La vida soñada de los ángeles

"Dreamlife of Angels" is an absorbing film about two young French women struggling to find their place in life. Both are solidly working class, unskilled and rootless. Circumstance has thrown them together and the film describes a two-month period as they housesit the apartment of a car accident victim. Their prospects are not great, and each deals with the hand life has dealt them very differently.

This is not an uplifting movie, but not a downer either. It tells it's story straight up and unflinchingly. Everything about it is top drawer; the screenplay, the directing and especially the acting by the two young leads, Elodie Bouchez and Natacha Regnier. We'll definitely see more them in the future. This movie is highly recommended.

At the risk of sounding like a quote whore, if I see ten films better than this one released this year, 1999 is going to be an excellent year. First time director Erick Zonca has made an absolutely stunning debut, which not only resonates while you watch it, but gets you thinking afterwards (for example, I didn't get that last shot right away, but after thinking about it, I did). And while there's a philosophical point to be made, this is not what I would call a "nothingness of being" movie, where the primary interest of the filmmaker would seem to be either lecturing the audience, or in self-indulgent symbolism. Instead, Zonca makes his points lightly and carefully, allowing them to build up for us later.

Of course, it also helps that he has the services of Elodie Bouchez and Natacha Regnier, who deservedly shared the Best Actress Award at Cannes last year(and if there's any justice, will be nominated for an Oscar this year). Bouchez's Isa is hooked on life, in a dreamy way, and is open to all the possibilities, yet she sees how fleeting it all is. Regnier's Marie, on the other hand, doesn't expect much from the hand she's been dealt, and enters a bad relationship because of it, but there's enough there that we desperately wish she could find the peace Isa wishes her near the end. I forget who said great acting is in the eyes, but Bouchez and Regnier certainly qualify there; you can see the life in Bouchez's, and the cold resignation in Regnier's. This is an outstanding film.

Think of desperate couples in cinema and you conjure up Joe Buck and Ratzo from "Midnight Cowboy" or "Thelma and Louise". After seeing the beautifully done French film, "Dreamlife of Angels", you must add Isa and Marie to that list. "Dreamlife of Angels" triumphs because it is a story simply told and acted with such real-life honesty that you feel intimately tied to the main characters by film's end. It also helps that it is filmed mostly with a hand-held camera giving close ups and studied portraits of two people's alienated lives. Isabella is twenty-one, moving from town to town with all her worldly belongings on her backpack, intelligent yet strangely without much of a future. Marie is the same age and in the same rut, seemingly without any anchor herself although she does have a flat she is 'house-sitting' since the mother and daughter occupants have been involved in a tragic auto accident. They want to chain smoke their way through life, devoid of wealth and ambition. There is much insight into their broken lives when Isa remarks that her father left her mother for another woman when she was young while Marie counters that having separated parents is better than to have an abusive father living together with her victimized mother. The title of this film suggests an angelic life but it is clear from their bleak existence that it is a wish and a yearning rather than reality. Isa and Marie do get to share each other's misery. And their desire not to follow the cookie cutter mode does unite them for awhile (the film makes pointed references to a sewing factory and an electronics workplace where everyone is doing the exact tedious chore). However Marie falls prey to her blind passion to love and be loved and cannot tolerate the conscience personified by Isa. For it is Isa that nags about loyalty to friends, about the scoundrel boyfriend Chris who will only break her heart and about a bond of fidelity toward Sandrine, hospitalized in a deep coma and someone Isa knows only from reading her personal diary. "Dreamlife of Angels" could have passed as another soap opera if not for the genuine performances of Elodie Bouchez as Isa and Natacha Regnier as Marie. Their smiles and grimaces are heartfelt and it is their portraits which illuminate a most telling story of love, betrayal, and finally resignation.

Dreamlife Of Angels best exemplifies why I enjoy foreign films. It is not dependent on "star" power, computer generated images, overt violence, or scenes with fantastic stunts. What it has are characters which are richly developed, believable, showing emotions which are palpable and for whom we can care. What we find out here is simple is sometimes best. The plot is the life and death of a friendship. It is an interesting character study of two poor, young women. One is outgoing and carefree while the other has been abused is more withdrawn and insecure. The set is a small, very plain town in France which was filmed simply and often with hand held cameras. The performances by Elodie Bouchez (Isa) and Natacha Regnier (Marie) in the title characters were outstanding. Gregorie Colin (Chris) as the boyfriend, club owner, and heel was great as well. The film as also provides food for thought in its title especially considering the last few scenes. I'll let you make those conclusions. If you don't get to see this film in the theater, rent it. Caution: the film's rating is due to a rather explicit sex scene. Three plus stars!!!

Yes, the acting is superb, both the leads: the footloose, free-spirit Isa and the angry and erratic Marie. Also the supporting cast: the fat-boy bouncer and the rich-boy cad.

What's available to young women cast out of the nest? How does one survive the winters as a homeless person in the northern France? Mind-numbing factory work is available. But where to live, and how to find the community that homo sapiens need to be mentally healthy? We learn what it takes to survive. Isa has great resources; she's an extrovert and has a genuine concern for others. She finds community with a most unlikely person. Poor Marie, wanly beautiful, is withdrawn and suspicious; one must intrude forcibly to get beyond her defenses. And yet she's careless. So faced with the same chances, one woman finds psychic sustenance while the other stumbles into despair.