the show.
    • Versiones alternativas
      The UK cinema version altered a line of dialogue to receive a 15 certificate. All video and DVD versions restore that line.
    • Conexiones
      Edited into Dogma: Deleted Scenes (1999)
    • Bandas sonoras
      Still
      Written and Performed by Alanis Morissette

      Published by MCA Music, a division of Universal Studios, Inc./1974 Music (ASCAP)

      Courtesy of Maverick Recording Company

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    Preguntas Frecuentes20

    • How long is Dogma?Con tecnología de Alexa
    • Why is this movie not available on iTunes, or any other digital download platform?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de noviembre de 1999 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Official site
      • Your guide to Kevin Smith's View Askewniverse
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Bearclaw
    • Locaciones de filmación
      • St. Peter and Paul Catholic Church - Larimer Avenue, Pittsburgh, Pensilvania, Estados Unidos(church at the end of the movie)
    • Productora
      • View Askew Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 10,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 32,846,695
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 8,669,945
      • 14 nov 1999
    • Total a nivel mundial
      • USD 33,624,701
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 10 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.39 : 1

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