Executive Command

In 1997, former American NINJA Michael Dudikoff and director Rick Jacobson so thoroughly ripped off the previous year's EXECUTIVE DECISION that it's hard to imagine how they avoided a lawsuit. A decade later, Steven Seagal returned the favor by blatantly remaking Dudikoff's BLACK THUNDER as FLIGHT OF FURY. Whatever the dynamics behind this odd reciprocation between stars, Dudikoff/Jacobson's offering is actually the sincerer form of flattery, for despite its knockoff status, it's a pretty serviceable adventure – a little too light on the action for my taste, but excelling in most other important areas.

The story: When a terrorist unit hijacks an airliner and threatens to detonate a devastating chemical weapon over America unless their demands are met, the designer of the weapon (Dudikoff) joins a Special Forces team to board the plane mid-flight and neutralize the threat.

I never thought I'd see the day when Michael Dudikoff becomes a cooler guy than Kurt Russell, but it happens in this film: Dudikoff and Russell play virtually the same role in their respective films, and the former's infinitely more active and able take on the part is the one way that COMMAND decisively outshines DECISION. Rick Jacobson's lively direction and maximization of resources helps a lot, making for a movie that's smaller-scaled than its original but no less professional-looking and, arguably, more fun. A great cast that includes Amanda Wyss, Paul Winfield, and Jsu Garcia keeps the plot energized and upbeat, thereby creating a tone that's fairly breezy for an action-thriller.

The always-welcome Richard Norton plays the terrorist leader, and in addition to being a fun menace, he helps supplies the movie's action highlights via three hand-to-hand fights with Dudikoff (one of them is even good). Other than that, the adrenaline scenes are limited to a handful of gunfights, including several ill-advised ones on the plane. The film leans disproportionately on the latter aspect of its action-thriller label, and I consider this a bad idea given that it's not nearly as serviceable of a nail-bitter as the movie it's aping. The fun characters help keep viewers involved, but there's nothing here in terms of excitement that you won't find anywhere else.

The movie teeters on a higher rating from me. I have a feeling that fans of Dudikoff will consider this one a favorite, but I could have used a bit more substantial action. Nevertheless, I can't speak too strongly against this one, and thus I'll give it an unenthusiastic recommendation: catch it on TV or lift it from the bargain bin.

I couldn't believe what I was seeing when I watched this turkey of a movie. Surely, if Hollywood handed out awards for blatant plagiarism, this load of horse manure would win hands down. Basically a total rip-off of `Executive Decision' with lashings of `Air Force One' and a pinch of `The Rock' slung in for good measure. How the makers of this dross got away without being sued for every penny they had beats me. Most of the other hacks on this page have outlined the finer plagiaristic details so I won't repeat them again here. But this film gives new meaning to the words `low budget'. The producers obviously had so little money that they couldn't even afford a few extras to serve as terrified passengers. And there were so many plot holes you could fly a real 747 straight through them. Like at the end where the Dudikoff character and the chief baddie are fighting it out. Bag of deadly toxin splits open. Baddies die horrible deaths, twitching and vomiting all over the place. Dudikoff has a syringe full of antidote and injects himself, Nicolas Cage-style. Okay I can just about buy that. But the other people on board - all goodies and a matter of metres away in the next cabin - conveniently remain completely unaffected. And just minutes before this, we were supposed to be buying into the line that a few broken bags of this stuff would wipe out the population of LA? I rest my case. Sexy female terrorist though!!!!

This film is pretty damn bad. As has already been mentioned the film steals the plots of Executive Decision and borrows a bit of the Rock for good measure.

What I did not understand was why would the kidnappers hijack the Vice Presidents plane ?? Surely with all that potential chemical death on board any plane would have done. In fact why use a plane at all just use a bomb in a warehouse with the chemical. Oh well who knows the minds of master criminals in terrible films ?

The plot is stolen from executive decistion. The aerial shots are borrowed from stock footage. This really only leaves the acting to save it - sadly it doesn't. Stereotypical bad guys and Stereotypical good guys (the leader of the special forces team sent in to rescue the Vice President is a gung ho idiot so that the main film hero can take over - oh my god).

Good look finding more work for all involved in this turkey.

Combine the two and what do you get? STRATEGIC COMMAND (originally titled EXECUTIVE PRIVILEGE, the title I prefer, which was also the original title of MURDER AT 1600). Michael Dudikoff comes to the rescue when the Vice President (Michael Cavanaugh) is held prisoner en route to D.C. For some reason (probably budget ones), the plane is a commercial airliner instead of Air Force Two. Due to the limited Secret Service (three guys and a girl), Richard Norton and cronies manage to overtake the plane, courtesy of a traitorous Secret Service agent, holding everyone aboard hostage for the old standby demand of wanting a fellow terrorist released from prison. Teaming with an elite strike force, Dudikoff attempts to save the day and his girlfriend (Amanda Wyss), a journalist who's on board to do an exclusive interview with the Vice President. Nick Corri is the head of the team, who (naturally) dislikes Dudikoff immediately but comes to except him. As with EXECUTIVE DECISION, their method of boarding the plane is by way of a specially-designed plane, this time an SR-71. But the operation goes wrong, and half the team gets left behind, leaving only Dudikoff, Corri, and one other soldier to neutralize the situation. Once on board, it's time to sneak around and improvise since most of the equipment was also left on the SR-71. The film is somewhat hampered by a low budget and the "rushed" feel that a lot of direct-to-video movies have, but it comes out well enough, helped along by a great soundtrack that sounds like a merging of the talents of Jerry Goldsmith and John Williams. Brother composers Eric and David Wurst should be given some big-budget movies to work with. STRATEGIC COMMAND is no AIR FORCE ONE or EXECUTIVE DECISION, but it's decent entertainment for a boring night.

I don't remember seeing a movie that used so much elements of other films. The whole plot is nothing else than a mix of "Executive Decision" and "The Rock". And if you watch carefully (show me someone who is able to do so) you will recognize various other scenes who are copied from blockbusters.

Although the story is everything else than new it's still fun to watch this B-picture. Dudikoff and Norton are such terrible actors, you can't stop laughing. And don't forget these cheap action sequences. So if you don't mind a lousy story, cheesy acting and horrible action this is the right thing for you.