CALIFICACIÓN DE IMDb
6.3/10
23 k
TU CALIFICACIÓN
Una familia reacciona al secuestro de Ben, el más joven de los hermanos, y a su retorno nueve años más tarde en la ciudad a la que la familia acaba de mudarse.Una familia reacciona al secuestro de Ben, el más joven de los hermanos, y a su retorno nueve años más tarde en la ciudad a la que la familia acaba de mudarse.Una familia reacciona al secuestro de Ben, el más joven de los hermanos, y a su retorno nueve años más tarde en la ciudad a la que la familia acaba de mudarse.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 2 nominaciones en total
Alexa PenaVega
- Kerry (age 9)
- (as Alexa Vega)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ulu Grosbard has directed this fine adult drama adapted from the best-selling novel by Jacquelyn Mitchard. Michelle Pfeiffer and Treat Williams portray Beth and Pat Cappadora, parents of three youngsters. On a trip to her high school reunion, Beth loses her three year old son in a busy hotel lobby. The boy is absent from the family for nine years, after which he is surprisingly returned to his birth family. This is just the bare bones of the plot. However, it is the touching performances of all of the principals which transcend the television movie-of-the-week sound of the plot.
Michelle Pfeiffer adds another moving performance to her gallery of roles. If the film had been released in the fall of 1998, as was originally planned, she might have had an Academy Award nomination. Treat Williams' role is less defined, but it is alway a pleasure to watch this under-used and under-rated actor. However, it is Jonathan Jackson and Ryan Merriman as the oldest son and the lost boy who make this such an emotionally satisfying drama. Whoopi Goldberg adds some needed humor to the serious proceedings as the detective assigned to the case.
Stephen Schiff, writer for the New Yorker, has done a lean adaptation of the novel. Grosbard has unpretentiously directed this fine cast. "The Deep End of the Ocean" is one of the best contemporary dramas to come along in quite a while.
Michelle Pfeiffer adds another moving performance to her gallery of roles. If the film had been released in the fall of 1998, as was originally planned, she might have had an Academy Award nomination. Treat Williams' role is less defined, but it is alway a pleasure to watch this under-used and under-rated actor. However, it is Jonathan Jackson and Ryan Merriman as the oldest son and the lost boy who make this such an emotionally satisfying drama. Whoopi Goldberg adds some needed humor to the serious proceedings as the detective assigned to the case.
Stephen Schiff, writer for the New Yorker, has done a lean adaptation of the novel. Grosbard has unpretentiously directed this fine cast. "The Deep End of the Ocean" is one of the best contemporary dramas to come along in quite a while.
Beth Cappadora is at a reunion in a hotel when her middle child of three goes missing. At first the search is informal but it grows increasingly frantic and official as they realise that Ben has been taken by somebody. The family never fully recovers and carry the scars for years. Nine years later the family have moved to Chicago to start a new life. When Beth has a local boy come to the block to cut the grass, she believes that he must be Ben because her looks just like him despite the age. The police recover Ben but is it fair to take him away from the people Ben now considers his family?
The plot summary gives the impression that this is just a standard weepy that would easily screen on a weekday afternoon. However the presence of a couple of well known names in the cast list suggests that this film will give the subject a more serious approach that acts more as drama than weepy. Partly the latter is true but not 100%, and the film is still essentially a sort of weepy that has a control of it's emotions and is actually quite stable but not to the point where it is an engaging debate.
The material should be thought provoking but it isn't really. What I thought would be the main thrust of the film was really just mentioned in the final 20 minutes and it was not only obvious that it was coming but it was quite logically dealt with without real emotion - this is not a `Sophie's Choice' situation but something quite lacking. The start of the film is OK but it deals with the loss too easily and I never got overwhelmed with the emotions the family must feel. Towards the end the film does a good job looking at the effects the whole thing has had on the other son's character but even this lacks an emotional punch.
The cast are good on paper but they seem strangely stilted. Pfeiffer is a good actress who sadly doesn't seem to get as much good work as she gets older. Here she tries hard but can't get across what her character must be feeling inside. Williams is an OK support for her and does OK. Jackson is quite good and his character became more interesting to me than the return of Ben itself. Goldberg hangs around but attempts to give her a character through one line of dialogue about her sexuality and security in her job are so out of the blue that I was left wondering where it came from.
Overall this is not a weepy because it aims higher than that and doesn't wrench all the emotion out of every scene to get the audience. However it doesn't aim high enough or reach the level where it is emotional or thought provoking, the end result being an interesting film that is a notch above the level of daytime TV weepy but not as worthy or moving as it wants to be.
The plot summary gives the impression that this is just a standard weepy that would easily screen on a weekday afternoon. However the presence of a couple of well known names in the cast list suggests that this film will give the subject a more serious approach that acts more as drama than weepy. Partly the latter is true but not 100%, and the film is still essentially a sort of weepy that has a control of it's emotions and is actually quite stable but not to the point where it is an engaging debate.
The material should be thought provoking but it isn't really. What I thought would be the main thrust of the film was really just mentioned in the final 20 minutes and it was not only obvious that it was coming but it was quite logically dealt with without real emotion - this is not a `Sophie's Choice' situation but something quite lacking. The start of the film is OK but it deals with the loss too easily and I never got overwhelmed with the emotions the family must feel. Towards the end the film does a good job looking at the effects the whole thing has had on the other son's character but even this lacks an emotional punch.
The cast are good on paper but they seem strangely stilted. Pfeiffer is a good actress who sadly doesn't seem to get as much good work as she gets older. Here she tries hard but can't get across what her character must be feeling inside. Williams is an OK support for her and does OK. Jackson is quite good and his character became more interesting to me than the return of Ben itself. Goldberg hangs around but attempts to give her a character through one line of dialogue about her sexuality and security in her job are so out of the blue that I was left wondering where it came from.
Overall this is not a weepy because it aims higher than that and doesn't wrench all the emotion out of every scene to get the audience. However it doesn't aim high enough or reach the level where it is emotional or thought provoking, the end result being an interesting film that is a notch above the level of daytime TV weepy but not as worthy or moving as it wants to be.
I think that I would have liked this movie a LOT more if I'd never read the book! If anyone of you have the chance, READ the book! Oh, it's AWESOME!!! In my opinion, the movie left out some stuff that would have made it a LOT more interesting!!! Some people seem to think that parts of the movie are unrealistic, but when you read the book and get all the detail and everything, it starts to become a lot more believable than it is in the movie. Plus, the older brother has a MUCH larger role in the book, which makes more sense than how they protrayed him in the movie. Anyway, I guess you can tell, what I'm trying to say is, READ THE BOOK!!!! :-)
i have to admit that i thought this movie was boring at the beginning. but as the film rolled along, it turned out better than i expected. the acting was really good, especially from michelle pfeiffer and jonathan jackson. i would recommend this film for mothers, and it's also good for people who have gone through the same thing.
I never heard of Deep End of the Ocean until it showed up on cable the other night. The whole time that I watched it, I thought that it was a made for cable movie. Pretty good performances--I think some of the other reviewers came down extremely hard on this movie. Not generally my kind of movie(emotional chick/family movie), but I was pleasantly surprised, even though I must say that it did have that "Lifetime Channel", feel about it. 7/10 stars
¿Sabías que…?
- TriviaAfter Pat and Beth have a fight (following Ben's disappearance), Pat goes for a ride in his car and young Vincent comes along to smooth the waters. In his hand, he plays with a cassette tape. It is the soundtrack to Vaselina 2 (1982), which starred Michelle Pfeiffer.
- ErroresWhen Beth is in Candy's office at the police station, Candy is standing at her desk with her back to an outside window. The scene is cut about halfway through to eliminate a line that Candy must have said. The result of the cut, though, is that people walking outside (who you see through the window) appear to jump forward 10 feet or so.
- Citas
Candy Bliss: This is a nice imitation of a life you've got here.
- Bandas sonorasEnergy
Written by Michael Knott
Performed by Bomb Bay Babies
Courtesy of Windswept Pacific Entertainment
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- How long is The Deep End of the Ocean?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Deep End of the Ocean
- Locaciones de filmación
- Foxborough, Massachusetts, Estados Unidos(Shot pans down on a white church)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 38,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,898,649
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,558,400
- 14 mar 1999
- Total a nivel mundial
- USD 28,121,100
- Tiempo de ejecución1 hora 46 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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