Hasards ou coïncidences

I watched this movie in '98 during the Chicago International Film Festival. The beginning was rather mundane and I considered walking out. Then came the pivotal moment. The pain of the lead character was searing, her journey worthy of the Flying Dutchman. Five years later, I still see her face. I would love to see this film again, but it is not available in the US.

I was at home with my wife on a Saturday night in Honolulu when this film came on the TV. I'll never forget that night. A film so poignant,so beautifully realized, so imaginative, so -dare I say- artistic. I have it on DVD and watch it often. It is not the subject matter, or the direction, or the acting, or the cinematography that distinguish it; it stands apart as a work of art in its own right. Don't even call it a film. It is what a film wishes it could be, what a symphony wishes it could be, what a painting wishes it could be- it is an experience. Don't look for a repeat of this excellence in other Lelouch outings, it is not there. For my money one of the 10 best films I have ever seen.

This is a wonderfully fresh portrait of a woman handling grief.

There are many themes at work, but it is the sense of people

being true to their intuition and instinct that holds the fabric

together. Using a a variety of locations around the world, the

lead character (played by Lelouch's wife), DV-cams her way from

country to country, using her training as a dancer to truly

great effect. The film is full of invention and surprise,

beautiful camerawork and extraordinarily all-encompassing sound.

A celebration of the game

This movie analyses the impact of fate on lives by telling the story of a woman (Martines). I enjoyed the shifts between tragedy and comedy, and some funny lines as well. However, the movie sometimes wanders too much, some acting or sequences are cut too quickly. It appears to me as the draft of a wonderful movie. 7/10

An enjoyable movie, with depth and substance. Claude Lelouch's style of shooting close to sequence and only teling them the details of the scene as they are shooting gives the film a slightly documentary feel. One that is deliberate according to the director - and one felt slightly harrowing on the actors.