The Commissioner

Minister James Morton is sent to Brussels as the new British European Commissioner retreating from a government scandal. He is disappointed with his new portfolio as Commissioner for industry. That is until Helena Noguentes appears as the new Commissioner for the Environment. Add to this a media manipulation, a potential international disaster, high level corruption and a dash of American cavalier capitalism it makes for good watching.

I hadn't come across this until I saw it on cable - definitely worth a watch. Hurt virtually holds up the rest of the cast throughout although a good performance is put in by David Morrisey. This has been Sluizer's only attempt at making a film in English and is commendable. Moves well back and forth from location in London to Brussels.

Lets face it how many films could they make interesting about the EC?

This film makes a change in that it is about The European Community instead of one particular political party or country. An embittered out-of-favour British politician (played by John Hurt) is banished to Brussels, as Britain's European Commissioner for Industry, which he believes, will be terribly dull. But then after a tip off about criminal activities by an employee of a top European chemical company, who tells the commissioner that they are also manufacturing nerve and biological warfare agents. From there all the intrigue and double crossing of both friends and enemies starts and does not stop even at the end of this political thriller. This is the best part I have seen John Hurt play for a very long time and as the commissioner he is very convincing. The films only problems are it is a bit drawn out and it is one of those films that leaves you guessing at the end as to what really happened. Will there be a sequel to put our minds at rest? My recommendation is well worth watching and out of 10 I would give it 7.

( JNW ) John N. Wainwright.

jwainwrightj@freenet.co.uk

John Hurt is "The Commissioner" in this 1998 drama.

The film begins with a horrific suicide and then reverts to a heavy scene between the British prime minister and a high-ranking government official, James Morton, who is fired. The reasons are political, but we aren't really told why or what happened. The PM wants to use Morton's abilities, so he sends him to Brussels as Britain's European Commissioner, and he is promised that his role will be in Foreign Affairs. Instead, it's Industry. Morton doesn't want the job as he feels it's a true exile, but he goes. He basically leaves his wife (Alice Krige) behind. She's sick of his philandering and wants a divorce.

In his job as Commissioner, Morton receives information about a huge German chemical company that is supposedly manufacturing nerve and biological weapons, and is about to merge with a British company. Everyone is all for the merger, but Morton delays it. He is given compelling documents from a former worker at the plant (Armin Mueller-Stahl). The investigation leads to some shocking information.

John Hurt is one of the greatest actors to come out of the UK, and he could act the phone book and get an Oscar nomination. I really didn't feel this role was fitting for an actor of his caliber, though he is excellent. Mueller-Stahl is a real standout as well, and Rosana Pastor is beautiful and convincing.

The problem is that we just don't find out enough about the characters and the back story, and in fact, the film ends and we really don't know how things are going to turn out for the most part.

I expect more important things from John Hurt, whose work in The Naked Civil Servant and Elephant Man stand as two of the most brilliant performances of all time.

John Hurt is wasted in this German-English-Belgian low-budget, poorly produced drama/thriller. Hurt does his best, and the basic idea from the novel is sound, but this film is a failure in most respects (If you want an example of how this sort of thing MIGHT have been done, chase up the original English TV series of 'Edge of Darkness') For a start the production values are awful. It's sub-TV. In one scene a camera pans to the left, obviously bumps into something, wobbles, and the six producers and co-producers (not to mention editor, director) either didn't notice or didn't care. The sound, in some scenes, is filled with the sort of ambient noise you really don't want: noises which ought not be heard make their way in.

Supporting actors are at best adequate; at worst painful.

In theory it ought to work, given a budget, but it ends up a tiresome shambles. Without Hurt it would be unwatchable. Gods know why maybe the best male actor of the early-mid 80's was reduced to this sort of thing.

The Commissioner is a great film starring John Hurt as the British Commissioner of Industry in the EU. His acting as usual is intensely engrossing as Commissioner Morton uncovers industrial corruption on a grand scale. But wait, which company is the most corrupt? And who is responsible for all the killings? Is Armin Mueller-Stahl really a company man who came in from the cold? Complex plot with many twists, and if you can follow it you have my admiration.

But at heart this film's significance lies in its forceful stance against big industry. You'll never question the validity of the WTO protestors again.