Wilde

The mid-life years of (now genteel) decadent behavior by one of late Victorian England's celebrities, the Irish-born novelist-poet-playwright Oscar Wills Wilde (1854–1900). Director Brian Gilbert doesn't bandy about giving us the childhood torments of a literary genius; instead, he and screenwriter Julian Mitchell delve right into the more prominent chapters of Wilde's life, his marriage to a woman--producing two children--before realizing his homosexual desires, leading to some promiscuous indiscretions before finding love with churlish, childish poet Lord Alfred Douglas. Stephen Fry gives a masterful performance as Wilde, and the portrait allows for many shadings (this isn't a plea for the misunderstood gay artist, as Wilde himself is shown to be occasionally fickle, lusting, and selfish). Jude Law is equally good as ornery, demanding lover 'Bosie', whose tyrannical father brought about a court-case and two-year jail term for Wilde (covered previously in 1960's "The Man with the Green Carnation"), contributing to his early demise. A provoking, insightful, eloquent film--not at all stuffy or coy--which is due in large part to Gilbert's dexterous way with his actors and a keen sense of pacing and audience-involvement. *** from ****

The acting in this film was superb. As had many viewers--I suspect-- I had only seen Stephen Fry in the Blackadder and Wodehouse series. How delightful to find another actor intelligent and flexible enough to range from Melchett to Oscar Wilde! One cannot help but watch his face very carefully, waiting to see the mask slip. He seems strangely delicate in his huge, crushing frame...A nice follow-up movie to Velvet Goldmine, especially once you know that some of the dialogue from the latter was lifted from the works of Oscar Wilde.

I saw this film for the first time over the weekend, drawn to it I'm ashamed to say for the fact that it contained Orlando Bloom's debut appearance, all one line of it. I was pleasantly surprised to discover Jude Law as Lord Alfred 'Bosie' Douglas as well, making this film highly appealing to the voyeurs of the world. However distracting these heavenly creatures are though, they do become quite rightly overshadowed by Stephen Fry in a role that could not be more perfect for him if it were based on fiction rather than fact.

I have been a fan of Oscar Wilde for some time, and this film gave amazingly accurate insight into the life of a great Irish literary. Indeed, many a speech by Stephen Fry has been quoted word for word from the actual trial monologues, and the uncanny resemblance of Fry to Wilde himself is astounding.

'Wilde' proved to be entertaining and beautiful, maintaining the historical biopic status is revels in, but never drawing away from the fact that this story is of real people and real events.

So much can be gained by observing the prejudices of the past, and such sadness realized from knowing the suffering of those who were not meant for their time.

'Wilde' deserves credit in all aspects from accuracy to acting, direction and scene, it is a beautiful film and a credit not only the cast and crew, but to Oscar Wilde himself.

"Wilde" is an elegant film with sterling performances by Fry, the title character, and a superb supporting cast. However, "Wilde" is also a shaded and skewed partial portrait of the 19th century playwright, poet, and master of the epigram. The film is not so much a biopic as it is a drama: A drama which spends too much time on the sensational aspects of the writer's life and not enough on his history, early life, idiosyncrasies, works, and last years. Nonetheless, "Wilde" is solid entertainment for anyone interested in Victorian period dramas or the man himself. (B+)

This is about the famous writer Oscar Wilde, and his forbidden love in the intolerant society.

I watched this film two times already, and I really like it. Stephen Fry and Jude Law both give incredible performances. The script is able to portray their untainted and pure love. Their yearning for each other grips me very much. Jude Law portrays Brosie's spoiled personality well. The scene where Brosie intentionally sits in the middle of the restaurant with Wilde is particularly memorable.

The story is touching and engaging, making me wanting more. Stephen Fry must be commended for selecting Jude Law, who was not as much of a superstar at that time, as his on screen partner. Orlando Bloom's brief appearance as one of the boys certainly comes as a surprise. Stephen Fry's eye for hot male stars is certainly to be admired!